{"id":65194,"date":"2017-01-17T11:02:30","date_gmt":"2017-01-17T10:02:30","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque-2eme-partie\/"},"modified":"2025-06-19T12:27:32","modified_gmt":"2025-06-19T10:27:32","slug":"la-musique-juive-baroque-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/","title":{"rendered":"Die j\u00fcdische Barockmusik 2"},"content":{"rendered":"<p><strong>H\u00f6ren Sie eine Auswahl j\u00fcdischer Barockmusik mit Werken von Rossi, Grossi, Saladin, Caceres und Lidarti<\/strong><\/p>\n<p><!--more-->Seit Anbeginn der Zeit wird die j\u00fcdische Musik durch m\u00fcndliche \u00dcberlieferung weitergegeben. Die Ausnahme bilden drei Manuskriptfragmente von Ovadia dem Proselyten aus dem 12. Jahrhundert<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65194_1('footnote_plugin_reference_65194_1_1');\" onkeypress=\"footnote_moveToReference_65194_1('footnote_plugin_reference_65194_1_1');\" ><sup id=\"footnote_plugin_tooltip_65194_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65194_1_1\" class=\"footnote_tooltip\">Vgl. Israel Adler, \u201cLes chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand\u201d, Revue de Musicologie, 51, 1965, pp. 19-51.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65194_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_65194_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> sowie einige biblische Kantillationen des 15. und 16. Jahrhunderts<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65194_1('footnote_plugin_reference_65194_1_2');\" onkeypress=\"footnote_moveToReference_65194_1('footnote_plugin_reference_65194_1_2');\" ><sup id=\"footnote_plugin_tooltip_65194_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65194_1_2\" class=\"footnote_tooltip\">Es handelt sich dabei insbesondere um biblische Kantillationen, die von christlichen Humanisten niedergeschrieben wurden, welche die Bibeltexte in ihrer urspr\u00fcnglichen Form studieren wollten. Vgl.&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_65194_1('footnote_plugin_reference_65194_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65194_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_65194_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p>Erst im 17. Jahrhundert erschienen in Italien die ersten Notenschriften, welche in j\u00fcdischen Gemeinden gespielt wurden. Diese Werke erscheinen, aufgrund der Tatsachen, dass sie die musikalische Sprache des Barock aufgegriffen haben, als \u00fcberaus modern!<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque\/\" target=\"_blank\" rel=\"noopener\">Lesen Sie den Beitrag \u00fcber die j\u00fcdische Barockmusik<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/de\/baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Radiosendung an: J\u00fcdische Barockmusik, pr\u00e4sentiert von Herv\u00e9 Roten<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/de\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich, die Radiosendung an: Die verborgenen Seiten der j\u00fcdischen Musik \u2013 J\u00fcdische Barockmusik, pr\u00e4sentiert von H\u00e9l\u00e8ne Engel<\/a><\/li>\n<li><a style=\"font-size: revert;\" href=\"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Playlist an: j\u00fcdische Barockmusik Teil 1<\/a><\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12712\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg\" alt=\"doc_4_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/1_kaddish_rossi_extrait_-_ensemble_apollo.mp3\">Kaddish (Rossi) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/2_al_naharot_bavel_psaume_37_rossi_-_ensemble_texto.mp3\">Al naharot Bavel psaume 37 (Rossi) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/3chant_en_echo_pour_un_mariage_rossi_extrait_-_avner_itai.mp3\">Chant en echo pour un mariage (Rossi) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/4_cantata_ebraica_in_dialogo_grossi_extrait_-_joel_cohen.mp3\">Cantata Ebraica in Dialogo (Grossi) &#8211; Jo\u00ebl Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/5_aria_allegra_casale_monferato_hoshaana_raba_extrait_.mp3\">H\u00f4sha&#8217;na Raba in Casale Monferrato (EXTRAIT)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/6_canticum_hebraicum_saladin_extrait_-_avner_itai_couper_vers_2_55.mp3\">Canticum hebraicum (Saladin) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/7_leel_elim_caceres_-_ensemble_texto.mp3\">Leel elim (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/8_hishki_hizki_caceres_-_ensemble_texto.mp3\">Hishki Hizki (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/9_befi_yesharim_lidarti_-_ensemble_apollo.mp3\">Befi yesharim (Lidarti) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/10_oratorio_ester_zed_yahir_lidarti_-_ensemble_texto.mp3\">Oratorio Ester_Zed Yahir (Lidarti) &#8211; Ensemble Texto<\/a><\/div>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_65194_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_65194_1();\">[<a id=\"footnote_reference_container_collapse_button_65194_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_65194_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65194_1('footnote_plugin_tooltip_65194_1_1');\"><a id=\"footnote_plugin_reference_65194_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Vgl. Israel Adler, \u201cLes chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand\u201d, Revue de Musicologie, 51, 1965, pp. 19-51.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65194_1('footnote_plugin_tooltip_65194_1_2');\"><a id=\"footnote_plugin_reference_65194_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Es handelt sich dabei insbesondere um biblische Kantillationen, die von christlichen Humanisten niedergeschrieben wurden, welche die Bibeltexte in ihrer urspr\u00fcnglichen Form studieren wollten. Vgl. J. B\u00f6schenstein (Codex hebraicus, Munich, vers 1500), Johannes Reuchlin (De accentibus et orthographia linguae hebraicae, Haguenau, 1518), ou encore Sebastian M\u00fcnster (Institutiones grammaticae in hebream linguam, B\u00e2le, 1524).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_65194_1() { jQuery('#footnote_references_container_65194_1').show(); jQuery('#footnote_reference_container_collapse_button_65194_1').text('\u2212'); } function footnote_collapse_reference_container_65194_1() { jQuery('#footnote_references_container_65194_1').hide(); jQuery('#footnote_reference_container_collapse_button_65194_1').text('+'); } function footnote_expand_collapse_reference_container_65194_1() { if (jQuery('#footnote_references_container_65194_1').is(':hidden')) { footnote_expand_reference_container_65194_1(); } else { footnote_collapse_reference_container_65194_1(); } } function footnote_moveToReference_65194_1(p_str_TargetID) { footnote_expand_reference_container_65194_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_65194_1(p_str_TargetID) { footnote_expand_reference_container_65194_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>H\u00f6ren Sie eine Auswahl j\u00fcdischer Barockmusik mit Werken von Rossi, Grossi, Saladin, Caceres und Lidarti<\/p>\n","protected":false},"author":1052,"featured_media":65195,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[2090],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1893,1891],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-65194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de","tag-italien-de","genre-barockmusik-de","genre-liturgie-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Die j\u00fcdische Barockmusik 2 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die j\u00fcdische Barockmusik 2 - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"H\u00f6ren Sie eine Auswahl j\u00fcdischer Barockmusik mit Werken von Rossi, Grossi, Saladin, Caceres und Lidarti\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-01-17T10:02:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-19T10:27:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2042-e1631962121266.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"419\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lea Couderc\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lea Couderc\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"2\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/\"},\"author\":{\"name\":\"Lea Couderc\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\"},\"headline\":\"Die j\u00fcdische Barockmusik 2\",\"datePublished\":\"2017-01-17T10:02:30+00:00\",\"dateModified\":\"2025-06-19T10:27:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/\"},\"wordCount\":300,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/01\\\/arton2042-e1631962121266.jpg\",\"keywords\":[\"Italien\"],\"articleSection\":[\"Playlists\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/\",\"name\":\"Die j\u00fcdische Barockmusik 2 - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/01\\\/arton2042-e1631962121266.jpg\",\"datePublished\":\"2017-01-17T10:02:30+00:00\",\"dateModified\":\"2025-06-19T10:27:32+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/01\\\/arton2042-e1631962121266.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/01\\\/arton2042-e1631962121266.jpg\",\"width\":500,\"height\":419},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/la-musique-juive-baroque-2eme-partie\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Die j\u00fcdische Barockmusik 2\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\",\"name\":\"Lea Couderc\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"caption\":\"Lea Couderc\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Die j\u00fcdische Barockmusik 2 - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/","og_locale":"de_DE","og_type":"article","og_title":"Die j\u00fcdische Barockmusik 2 - Institut Europ\u00e9en des Musiques Juives","og_description":"H\u00f6ren Sie eine Auswahl j\u00fcdischer Barockmusik mit Werken von Rossi, Grossi, Saladin, Caceres und Lidarti","og_url":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2017-01-17T10:02:30+00:00","article_modified_time":"2025-06-19T10:27:32+00:00","og_image":[{"width":500,"height":419,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2042-e1631962121266.jpg","type":"image\/jpeg"}],"author":"Lea Couderc","twitter_card":"summary_large_image","twitter_misc":{"Verfasst von":"Lea Couderc","Gesch\u00e4tzte Lesezeit":"2\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/"},"author":{"name":"Lea Couderc","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/e2ad57f2c4be119c7ed8ab79036807a9"},"headline":"Die j\u00fcdische Barockmusik 2","datePublished":"2017-01-17T10:02:30+00:00","dateModified":"2025-06-19T10:27:32+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/"},"wordCount":300,"publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2042-e1631962121266.jpg","keywords":["Italien"],"articleSection":["Playlists"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/","url":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/","name":"Die j\u00fcdische Barockmusik 2 - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2042-e1631962121266.jpg","datePublished":"2017-01-17T10:02:30+00:00","dateModified":"2025-06-19T10:27:32+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2042-e1631962121266.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2042-e1631962121266.jpg","width":500,"height":419},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/de\/la-musique-juive-baroque-2eme-partie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/de\/"},{"@type":"ListItem","position":2,"name":"Die j\u00fcdische Barockmusik 2"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/de\/#website","url":"https:\/\/www.iemj.org\/de\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/de\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/de\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/e2ad57f2c4be119c7ed8ab79036807a9","name":"Lea Couderc","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","caption":"Lea Couderc"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/65194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/users\/1052"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/comments?post=65194"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/65194\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media\/65195"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media?parent=65194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/categories?post=65194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tags?post=65194"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/technique?post=65194"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/squelettes?post=65194"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/sujet?post=65194"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/formation?post=65194"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/genre?post=65194"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/fonds?post=65194"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tradition?post=65194"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-de-contenu?post=65194"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/interprete-compositeur?post=65194"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/frise?post=65194"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-devenement?post=65194"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tableaux-liens-externes?post=65194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}