{"id":42978,"date":"2020-09-09T14:56:25","date_gmt":"2020-09-09T12:56:25","guid":{"rendered":"https:\/\/www.iemj.org\/les-selihot-dans-le-rite-marocain\/"},"modified":"2024-02-16T17:44:48","modified_gmt":"2024-02-16T16:44:48","slug":"les-selihot-dans-le-rite-marocain","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/les-selihot-dans-le-rite-marocain\/","title":{"rendered":"Die Slichot im marokkanischen Ritus"},"content":{"rendered":"<p><strong>Eine Auswahl von <em>Selihot<\/em>, gespielt von Jo Amar, Ouriel Amar, Ouria Bensoussan, Ouriel Elbilia, Lior Elmaliah&#8216;, Haim Louk und Avraham Toledano<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Die <em>Slichot <\/em>sind Gebete der Bu\u00dfe und Reue, mit denen der Gl\u00e4ubige bei Gott, f\u00fcr die begangenen S\u00fcnden, um Vergebung bittet. Dieser Brauch basiert auf den <a href=\"https:\/\/en.wikipedia.org\/wiki\/Thirteen_Attributes_of_Mercy\" target=\"_blank\" rel=\"noopener\">13 g\u00f6ttlichen Attributen der Barmherzigkeit<\/a>, die der \u00dcberlieferung nach, Moses von Gott \u00fcbergeben wurden (Exodus, 34, 6-7).<\/p>\n<p>Urspr\u00fcnglich wurden die <em>Slichot<\/em> w\u00e4hrend der Jom-Kippur- und Fastengottesdienste gelesen. Dann weitete sich der Brauch auf die 10 Tage (<em>Jamim Noraim<\/em>), zwischen Rosch ha-Schana und Kippur aus. Die aschkenasische und die chassidische Gemeinschaft sprechen die <em>Slichot <\/em>an dem Samstag, welcher dem Fest Rosch ha-Schana (um mindestens vier Tage) vorausgeht. Die sephardischen Gemeinschaften wiederum, lesen sie ab dem 1. Elul, vierzig Tage lang bei Sonnenaufgang und vor dem Morgengebet.<\/p>\n<p>Auf der folgenden Playlist ist eine Auswahl an <em>Slichot,<\/em> aus verschiedenen marokkanischen Riten (Casablanca, Mekn\u00e8s, Marrakech\u2026), zu h\u00f6ren. \u201eAd\u00e9nou\u201c (Antworte mir) ist das erste dieser <em>Slichot<\/em>, wird vom israelischen Hazzan (Kantor einer Synagoge) Avraham Toledano vorgetragen und auf eine typische Melodie der Stadt Mekn\u00e8s gesungen. Diesen Ritus erkennt man an einer raffinierten Mischung aus andalusischen Kl\u00e4ngen und ruckartigen Rhythmen, welche aus der berberischen Folklore der die Stadt Mekn\u00e8s umgebenden Berge, stammen.<\/p>\n<p>Das sechste <em>Selicha<\/em> \u201eHatanou Lefaneikha\u201c, wird von Lior Elmaliah\u2018 vorgetragen und folgt einer Melodie Marrakechs. \u201eElekha Hachem\u201c, das siebte <em>Selicha,<\/em> wird vom weltber\u00fchmten Kantor Haim Louk vorgetragen und folgt einer Melodie der wei\u00dfen Stadt von Casablanca.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/de\/les-selihot-%d7%a1%d7%9c%d7%99%d7%97%d7%95%d7%aa\/\" target=\"_blank\" rel=\"noopener\">Lesen Sie den Beitrag \u00fcber die Slichot<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/de\/chants-des-juifs-du-maroc-1\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie die Playlist \u2013 Gesang marokkanischer Juden 1<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/de\/chants-des-juifs-du-maroc-2\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie die Playlist \u2013 Gesang marokkanischer Juden 2<br \/><\/a><\/li>\n<\/ul>\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"146\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2-1024x146.jpg\" alt=\"\" class=\"wp-image-93110\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2-1024x146.jpg 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2-300x43.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2-768x110.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2-1536x220.jpg 1536w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2-600x86.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_DE2.jpg 1608w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e411b7a7-e0fc-4d0b-aa0c-dd9a26119976\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/01_anenou_avraham_toledano_rite_meknassi_k7_1303_08__1.mp3\">Anenou &#8211; Avraham Toledano (rite Meknassi)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-fdf8195a-a178-4279-8684-8d78910215b0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/02_el_melekh_yoshev__ouriel_amar_k7_369_14__1.mp3\">El melekh yoshev &#8211; Ouriel Amar<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1c75e319-6448-4635-8183-ede4d95fbb4a\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/03_ya_shema_evionekha_ouriel_elbilia_k7_992_13__1.mp3\">Ya Shema Evionekha &#8211; Ouriel Elbilia<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-772316f3-fd41-45e1-950a-99bb9a73cc0f\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/04_atanu_lehalot_paneikha_jo_amar_d33-30_1971b_05__1.mp3\">Atanu Lehalot Paneikha &#8211; Jo Amar<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-6accd2a9-c806-431c-a192-05c5b8ce5708\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/05_medley_seli_hot_ouria_bensoussan_1.mp3\">Medley Selihot &#8211; Ouria Bensoussan<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-342172bf-bbc9-44c6-9c68-3075841803fe\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/06_hatanou-lefanekha-lior-elmaliah_rite_marakchi__1.mp3\">Hatanou lefanekha &#8211; Lior Elmaliah (rite Marakchi)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-f05f23e0-315c-4cb6-b266-21915a0ccf15\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/07_eleha_hachem-rabbin-haim-louk_rite_casablancais__1.mp3\">Elekha Hachem &#8211; Rabbin Haim Louk (rite Casablancais)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eine Auswahl von Selihot, gespielt von Jo Amar, Ouriel Amar, Ouria Bensoussan, Ouriel Elbilia, Lior Elmaliah&#8216;, Haim Louk und Avraham Toledano<\/p>\n","protected":false},"author":1045,"featured_media":42979,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1891],"fonds":[],"tradition":[1970],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-42978","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de","genre-liturgie-de","tradition-marokkanischer-ritus-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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