{"id":120066,"date":"2025-05-06T14:34:39","date_gmt":"2025-05-06T12:34:39","guid":{"rendered":"https:\/\/www.iemj.org\/la-circoncision-brit-mila\/"},"modified":"2025-05-08T13:17:41","modified_gmt":"2025-05-08T11:17:41","slug":"la-circoncision-brit-mila","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/la-circoncision-brit-mila\/","title":{"rendered":"Die Beschneidung (Brit-Mila)"},"content":{"rendered":"<p><!--more--><\/p>\n<p><strong>Von Ephra\u00efm Kahn<\/strong><\/p>\n<p>Die Beschneidung, auch <em>Brit-Mila<\/em> (\u05d1\u05b0\u05e8\u05b4\u05d9\u05ea \u05de\u05b4\u05d9\u05dc\u05b8\u05d4) genannt, markiert den Eintritt des m\u00e4nnlichen Neugeborenen in den Bund Abrahams und in den j\u00fcdischen Volksscho\u00df.<\/p>\n<h3>Die Zeremonie<\/h3>\n<p>Wie jeder Abschnitt des j\u00fcdischen Lebens folgt auch die Beschneidungszeremonie einem festgelegten Ritus. Deshalb wird sie &#8211; wie k\u00f6nnte es anders sein? &#8211; von einem festlichen Mahl begleitet.<\/p>\n<p>Am achten Lebenstag wird das Kind &#8211; sofern es gesund ist &#8211; in den Raum getragen, in dem sich Familie und Freunde versammelt haben. Findet die Zeremonie in der Synagoge statt, ist sie oft ein gemeinschaftliches Ereignis.<\/p>\n<p>Die Anordnung des Mobiliars ist klar definiert: In der Mitte steht ein Thron, auch <em>Stuhl des Propheten Elias<\/em> genannt. Darauf wird das Kind gelegt, manchmal auch auf den Scho\u00df des Sandak<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_1');\" onkeypress=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_1');\" ><sup id=\"footnote_plugin_tooltip_120066_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120066_1_1\" class=\"footnote_tooltip\">Der Sandak ist die Person, die das m\u00e4nnliche Kind w\u00e4hrend der Beschneidung auf den Oberschenkeln oder Knien h\u00e4lt. Je nach Tradition kann dies der Gro\u00dfvater oder Vater des Kindes sein, aber auch&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_1');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120066_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_120066_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> Die Utensilien des <em>Mohel<\/em>, des Beschneiders, liegen auf einem Tisch an der Seitenwand.<\/p>\n<p>Das Kind wird oft mit dem Begr\u00fc\u00dfungslied \u201eSei gesegnet, treue Gemeinde\u201c (<em>Beruchim Atem<\/em>) willkommen gehei\u00dfen. Nach dem Lesen verschiedener Verse, die von Gemeinde zu Gemeinde variieren, werden die Segensspr\u00fcche gesprochen und die Beschneidung vollzogen.<\/p>\n<p><strong><em>Beruchim Atem (Djerba &#8211; Tunesien)<\/em><\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3?_=1\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3<\/a><\/audio>\n<p><!--more--><\/p>\n<figure id=\"attachment_120029\" aria-describedby=\"caption-attachment-120029\" style=\"width: 360px\" class=\"wp-caption alignright\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-120029\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim.jpg\" alt=\"\" width=\"360\" height=\"245\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim-300x204.jpg 300w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-120029\" class=\"wp-caption-text\"><strong>Herve Roten, Beschneidung, Grand Quartier Djerba &#8211; Sept. 1994<\/strong><\/figcaption><\/figure>\n<p>Der Text von <em>Beruchim Atem<\/em> stammt aus einem weit verbreiteten Gedicht, dessen Autor unbekannt ist. 1994 hat Herv\u00e9 Roten w\u00e4hrend einer Mission auf Djerba mit Israel Adler und Simha Arom eine Feldaufnahme gemacht. In seinem Buch <a href=\"https:\/\/www.iemj.org\/de\/musiques-liturgiques-juives\/\" target=\"_blank\" rel=\"noopener\"><em style=\"font-size: revert;\">Musiques liturgiques juives, Parcours et escales<\/em><\/a> (J\u00fcdische liturgische Musik, Wege und Stationen) berichtet er \u00fcber die Rezitation, die vom Kantor der Gemeinde geleitet wurde:<\/p>\n<p>\u201eYa&#8217;aqov B&#8217;shiri sitzt auf einem Stuhl. Tiefe Falten durchziehen seine Stirn wie die Saiten seiner \u00fbd. Mit altersschwacher Stimme stimmt er ein Pijut an, das die M\u00e4nner lauthals mitsingen. Vor acht Tagen ist in der Familie Zaken ein Kind geboren worden. Dieser Tag der Beschneidung markiert seinen Eintritt in die Gemeinschaft der Juden von Djerba, und die Lieder, mit denen er begr\u00fc\u00dft wird, werden ihn sein ganzes Leben lang begleiten&#8220;<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_2');\" onkeypress=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_2');\" ><sup id=\"footnote_plugin_tooltip_120066_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120066_1_2\" class=\"footnote_tooltip\">J\u00fcdische liturgische Musik, Parcours et escales, Hrsg. Cit\u00e9 de la musique \/ Actes Sud, 1998, S. 95<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120066_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_120066_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p><!--more--><\/p>\n<figure id=\"attachment_120036\" aria-describedby=\"caption-attachment-120036\" style=\"width: 371px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\" wp-image-120036\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929.jpg\" alt=\"\" width=\"371\" height=\"206\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929.jpg 576w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929-300x167.jpg 300w\" sizes=\"(max-width: 371px) 100vw, 371px\" \/><figcaption id=\"caption-attachment-120036\" class=\"wp-caption-text\"><strong>Beruchim atem (Djerba) &#8211; Transkription von Robert Lachmann ca. 1929<\/strong><\/figcaption><\/figure>\n<p>Bei der Begr\u00fc\u00dfung des Neugeborenen und auch schon vorher stimmen die Anwesenden oft ein Lied zu Ehren des Propheten Elija an. Zwei biblische Gestalten werden mit dieser Zeremonie in Verbindung gebracht: der Patriarch Abraham und der Prophet Elija. Ersterer erhielt den g\u00f6ttlichen Befehl, durch seine Beschneidung und die seiner m\u00e4nnlichen Nachkommen in den Bund einzutreten. Letzterer besucht nach einer Lehre der alten Weisen die Versammlungen der Beschneidung aller Generationen und bezeugt so die Treue seines Volkes zum Bund.<\/p>\n<p data-wp-editing=\"1\"><!--more--><\/p>\n<p><strong><em>Eliyahu Hanavi<\/em> &#8211; Vokalensemble der Synagoge von Versailles<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3?_=2\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3<\/a><\/audio>\n<p><strong><em>Eli Eliyahu Hanavi<\/em> &#8211; Haim Harboun<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3?_=3\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3<\/a><\/audio>\n<p>Weitere liturgische Gedichte wurden f\u00fcr die Beschneidung verfasst. Zwei davon, <em>Efta&#8217;h sefatay berinah<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_3');\" onkeypress=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_3');\" ><sup id=\"footnote_plugin_tooltip_120066_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120066_1_3\" class=\"footnote_tooltip\">abwechselnd hebr\u00e4ische und provenzalische Verse<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120066_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_120066_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> und <em>Messi\u00e8s qu&#8217;entendes<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_4');\" onkeypress=\"footnote_moveToReference_120066_1('footnote_plugin_reference_120066_1_4');\" ><sup id=\"footnote_plugin_tooltip_120066_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120066_1_4\" class=\"footnote_tooltip\">Gedicht vollst\u00e4ndig auf Provenzalisch<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120066_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_120066_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, wurden vom IEMJ im Album <a href=\"https:\/\/www.iemj.org\/de\/musiques-judeo-francaises-des-xviiie-et-xixe-siecles\/\"><em>Musiques Jud\u00e9o-Fran\u00e7aises des XVIIIe et XIXe Si\u00e8cles<\/em><\/a> ver\u00f6ffentlicht.<\/p>\n<p><strong><em>Efta&#8217;h sefatay berinah<\/em> &#8211; Adolphe Attia<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3?_=4\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3<\/a><\/audio>\n<p><strong><em>Efta&#8217;h sefatay berinah<\/em> &#8211; Adolphe Attia<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3?_=5\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3<\/a><\/audio>\n<p><!--more--><\/p>\n<h3>\u00a0<\/h3>\n<h3><em>Zeved ha-Bat<\/em>, Fest der Geburt eines M\u00e4dchens<\/h3>\n<p data-wp-editing=\"1\"><img decoding=\"async\" class=\"alignright wp-image-120051\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Presentation-fille-e1746528841281.jpg\" alt=\"\" width=\"312\" height=\"280\" \/>In der j\u00fcdischen Tradition gibt es kein weibliches \u00c4quivalent zur Beschneidung. Dennoch wird die Geburt eines M\u00e4dchens heute in der Regel gefeiert. Neben der Nominierung des Kindes durch den Vater in der Synagoge &#8211; mit einem Aufstieg zur Tora und einem anschlie\u00dfenden Gebet f\u00fcr die Gesundheit von Mutter und Kind &#8211; findet ein Fest f\u00fcr Familie und Freunde statt.<\/p>\n<p>Der Begriff <em>Zeved ha-Bat<\/em>, der mit \u201eGeschenke einer Tochter\u201c \u00fcbersetzt werden kann, hat sich heute eingeb\u00fcrgert, um sowohl die Ernennung als auch die Feier zu beschreiben. Kein traditionelles Lied wird ausdr\u00fccklich erw\u00e4hnt. Jahrhundert schrieb der bedeutendste Dichter des marokkanischen Judentums, Rabbi David Bouzaglo, das erste <em>Piyut<\/em> (liturgisches Lied) f\u00fcr diesen Anlass: <em>Qiryatenu melea nehora<\/em> (Unsere Stadt ist mit Licht erf\u00fcllt), auf eine Melodie von Farid El Atrache, <em>Ya ritni tir<\/em>.<\/p>\n<p>In j\u00fcngerer Zeit widmete der israelische Dichter Almog Behar dem Thema ein Gedicht im Rahmen des Projekts <em>Bo-u legani<\/em> unter der musikalischen Leitung von Yair Harel. Das Gedicht mit dem Titel <em>Jalda Julda lanu<\/em> ist auf eine ladinische Hochzeitsmelodie, <em>Seniora novia<\/em>, abgestimmt.<\/p>\n<p><strong><em>Zeved Habbat<\/em> &#8211; Jo Amar<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3?_=6\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3<\/a><\/audio>\n<p><strong><em>\u00a0Jalda Julda lanu <\/em>(Seniora novia)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120066-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3?_=7\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3<\/a><\/audio>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<h3>\u21d2 <a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Circoncision+OU+WRD+%3D+Brit+Mila+OU+WRD+%3D+Brith+Mila+OU+WRD+%3D+Berit+Mila&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Weitere Dokumente \u00fcber die Brit-Mila in unseren Sammlungen ansehen.<\/a><\/h3>\n<h3>\u21d2 <a href=\"https:\/\/www.iemj.org\/de\/produit\/musiques-judeo-francaises-des-xviiie-et-xixe-siecles\/\" target=\"_blank\" rel=\"noopener\">Das vom IEMJ produzierte Album Musiques Jud\u00e9o-Fran\u00e7aises des XVIIIe et XIXe Si\u00e8cles bestellen<\/a>.<\/h3>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Chansons de Brit Mila (circoncision) \/ Brit Mila playlist\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/iNtayMbw2-Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_120066_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_120066_1();\">[<a id=\"footnote_reference_container_collapse_button_120066_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_120066_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120066_1('footnote_plugin_tooltip_120066_1_1');\"><a id=\"footnote_plugin_reference_120066_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Der Sandak ist die Person, die das m\u00e4nnliche Kind w\u00e4hrend der Beschneidung auf den Oberschenkeln oder Knien h\u00e4lt. Je nach Tradition kann dies der Gro\u00dfvater oder Vater des Kindes sein, aber auch eine religi\u00f6se Autorit\u00e4t oder eine zu ehrende Person.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120066_1('footnote_plugin_tooltip_120066_1_2');\"><a id=\"footnote_plugin_reference_120066_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">J\u00fcdische liturgische Musik, Parcours et escales, Hrsg. Cit\u00e9 de la musique \/ Actes Sud, 1998, S. 95<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120066_1('footnote_plugin_tooltip_120066_1_3');\"><a id=\"footnote_plugin_reference_120066_1_3\" class=\"footnote_backlink\">3<\/a><\/th> <td class=\"footnote_plugin_text\">abwechselnd hebr\u00e4ische und provenzalische Verse<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120066_1('footnote_plugin_tooltip_120066_1_4');\"><a id=\"footnote_plugin_reference_120066_1_4\" class=\"footnote_backlink\">4<\/a><\/th> <td class=\"footnote_plugin_text\">Gedicht vollst\u00e4ndig auf Provenzalisch<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_120066_1() { 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