{"id":112836,"date":"2024-06-20T12:14:41","date_gmt":"2024-06-20T10:14:41","guid":{"rendered":"https:\/\/www.iemj.org\/darius-milhaud-et-ses-oeuvres-inspirees-de-la-tradition-juive\/"},"modified":"2024-06-20T14:18:50","modified_gmt":"2024-06-20T12:18:50","slug":"darius-milhaud-et-ses-oeuvres-inspirees-de-la-tradition-juive","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/darius-milhaud-et-ses-oeuvres-inspirees-de-la-tradition-juive\/","title":{"rendered":"Darius Milhaud und seine von der j\u00fcdischen Tradition inspirierten Werke"},"content":{"rendered":"

Darius Milhaud<\/a> wurde am 4. September 1892 in Marseille geboren und entstammte einer alten j\u00fcdischen Familie aus dem Comtat Venaissin. Als Autor eines produktiven Werkes (443 Opusnummern!) hat Darius Milhaud alle Genres angepackt: Oper, Kammermusik, symphonische Musik, Konzerte, Ballette, Vokalmusik. Seine musikalische Sprache ist von Polytonalit\u00e4t und Polyrhythmik gepr\u00e4gt. Er sch\u00f6pft seine Inspiration sowohl aus dem Jazz als auch aus der brasilianischen, afrikanischen oder auch j\u00fcdisch-provenzalischen Musik. Er bezeichnet sich selbst als „Franzose aus der Provence und israelitischer Religion“.<\/p>\n

Milhauds j\u00fcdisch inspirierte Werke, die zwischen 1916 und 1974 entstanden, sind haupts\u00e4chlich Vokalwerke. Sie haben ihre Urspr\u00fcnge in den j\u00fcdischen Traditionen des Comtat Venaissin, wie die Po\u00e8mes juifs<\/em> (1916), die Oper Esther de Carpentras<\/em> (1925-1927), Chants populaires h\u00e9bra\u00efques<\/em> (1925), \"\"Pri\u00e8res journali\u00e8res \u00e0 l’usage des Juifs du Comtat Venaissin<\/em>\u00a0(1927), Liturgie comtadine<\/em> (1933), Cantate nuptiale<\/em> (1937), Couronne de gloire<\/em> (1940)… Der Zweite Weltkrieg und Milhauds Exil in den USA im Jahr 1940 bewirkten bei dem Komponisten ein umfassenderes Bewusstsein seiner J\u00fcdischkeit, das sich insbesondere in seinen sp\u00e4teren Werken widerspiegelt: Borechou-Schema Israel<\/em>\u00a0(1944), Kaddish<\/em>\u00a0(1945), Service sacr\u00e9 pour le samedi matin<\/em> (1947), Lekha dodi<\/em> (1948), Cantate des Proverbes<\/em> (1951), Le Cand\u00e9labre \u00e0 sept branches<\/em><\/a> [Der siebenarmige Kandelaber] (1951), das 1952-1953 komponierte Oratorium David<\/em> f\u00fcr die dritte Jahrtausendfeier Jerusalems 1954, Le Dibbouk<\/em> (1963) oder die Kantate Ani Maamin<\/em> (1972) auf einen Text von Elie Wiesel, die von den Schrecken in Auschwitz, Treblinka, Maidanek berichtet… diese Orte, an denen mehr als zwanzig der Cousins des Komponisten umkamen.<\/p>\n

Die folgende Playlist bietet Ihnen Ausz\u00fcge aus mehreren seiner emblematischen j\u00fcdischen Werke, wie seine Etude sur des th\u00e8mes liturgiques du Comtat Venaissin<\/em>, seine Chants populaires h\u00e9bra\u00efques<\/em>, seine Cantate des proverbes<\/em>, Couronne de gloire<\/em>, Ani Maamin<\/em>, Ca\u00efn et Abel<\/em>, sowie verschiedene Gebete auf Hebr\u00e4isch (Lekha dodi<\/em>, Adon olam<\/em>\u2026).<\/p>\n

Darius Milhauds Biografie lesen<\/a><\/p>\n

Den Artikel Le Cand\u00e9labre \u00e0 Sept branches [Der siebenarmige Kandelaber] von Darius Milhaud lesen<\/a><\/p>\n\n\n

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Darius Milhaud wurde am 4. September 1892 in Marseille geboren und entstammte einer alten j\u00fcdischen Familie aus dem Comtat Venaissin. 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