{"id":100881,"date":"2011-04-18T21:53:39","date_gmt":"2011-04-18T19:53:39","guid":{"rendered":"https:\/\/www.iemj.org\/poussieres-dexil-la-serena\/"},"modified":"2025-10-16T12:23:10","modified_gmt":"2025-10-16T10:23:10","slug":"poussieres-dexil-la-serena","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/","title":{"rendered":"Poussi\u00e8res d&#8217;exil"},"content":{"rendered":"<p>Die Sopranistin Evelyne Dubosq, die im Jahr 2000 w\u00e4hrend einer Ausbildung am Centre de musique m\u00e9di\u00e9vale in Paris in die sephardische Musik eingef\u00fchrt wurde, ist von dieser Musik mit ihren orientalischen und mittelalterlichen Ankl\u00e4ngen verzaubert und betreibt eine regelrechte Forschungsarbeit, die den Ansatz eines Zoltan Kodaly oder eines Bela Bartok f\u00fcr die ungarische Musik nachahmt.<\/p>\n<p>Der K\u00fcnstler n\u00e4hert sich S\u00e4ngerinnen wie Fran\u00e7oise Atlan, Karoline Zaidline und Judy Frankel an. Alle erz\u00e4hlen eine identische Geschichte, die aus Entdeckungen, Liebe und dem Wunsch besteht, ein musikalisches Erbe von unerh\u00f6rtem Reichtum fortbestehen zu lassen; ein Erbe, das im Laufe der Jahrhunderte dank der Frauen, die allein diese Lieder interpretierten, erhalten blieb.<\/p>\n<p>Daraus entstand die CD <em>Poussi\u00e8res d&#8217;exil<\/em>, deren Ziel es ist, das musikalische Erbe der sephardischen und griechischen Juden in Kleinasien wiederzugeben.<\/p>\n<p>Evelyne Dubosq (Gesang), Antoine Bourgeau (Laouto, Udu, Tabla, Daf, Crotales, Glockenspiel), Beno\u00eet Gsell (Gitarre, Glockenspiel, Gesang, Daf), Dimitri Zembragkis (Gesang, Saz, Oud, Bouzouki, Baglama).<\/p>\n<p><a href=\"https:\/\/www.podcastjournal.net\/Poussieres-d-exil-suit-sa-bonne-etoile_a3532.html\" target=\"_blank\" rel=\"noopener\">Weitere Informationen<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-39025 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV4-300x256.jpg\" alt=\"\" width=\"499\" height=\"426\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV4-300x256.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV4.jpg 600w\" sizes=\"(max-width: 499px) 100vw, 499px\" \/><\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-110606\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png\" alt=\"\" width=\"1210\" height=\"157\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w\" sizes=\"(max-width: 1210px) 100vw, 1210px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Die Sopranistin Evelyne Dubosq, die im Jahr 2000 w\u00e4hrend einer Ausbildung am Centre de musique m\u00e9di\u00e9vale in Paris in die sephardische Musik eingef\u00fchrt wurde, ist von dieser Musik mit ihren<\/p>\n","protected":false},"author":1047,"featured_media":39032,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1571,1561],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1888],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-100881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-de","category-letzte-neuerwerbungen-de","genre-judaisch-spanisch-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Poussi\u00e8res d&#039;exil - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poussi\u00e8res d&#039;exil - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Die Sopranistin Evelyne Dubosq, die im Jahr 2000 w\u00e4hrend einer Ausbildung am Centre de musique m\u00e9di\u00e9vale in Paris in die sephardische Musik eingef\u00fchrt wurde, ist von dieser Musik mit ihren\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2011-04-18T19:53:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-16T10:23:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"342\" \/>\n\t<meta property=\"og:image:height\" content=\"348\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nicolas Fevre\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nicolas Fevre\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"2\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/\"},\"author\":{\"name\":\"Nicolas Fevre\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/0dfc8632809ec10c9e7d4daf4f4b9f1c\"},\"headline\":\"Poussi\u00e8res d&#8217;exil\",\"datePublished\":\"2011-04-18T19:53:39+00:00\",\"dateModified\":\"2025-10-16T10:23:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/\"},\"wordCount\":173,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2011\\\/04\\\/Poussieres-dexil_COUV.jpg\",\"articleSection\":[\"CD\",\"Letzte Neuerwerbungen\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/\",\"name\":\"Poussi\u00e8res d'exil - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2011\\\/04\\\/Poussieres-dexil_COUV.jpg\",\"datePublished\":\"2011-04-18T19:53:39+00:00\",\"dateModified\":\"2025-10-16T10:23:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2011\\\/04\\\/Poussieres-dexil_COUV.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2011\\\/04\\\/Poussieres-dexil_COUV.jpg\",\"width\":342,\"height\":348},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/poussieres-dexil-la-serena\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Poussi\u00e8res d&rsquo;exil\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/0dfc8632809ec10c9e7d4daf4f4b9f1c\",\"name\":\"Nicolas Fevre\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d879fd262de3ba26caa7035b34c65f320aa09cf4c96889ac41d9325e287ccb7b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d879fd262de3ba26caa7035b34c65f320aa09cf4c96889ac41d9325e287ccb7b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d879fd262de3ba26caa7035b34c65f320aa09cf4c96889ac41d9325e287ccb7b?s=96&d=mm&r=g\",\"caption\":\"Nicolas Fevre\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Poussi\u00e8res d'exil - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/","og_locale":"de_DE","og_type":"article","og_title":"Poussi\u00e8res d'exil - Institut Europ\u00e9en des Musiques Juives","og_description":"Die Sopranistin Evelyne Dubosq, die im Jahr 2000 w\u00e4hrend einer Ausbildung am Centre de musique m\u00e9di\u00e9vale in Paris in die sephardische Musik eingef\u00fchrt wurde, ist von dieser Musik mit ihren","og_url":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2011-04-18T19:53:39+00:00","article_modified_time":"2025-10-16T10:23:10+00:00","og_image":[{"width":342,"height":348,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV.jpg","type":"image\/jpeg"}],"author":"Nicolas Fevre","twitter_card":"summary_large_image","twitter_misc":{"Verfasst von":"Nicolas Fevre","Gesch\u00e4tzte Lesezeit":"2\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/"},"author":{"name":"Nicolas Fevre","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/0dfc8632809ec10c9e7d4daf4f4b9f1c"},"headline":"Poussi\u00e8res d&#8217;exil","datePublished":"2011-04-18T19:53:39+00:00","dateModified":"2025-10-16T10:23:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/"},"wordCount":173,"publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV.jpg","articleSection":["CD","Letzte Neuerwerbungen"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/","url":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/","name":"Poussi\u00e8res d'exil - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV.jpg","datePublished":"2011-04-18T19:53:39+00:00","dateModified":"2025-10-16T10:23:10+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2011\/04\/Poussieres-dexil_COUV.jpg","width":342,"height":348},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/de\/poussieres-dexil-la-serena\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/de\/"},{"@type":"ListItem","position":2,"name":"Poussi\u00e8res d&rsquo;exil"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/de\/#website","url":"https:\/\/www.iemj.org\/de\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/de\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/de\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/0dfc8632809ec10c9e7d4daf4f4b9f1c","name":"Nicolas Fevre","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/d879fd262de3ba26caa7035b34c65f320aa09cf4c96889ac41d9325e287ccb7b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d879fd262de3ba26caa7035b34c65f320aa09cf4c96889ac41d9325e287ccb7b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d879fd262de3ba26caa7035b34c65f320aa09cf4c96889ac41d9325e287ccb7b?s=96&d=mm&r=g","caption":"Nicolas Fevre"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/100881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/users\/1047"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/comments?post=100881"}],"version-history":[{"count":1,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/100881\/revisions"}],"predecessor-version":[{"id":126955,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/100881\/revisions\/126955"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media\/39032"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media?parent=100881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/categories?post=100881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tags?post=100881"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/technique?post=100881"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/squelettes?post=100881"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/sujet?post=100881"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/formation?post=100881"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/genre?post=100881"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/fonds?post=100881"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tradition?post=100881"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-de-contenu?post=100881"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/interprete-compositeur?post=100881"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/frise?post=100881"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-devenement?post=100881"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tableaux-liens-externes?post=100881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}