{"id":65176,"date":"2018-01-22T16:08:12","date_gmt":"2018-01-22T15:08:12","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque-1\/"},"modified":"2025-06-19T18:15:21","modified_gmt":"2025-06-19T16:15:21","slug":"la-musique-juive-baroque-1","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-1\/","title":{"rendered":"Die j\u00fcdische Barockmusik 1"},"content":{"rendered":"<p><strong>H\u00f6ren Sie eine Auswahl j\u00fcdischer Barockmusik mit Werken von Benedetto, Rossi, Grossi, Lidarti, Saladin und Caceres<\/strong><\/p>\n<p><!--more-->Seit Anbeginn der Zeit wird die j\u00fcdische Musik durch m\u00fcndliche \u00dcberlieferung weitergegeben. Die Ausnahme bilden drei Manuskriptfragmente von Ovadia dem Proselyten aus dem 12. Jahrhundert<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65176_1('footnote_plugin_reference_65176_1_1');\" onkeypress=\"footnote_moveToReference_65176_1('footnote_plugin_reference_65176_1_1');\" ><sup id=\"footnote_plugin_tooltip_65176_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65176_1_1\" class=\"footnote_tooltip\">Vgl. Israel Adler, &#8222;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand&#8220;, Revue de Musicologie, 51, 1965, pp. 19-51.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65176_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_65176_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> sowie einige biblische Kantillationen des 15. und 16. Jahrhunderts<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65176_1('footnote_plugin_reference_65176_1_2');\" onkeypress=\"footnote_moveToReference_65176_1('footnote_plugin_reference_65176_1_2');\" ><sup id=\"footnote_plugin_tooltip_65176_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65176_1_2\" class=\"footnote_tooltip\">Es handelt sich dabei insbesondere um biblische Kantillationen, die von christlichen Humanisten niedergeschrieben wurden, welche die Bibeltexte in ihrer urspr\u00fcnglichen Form studieren wollten. Vgl.&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_65176_1('footnote_plugin_reference_65176_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65176_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_65176_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p><span style=\"font-size: inherit;\"><img fetchpriority=\"high\" decoding=\"async\" class=\" alignright size-full wp-image-17964\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/doc_1_baroque.jpg\" alt=\"doc_1_baroque.jpg\" width=\"230\" height=\"332\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/doc_1_baroque.jpg 230w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/doc_1_baroque-208x300.jpg 208w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/span>Erst im 17. Jahrhundert erschienen in Italien die ersten Notenschriften, welche in j\u00fcdischen Gemeinden gespielt wurden. Diese Werke erscheinen, aufgrund der Tatsachen, dass sie die musikalische Sprache des Barock aufgegriffen haben, als \u00fcberaus modern!<\/p>\n<p><span style=\"font-size: inherit;\">\u00a0<\/span><\/p>\n<ul>\n<li><a style=\"font-size: revert;\" href=\"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque\/\" target=\"_blank\" rel=\"noopener\">Lesen Sie den Beitrag \u00fcber die j\u00fcdische Barockmusik<\/a><\/li>\n<li>\n<p><a href=\"https:\/\/www.iemj.org\/de\/baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Radiosendung an: J\u00fcdische Barockmusik, pr\u00e4sentiert von Herv\u00e9 Roten<\/a><\/p>\n<\/li>\n<li><a href=\"https:\/\/www.iemj.org\/de\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich, die Radiosendung an: Die verborgenen Seiten der j\u00fcdischen Musik &#8211; J\u00fcdische Barockmusik, pr\u00e4sentiert von H\u00e9l\u00e8ne Engel<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Playlist an: j\u00fcdische Barockmusik Teil 2<\/a><\/li>\n<\/ul>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/1_estro_poetico_harmonico_marcello_benedetto_extrait_-_ensemble_apollo.mp3\">Estro poetico harmonico (Marcello Benedetto) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/2_psalm_146_haleluyah_rossi_extrait_-_profeti_della_quinta.mp3\">Psalm 146 Haleluyah (Rossi) (EXTRAIT) &#8211; Profeti della quinta<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/3_lemi_ehpots_laasot_yeqar_rossi_-_ensemble_texto.mp3\">Lemi ehpots laasot yeqar (Rossi) &#8211; Ensemble texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/4_cantate_guetteur_grossi_extrait_-_ensemble_apollo.mp3\">Cantate guetteur (Grossi) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/5_symphony-overture_in_c_adon_olam_s._h._jarach_extrait_-_synagogal_music_in_the_baroque.mp3\">Symphony-overture in C Adon Olam (S. H. Jarach) (EXTRAIT) &#8211; Synagogal Music in the Baroque<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/6_inauguration_de_la_synagogue_de_sienne_-_gallichi_et_drei_ex.mp3\">Inauguration de la synagogue de Sienne (EXTRAIT) &#8211; Gallichi et Drei<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/7_canticum_hebraicum_saladin_extrait_-_joel_cohen_de_env_11_44_a_fin.mp3\">Canticum hebraicum (Saladin) (EXTRAIT) &#8211; Jo\u00ebl Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/8_hamessiah_illemim_caceres_extrait_-_avner_itai_cd_30_06.mp3\">Hamessiah illemim (Caceres) (EXTRAIT) &#8211; Avner Ita\u00ef<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/9_kol_haneshama_-_ensemble_texto.mp3\">Kol haneshama &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/10_beyt_yisrael_sifdu_lidarti_-_ensemble_texto.mp3\">Beyt Yisrael sifdu (Lidarti) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_65176_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_65176_1();\">[<a id=\"footnote_reference_container_collapse_button_65176_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_65176_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65176_1('footnote_plugin_tooltip_65176_1_1');\"><a id=\"footnote_plugin_reference_65176_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Vgl. Israel Adler, &#8222;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand&#8220;, Revue de Musicologie, 51, 1965, pp. 19-51.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65176_1('footnote_plugin_tooltip_65176_1_2');\"><a id=\"footnote_plugin_reference_65176_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Es handelt sich dabei insbesondere um biblische Kantillationen, die von christlichen Humanisten niedergeschrieben wurden, welche die Bibeltexte in ihrer urspr\u00fcnglichen Form studieren wollten. Vgl. J. B\u00f6schenstein (Codex hebraicus, Munich, vers 1500), Johannes Reuchlin (De accentibus et orthographia linguae hebraicae, Haguenau, 1518), ou encore Sebastian M\u00fcnster (Institutiones grammaticae in hebream linguam, B\u00e2le, 1524).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_65176_1() { jQuery('#footnote_references_container_65176_1').show(); jQuery('#footnote_reference_container_collapse_button_65176_1').text('\u2212'); } function footnote_collapse_reference_container_65176_1() { jQuery('#footnote_references_container_65176_1').hide(); jQuery('#footnote_reference_container_collapse_button_65176_1').text('+'); } function footnote_expand_collapse_reference_container_65176_1() { if (jQuery('#footnote_references_container_65176_1').is(':hidden')) { footnote_expand_reference_container_65176_1(); } else { footnote_collapse_reference_container_65176_1(); } } function footnote_moveToReference_65176_1(p_str_TargetID) { footnote_expand_reference_container_65176_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_65176_1(p_str_TargetID) { footnote_expand_reference_container_65176_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>H\u00f6ren Sie eine Auswahl j\u00fcdischer Barockmusik mit Werken von Benedetto, Rossi, Grossi, Lidarti, Saladin und Caceres<\/p>\n","protected":false},"author":1052,"featured_media":65177,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[2090],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1893,1891],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-65176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de","tag-italien-de","genre-barockmusik-de","genre-liturgie-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Die j\u00fcdische Barockmusik 1 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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