{"id":69460,"date":"2021-01-14T10:27:54","date_gmt":"2021-01-14T09:27:54","guid":{"rendered":"https:\/\/www.iemj.org\/les-chants-de-shabbat-dans-le-rite-marocain\/"},"modified":"2024-02-16T15:52:24","modified_gmt":"2024-02-16T14:52:24","slug":"les-chants-de-shabbat-dans-le-rite-marocain","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/","title":{"rendered":"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS"},"content":{"rendered":"

Eine Auswahl an SabbatLiedern aus Marokko, dargeboten von David Abikzer, Jo Amar, Yossi Azoulay, Simon Berdugo, Ouriel Elbilia, Haim Louk, Moshe Louk et Emile Zrihen<\/strong><\/p>\n

Der Sabbat ist ein Ruhetag und eine Institution des j\u00fcdischen Lebens. Die Lieder, welche diesen besonderen Tag untermalen, spielen dabei eine wichtige Rolle. Sei es in er Synagoge mit den f\u00fcnf Gottesdiensten von Kabbalat Schabbat<\/em> bis Motsei Schabbat <\/em>oder zu Hause mit Ritualen, wie dem Anz\u00fcnden der Kerzen, dem Kiddusch<\/em> (Segen des Weins) am Freitagabend, dem Birkat Hamason<\/em><\/a> (Tischgebet, das nach dem Essen gesprochen wird) oder auch der Hawdala<\/em><\/a> (letzer Kiddusch<\/em>, welcher den Sabbat abschlie\u00dft). Es ist au\u00dferdem auch \u00fcblich, w\u00e4hrend der vier Sabbat-Mahlzeiten zahlreiche religi\u00f6se Gedichte die Zemirot <\/em>(bei den chassidischen Juden auch Tish Nigunim) genannt werden, zu singen.<\/p>\n

Der Sabbat erm\u00f6glicht es so seine innere Stimme durch seine \u00e4u\u00dfere Stimme zu finden.<\/p>\n

Auf der folgenden Playlist ist eine Auswahl an Sabbat-Liedern enthalten, welche von aus Marokko stammenden Kantoren und K\u00fcnstlern, wie David Abikzer, Jo Amar, Yossi Azoulay, Simon Berdugo, Ouriel Elbilia, Haim Louk, Moshe Louk ou encore Emile Zrihen. Anzumerken ist, dass manche auf der Playlist zu h\u00f6rende St\u00fccke, zum Zweck der Aufnahme von Musikinstrumenten begleitet wurden, was am Sabbat in den meisten j\u00fcdischen Gemeinschaften allerdings verboten ist.<\/p>\n

Lesen Sie den Artikel \u00fcber die SabbatLieder<\/a><\/p>\n\n\n

\"\"<\/figure>\n\n\n\n
Achorere Chira – Haim Louk (Extrait)<\/a><\/div>\n\n\n\n
Elekha Ekra Ya – Jo Amar (Extrait) <\/a><\/div>\n\n\n\n
Ki Echmera – Chabbat Projet Israel (Extrait)<\/a><\/div>\n\n\n\n
Yom Ze Le Israel – David Abikzer (Extrait)<\/a><\/div>\n\n\n\n
Deror Yikra – Emile Zrihen<\/a><\/div>\n\n\n\n
El Adone – Yossi Azoulay (Extrait)<\/a><\/div>\n\n\n\n
Koss Yechouot Essa – Simon Berdugo (Extrait)<\/a><\/div>\n\n\n\n
Yafa Vetama – Moshe Louk (Extrait)<\/a><\/div>\n\n\n\n
Yodoukha Rayonai – Ouriel Elbilia (Extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Eine Auswahl an SabbatLiedern aus Marokko, dargeboten von David Abikzer, Jo Amar, Yossi Azoulay, Simon Berdugo, Ouriel Elbilia, Haim Louk, Moshe Louk et Emile Zrihen Der Sabbat ist ein Ruhetag<\/p>\n","protected":false},"author":1045,"featured_media":69461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[],"technique":[],"squelettes":[],"sujet":[1856],"formation":[],"genre":[1891],"fonds":[],"tradition":[1970],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-69460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de","sujet-sabbat-de","genre-liturgie-de","tradition-marokkanischer-ritus-de"],"acf":[],"yoast_head":"\nDIE SABBATLIEDER IM MAROKKANISCHEN RITUS - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Eine Auswahl an SabbatLiedern aus Marokko, dargeboten von David Abikzer, Jo Amar, Yossi Azoulay, Simon Berdugo, Ouriel Elbilia, Haim Louk, Moshe Louk et Emile Zrihen Der Sabbat ist ein Ruhetag\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-14T09:27:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T14:52:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/01\/arton4968-e1618493276175.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"346\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Herv\u00e9 Roten\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Herv\u00e9 Roten\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"2\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/\"},\"author\":{\"name\":\"Herv\u00e9 Roten\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\"},\"headline\":\"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS\",\"datePublished\":\"2021-01-14T09:27:54+00:00\",\"dateModified\":\"2024-02-16T14:52:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/\"},\"wordCount\":288,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/arton4968-e1618493276175.jpg\",\"articleSection\":[\"Playlists\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/\",\"name\":\"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/arton4968-e1618493276175.jpg\",\"datePublished\":\"2021-01-14T09:27:54+00:00\",\"dateModified\":\"2024-02-16T14:52:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/arton4968-e1618493276175.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/arton4968-e1618493276175.jpg\",\"width\":350,\"height\":346},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chants-de-shabbat-dans-le-rite-marocain\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\",\"name\":\"Herv\u00e9 Roten\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"caption\":\"Herv\u00e9 Roten\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/","og_locale":"de_DE","og_type":"article","og_title":"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS - Institut Europ\u00e9en des Musiques Juives","og_description":"Eine Auswahl an SabbatLiedern aus Marokko, dargeboten von David Abikzer, Jo Amar, Yossi Azoulay, Simon Berdugo, Ouriel Elbilia, Haim Louk, Moshe Louk et Emile Zrihen Der Sabbat ist ein Ruhetag","og_url":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2021-01-14T09:27:54+00:00","article_modified_time":"2024-02-16T14:52:24+00:00","og_image":[{"width":350,"height":346,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/01\/arton4968-e1618493276175.jpg","type":"image\/jpeg"}],"author":"Herv\u00e9 Roten","twitter_card":"summary_large_image","twitter_misc":{"Verfasst von":"Herv\u00e9 Roten","Gesch\u00e4tzte Lesezeit":"2\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/"},"author":{"name":"Herv\u00e9 Roten","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd"},"headline":"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS","datePublished":"2021-01-14T09:27:54+00:00","dateModified":"2024-02-16T14:52:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/"},"wordCount":288,"publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/01\/arton4968-e1618493276175.jpg","articleSection":["Playlists"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/","url":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/","name":"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/01\/arton4968-e1618493276175.jpg","datePublished":"2021-01-14T09:27:54+00:00","dateModified":"2024-02-16T14:52:24+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/01\/arton4968-e1618493276175.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/01\/arton4968-e1618493276175.jpg","width":350,"height":346},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/de\/les-chants-de-shabbat-dans-le-rite-marocain\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/de\/"},{"@type":"ListItem","position":2,"name":"DIE SABBATLIEDER IM MAROKKANISCHEN RITUS"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/de\/#website","url":"https:\/\/www.iemj.org\/de\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/de\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/de\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd","name":"Herv\u00e9 Roten","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","caption":"Herv\u00e9 Roten"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/69460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/users\/1045"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/comments?post=69460"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/69460\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media\/69461"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media?parent=69460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/categories?post=69460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tags?post=69460"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/technique?post=69460"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/squelettes?post=69460"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/sujet?post=69460"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/formation?post=69460"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/genre?post=69460"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/fonds?post=69460"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tradition?post=69460"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-de-contenu?post=69460"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/interprete-compositeur?post=69460"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/frise?post=69460"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-devenement?post=69460"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tableaux-liens-externes?post=69460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}