{"id":50888,"date":"2017-03-01T12:49:45","date_gmt":"2017-03-01T11:49:45","guid":{"rendered":"https:\/\/www.iemj.org\/du-salon-au-front-fernand-halphen-1872-1917-compositeur-mecene-et-chef-de-musique-militaire\/"},"modified":"2023-09-13T14:40:11","modified_gmt":"2023-09-13T12:40:11","slug":"du-salon-au-front-fernand-halphen-1872-1917-compositeur-mecene-et-chef-de-musique-militaire","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/du-salon-au-front-fernand-halphen-1872-1917-compositeur-mecene-et-chef-de-musique-militaire\/","title":{"rendered":"Vom Salon an die Front: Fernand Halphen (1872-1917), Komponist, M\u00e4zen und Kapellmeister des Milit\u00e4rs"},"content":{"rendered":"

Der Sammelband erschien im April 2017 unter der Leitung von Laure Schnapper, mit der Unterst\u00fctzung von Pierre-Andr\u00e9 Meyer \u2013 mit einem Vorwort von Herv\u00e9 Roten, unter der Schirmherrschaft des EHESS, des IEMJ und der Association Yuval, im Hermann Verlag, anl\u00e4sslich des hundertsten Todestags von Fernand Halphen (1872-1917) ver\u00f6ffentlicht, einem Komponisten und M\u00e4zenen, der 1917 im Krieg f\u00fcr Frankreich fiel.<\/p>\n

<\/p>\n

Vor 100 Jahren starb Fernand Halphen<\/a> an den Folgen einer an der Front zugezogenen Krankheit. Nichts pr\u00e4destinierte diesen Sohn einer wohlhabenden israelitischen Pariser Familie dazu, zweieinhalb Jahre lang das offizielle Orchester der Nordarmee zu dirigieren; die Melodien und Kammermusik, die er komponierte, spiegeln die elegante Atmosph\u00e4re der Salons der Dritten Republik wider, dem goldenen Zeitalter der franz\u00f6sischen Melodie.<\/p>\n

Der umfassende Archivfonds, welches er zusammengetragen hatte, erm\u00f6glichte es, die Karriere eines franz\u00f6sischen Komponisten in einer von der Wagner-Mode und der Dreyfus-Aff\u00e4re beherrschten Zeit, genaustens nachzuzeichnen. Fernand Halphen stand G. Faur\u00e9 nahe und war Student am Conservatoire, wo er mit R. Hahn, H. Br\u00fcssler, A. Cortot, Ch. Koechlin und E. Risler verkehrte und schlie\u00dflich mit dem 2. Prix de Rome ausgezeichnet wurde. Finanziell unterst\u00fctzte er Musiker sein ganzes Leben und auch dar\u00fcber hinaus, indem er den Studenten des Conservatoire, einen betr\u00e4chtlichen Teil seines Erbes vermachte, was seine Witwe Alice unterst\u00fctzte.<\/p>\n

Bestellen Sie das Buch im Onlineshop des IEMJ<\/strong><\/a><\/h3>\n

——————————<\/p>\n

Inhaltsverzeichnis<\/h3>\n

Das Vorwort von Herv\u00e9 Roten
\nDie Einf\u00fchrung und Danksagung von Laure Schnapper<\/p>\n

Teil 1 : eine Famile aus der j\u00fcdischen Pariser Elite
\n<\/span>\u00a0Pierre-Andr\u00e9 Meyer, Der Aufstieg einer j\u00fcdischen Familie<\/span>: die Eltern Georges Halphen und Henriette Stern<\/i><\/span>
\n<\/span>\u00a0Basile Baudez, Die Wonst\u00e4tten von <\/span>Fernand Halphen<\/i><\/span><\/p>\n

Teil 2\u00a0: Bildungsjahre und musikalische Freudschaften
\n<\/span>\u00a0Laure Schnapper, Die Kompositionsklasse und die Freundschaft mit <\/span>Faur\u00e9<\/i><\/span>
\n<\/span>\u00a0Jean-Christophe Branger et Philippe Blay, Der<\/span> Massenet\u00a0-Kreis : Fernand Halphen, Reynaldo Hahn und Edouard Risler<\/i><\/span><\/p>\n

Teil 3\u00a0: Das Werk
\n<\/span>\u00a0Fran\u00e7ois Le Roux, <\/span>Die Melodien, Ansichten eines Interpreten<\/i><\/span>
\n<\/span>\u00a0Alexis Galp\u00e9rine, <\/span>Halphen oder eine hypothetische j\u00fcdisch-franz\u00f6sische Geige<\/i><\/span>
\n<\/span>\u00a0St\u00e9phanie Moraly, <\/span>Die Kammermusik<\/i><\/span><\/p>\n

Teil 4\u00a0: der Erste Weltkrieg
\nLaure Schnapper, Kapellmeister vom 13. Infratrieregiment <\/i><\/p>\n

—————————<\/h3>\n

Pressestimmen (in franz\u00f6sich)<\/span><\/strong>:<\/span><\/p>\n

Un musicien dans la grande Guerre<\/a>,<\/em> article de St\u00e9phane Leteur\u00e9<\/p>\n

Article de Victor Eskenasy<\/a> sur Radio Europa Libera du 20 f\u00e9vrier 2018<\/p>\n

F. Halphen cl\u00f4t l’ann\u00e9e de l’IEMJ<\/a> – Actualit\u00e9 Juive N\u00b01461 – 4 janvier 2018 – article de Monique Feldstein<\/p>\n

Article paru dans le cadre de l\u2019exposition virtuelle Paris-Manchester 1918<\/strong><\/a> propos\u00e9e par le Conservatoire de Paris et le Royal College de Manchester.<\/p>\n

Recension G\u00e9n\u00e9aloJ n\u00b0 131<\/a><\/p>\n

Article de Fr\u00e9d\u00e9ric Gaussin<\/a>, La lettre du Musicien n\u00b0493<\/p>\n

Compte rendu Fernand Halphen par Jo\u00ebl-Marie Fauquet – Revue de Musicologie Tome 105 – 2019 n\u00b01<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Der Sammelband erschien im April 2017 unter der Leitung von Laure Schnapper, mit der Unterst\u00fctzung von Pierre-Andr\u00e9 Meyer \u2013 mit einem Vorwort von Herv\u00e9 Roten, unter der Schirmherrschaft des 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