{"id":58554,"date":"2019-03-19T15:53:44","date_gmt":"2019-03-19T14:53:44","guid":{"rendered":"https:\/\/www.iemj.org\/hip-hop-in-urban-borderlands\/"},"modified":"2021-08-24T11:35:10","modified_gmt":"2021-08-24T09:35:10","slug":"hip-hop-in-urban-borderlands","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/hip-hop-in-urban-borderlands\/","title":{"rendered":"Hip Hop in Urban Borderlands"},"content":{"rendered":"<p><!--more--><\/p>\n<p><strong>Hip-Hop in urbanen Grenzgebieten<\/strong><\/p>\n<p>\u201eMusikalische Produktion, Identit\u00e4t und interkulturelle Dynamik an den R\u00e4ndern der israelischen Gesellschaft\u201c lautet der Untertitel dieses neuen Buchs, dem ersten einer Studienreihe \u00fcber j\u00fcdische Musik. Welche Rolle spielt der Hip-Hop, in der Definition von Identit\u00e4t, in Israel heutzutage?<\/p>\n<p>Der Hip-Hop tauchte in diesem Land, Anfang der 1990er Jahre auf. Gespielt wird er von Gruppen oder einzelnen Personen, die oft bez\u00fcglich der \u00c4sthetik, der Ideen, der Positionierung und der nationalen Identit\u00e4t uneinig waren. Mit einem ethnografischen Ansatz untersuchte die Forscherin <strong>Miranda Crowdus<\/strong> die Beziehungen zwischen Juden und Nicht-Juden, in den s\u00fcdlichen Vierteln von Tel Aviv, im Kontext popul\u00e4rer und kommerzieller Initiativen innerhalb der Hip-Hop-Kultur.<\/p>\n<p>Auch wenn es in dem Buch, speziell um einen spezifischen st\u00e4dtischen Bereich \u2013 den S\u00fcden Tel Avivs \u2013 geht, werden aber auch sehr viel umfassendere Themen beleuchtet, wie die Volksmusik, die Globalisierung und besonders die Kluft zwischen den allt\u00e4glichen Erfahrungen der Hip-Hop-K\u00fcnstler sowie die damit verbundenen ideologischen Vorstellungen.<\/p>\n<p><em>Miranda Crowdus ist Forscherin am Europ\u00e4ischen Zentrum f\u00fcr J\u00fcdische Musik (EZJM) (Centre Europ\u00e9en des Musiques Juives). Ihre Forschung der Musikwissenschaft und der Musikethnologie handeln von der j\u00fcdischen Kultur, dem inter-religi\u00f6sen Dialog und dem k\u00fcnstlerischen Ausdruck.<\/em><\/p>\n<p><a href=\"https:\/\/www.peterlang.com\/view\/title\/67503\" target=\"_blank\" rel=\"noopener\">Kaufen Sie das Buch auf der Seite des Verlags<\/a><\/p>\n<p><a href=\"https:\/\/www.hmtm-hannover.de\/de\/start\/\" target=\"_blank\" rel=\"noopener\">Besuchen Sie die Seite des Europ\u00e4ischen Zentrum f\u00fcr J\u00fcdische Musik (EZJM)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1048,"featured_media":58555,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1578,1561],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1871],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bucher-artikel-de","category-letzte-neuerwerbungen-de","genre-dub-hip-hop-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hip Hop in Urban Borderlands - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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