{"id":50621,"date":"2018-06-05T17:31:38","date_gmt":"2018-06-05T15:31:38","guid":{"rendered":"https:\/\/www.iemj.org\/vingt-nigunim-pour-clarinette-et-piano-de-claudine-movsessian-et-martine-vialatte\/"},"modified":"2025-08-27T13:15:02","modified_gmt":"2025-08-27T11:15:02","slug":"vingt-nigunim-pour-clarinette-et-piano-de-claudine-movsessian-et-martine-vialatte","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/vingt-nigunim-pour-clarinette-et-piano-de-claudine-movsessian-et-martine-vialatte\/","title":{"rendered":"Zwanzig Nigunim f\u00fcr Klarinette und Klavier von Claudine Movsessian und Martine Valatte"},"content":{"rendered":"<h4>\u00a0<\/h4>\n<h4><strong>TONDATEIEN\u00a0 unten<\/strong><\/h4>\n<p><!--more--><\/p>\n<p>Als der Chassidismus in der zweiten H\u00e4lfte des 18. Jahrhunderts in Podolien auftauchte, kam es zum Entstehen eines neuen Gesangs halbwegs zwischen religi\u00f6ser und weltlicher Volksmusik\u00a0: des Niguns.<\/p>\n<p>Ein Nigun (wortw\u00f6rtlich \u00ab\u00a0Melodie\u00a0\u00bb)\u00a0 basiert auf einem einfachen melodischen Motiv, das manchmal von kurzen Silben wie \u00ab\u00a0doy, doy, doy\u00a0\u00bb bzw. \u00ab\u00a0ya-ba-bam\u00a0\u00bb begleitet wird, die meistens mehrmals wiederholt werden. K\u00f6rperbewegungen k\u00f6nnen auch Nigunim (Plural von Nigun) begleiten und manchmal eine gewisse Form der Trance hervorrufen.<\/p>\n<p>In der j\u00fcdischen Tradition werden Nigunim durch Improvisationen belebt. Durch die Herausgabe der 20 Nigunim dieser Partiturensammlung bem\u00fchten sich Claudine Movsessian und Martine Valatte, den Geist dieser originellen musikalichen Form wiederzugeben. Bei der schriftlichen Transkription versuchten sie, der Struktur der 20 Nigunim so treu wie m\u00f6glich zu folgen. Manche Stellen f\u00fcr Improvisationen wurden nicht transkribiert (u.a. bei Wiederholungen), damit Interpreten ihrer eigenen Improvisation freien Lauf lassen k\u00f6nnen.<\/p>\n<p>Diese Partiturensammlung soll also eine Einf\u00fchrungsmethode in die Klezmermusik mit deren spezifischen Verzierungen, Pausen und deren fr\u00f6hlichen Wehmut sein.<\/p>\n<p><strong>Die 20 Nigunim k\u00f6nnen in der Playlist unten geh\u00f6rt werden und jedem K\u00e4ufer\u00a0der Partiturensammlung werden sie kostenlos geschickt.<\/strong><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/de\/produit\/movsessian-and-vialatte-twenty-nigunim-for-clarinet-and-piano-printed-score\/\">Bestellen Sie die Partitur <em>Zwanzig nigunim<\/em> im IEMJ-Shop und erhalten Sie einen Link zum Download der Sounddateien<\/a><\/p>\n<center><strong>Ein Nigun aus der Partitur, unten<\/strong><br \/><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-19922\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/extrait_partition_20_nigunim.jpg\" alt=\"extrait_partition_20_nigunim.jpg\" width=\"514\" height=\"730\" align=\"center\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/extrait_partition_20_nigunim.jpg 514w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/extrait_partition_20_nigunim-211x300.jpg 211w\" sizes=\"(max-width: 514px) 100vw, 514px\" \/><\/center>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/1_-_nigun_dansant.mp3\">1 &#8211; NIGUN Dansant<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/2_-_nigun_nostalgique.mp3\">2 &#8211; NIGUN Nostalgique<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/3_-_nigun_espiegle.mp3\">3 &#8211; NIGUN Espi\u00e8gle<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/4_-_nigun_lunaire.mp3\">4 &#8211; NIGUN Lunaire<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/5_-_nigun_circulaire.mp3\">5 &#8211; NIGUN Circulaire<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/6_-_nigun_etrange.mp3\">6 &#8211; NIGUN \u00c9trange<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/7_-_nigun_traditionnel.mp3\">7 &#8211; NIGUN Traditionnel<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/8_-_nigun_libre_1.mp3\">8 &#8211; NIGUN Libre 1<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/9_-_nigun_contrapuntique.mp3\">9 &#8211; NIGUN Contrapuntique<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/10_-_nigun_jubilatoire.mp3\">10 &#8211; NIGUN Jubilatoire<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/11_-_nigun_romantique.mp3\">11 &#8211; NIGUN Romantique<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/12_-_nigun_surprise.mp3\">12 &#8211; NIGUN Surprise<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/13_-_nigun_orient.mp3\">13 &#8211; NIGUN Orient<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/14_-_nigun_livre.mp3\">14 &#8211; NIGUN Livre<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/15_-_nigun_joyeux.mp3\">15 &#8211; NIGUN Joyeux<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/16_-_nigun_du_feu.mp3\">16 &#8211; NIGUN Du Feu<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/17_-_nigun_etoile.mp3\">17 &#8211; NIGUN \u00c9toile<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/18_-_nigun_libre_2.mp3\">18 &#8211; NIGUN Libre 2<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/19_-_nigun_fluide.mp3\">19 &#8211; NIGUN Fluide<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/06\/20_-_nigun_la_ronde.mp3\">20 &#8211; NIGUN La Ronde<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 TONDATEIEN\u00a0 unten<\/p>\n","protected":false},"author":5,"featured_media":50622,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1396,1390],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[1857],"genre":[1875],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-50621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-partituren-iemj-de","category-veroffentlichungen-de","formation-instrumental-de","genre-klezmer-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zwanzig Nigunim f\u00fcr Klarinette und Klavier von Claudine Movsessian und Martine Valatte - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" 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