{"id":58587,"date":"2020-01-21T15:19:51","date_gmt":"2020-01-21T14:19:51","guid":{"rendered":"https:\/\/www.iemj.org\/commando-musik\/"},"modified":"2021-08-24T12:23:22","modified_gmt":"2021-08-24T10:23:22","slug":"commando-musik","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/commando-musik\/","title":{"rendered":"Commando Musik"},"content":{"rendered":"

\u00c9ditions Buchet-Chastel, Oktober 2019, 413 S.<\/p>\n

<\/p>\n

Willem de Vries<\/strong> wurde 1939 in Amsterdam geboren und hat in Musikwissenschaft promoviert. W\u00e4hrend der Abfassung seiner Dissertation, zwischen 1984 und 1991, \u00fcber das Thema „Darius Milhaud und der Jazz“ entdeckte er die Existenz des Kommandos „Musik“, dem er dann seine Forschungen widmete.<\/em><\/p>\n

Der Raub j\u00fcdischen Eigentum durch die Nationalsozialisten betraf sowohl Immobilien als auch Unternehmen, Kunstwerke, B\u00fccher usw. Die kulturelle Dimension von Pl\u00fcnderungen und Enteignungen wurde von der Rosenberg-Organisation (ERR) eingef\u00fchrt, die 1940 mit dem Ziel gegr\u00fcndet wurde, das j\u00fcdische Kulturleben in ganz Europa zu beseitigen.<\/p>\n

Die am wenigsten bekannte Dimension dieser Enteignungen betrifft die Musik: In der Tat wurde ein Sonderstab Musik, bestehend aus bedeutenden deutschen Musikwissenschaftlern, geschaffen, um Instrumente, Partituren und Manuskripte ausfindig zu machen und ihren Besitzern zu entziehen.<\/p>\n

Dies ist das Thema dieser Arbeit von Willem de Vries, die mehr als zehn Jahre Forschung erforderte. Sie enth\u00fcllt zum ersten Mal die Organisation dieses Kommandos, das zwischen 1940 und 1944 mehrere hunderttausend Werke und mehrere zehntausend Instrumente und Partituren nach Deutschland „\u00fcberf\u00fchrte“.<\/p>\n

Der Komponist Darius Milhaud, die Pianisten Wanda Landowska und Arthur Rubinstein, der Musikkritiker Arno Pold\u00e8s und der Cellist Gregor Piatigorsky geh\u00f6rten zu den Opfern dieser massiven r\u00e4uberischen Enteignungen, deren Akteure, Funktionsweise und Umfang endlich ans Licht gebracht werden.<\/p>\n

\u00dcbersetzung von Laurent Slaars
Vorwort von Sonia Wieder-Atherton
Vorbemerkung von Corinne Hershkovitch<\/p>\n

Die franz\u00f6sische \u00dcbersetzung dieses Buches wurde von der Stiftung zur Erinnerung an die Shoah unterst\u00fctzt.<\/p>\n

Am 31. Januar 2020 findet in Sciences-Po in Paris (75007) ein Studientag zum Thema „Raubmusik“ oder „Wie die Nazis das musikalische Europa pl\u00fcnderten“, statt.<\/a><\/p>\n

Weiter lesen<\/a>
Kaufen Sie das Buch<\/a><\/p>\n

Lesen Sie die Rezension von Philippe Velay \u00fcber das Buch „Commando Musik“ von Willem De Vries<\/a><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9ditions Buchet-Chastel, Oktober 2019, 413 S.<\/p>\n","protected":false},"author":5,"featured_media":58588,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1578],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bucher-artikel-de"],"acf":[],"yoast_head":"\nCommando Musik - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/commando-musik\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta 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