{"id":72267,"date":"2016-10-17T15:36:43","date_gmt":"2016-10-17T13:36:43","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-hassidiques-3eme-partie\/"},"modified":"2025-05-27T12:52:52","modified_gmt":"2025-05-27T10:52:52","slug":"musiques-hassidiques-3eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/musiques-hassidiques-3eme-partie\/","title":{"rendered":"CHASSIDISCHE MUSIK (3.TEIL)"},"content":{"rendered":"

M<\/strong>it der Entstehung der chassidischen Bewegung in Podolie im 18. Jahrhundert, ging die Entstehung einer neuen Gesangsart, irgendwo zwischen religi\u00f6ser Musik und Volksmusik, einher. Hier bekommen sie eine Auswahl, einiger dieser chassidischen Lieder, zu h\u00f6ren<\/strong><\/p>\n

<\/p>\n

In den chassidischen Liedern \u00fcberwiegt das melodische Thema, oft begleitet von kurzen Lautmalereien wie \u201edoy doy doy\u201c oder \u201eya-ba-bam\u201c, welche in der Regel mehrere Male wiederholt werden. Ebenso k\u00f6nnen auch K\u00f6rperbewegungen die Nigunim (wortw\u00f6rtlich \u201eMelodien) begleiten.<\/p>\n

\"doc_2_hassidique_3.jpg\"<\/p>\n

Laut dem Baal Chem Tov, kann Gott nicht nur durch das Studium der heiligen Texte n\u00e4her gekommen werden, sondern auch durch Gesang und Tanz.<\/p>\n

Vorgetragen werden die Nigunim, in einem ausdrucksstarken Gesangsstil. Einem chassidischen Sprichwort zufolge, ruht die Essenz des Nigun in der Kavvanah (der Absicht): \u201eSchweigen ist mehr wert als Reden, aber Gesang ist mehr wert als Schweigen.\u201c<\/p>\n

H\u00f6ren Sie sich die Playlist an: Chassidische Musik (1. Teil)<\/a>
H\u00f6ren Sie sich die Playlist an: Chassidische Musik (2. Teil)<\/a>
<\/span><\/p>\n<\/p>\n

\"doc_1_hassidique_3_500px.jpg\"<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
Hallu Hodu – Ben ZION SHENKER<\/a><\/div>\n\n\n\n
Hodu Lashem – Sholosh R’Golim<\/a><\/div>\n\n\n\n
Nigun Levavi – Rabbi Shmuel BETSALEL ALTHAUS<\/a><\/div>\n\n\n\n
Rabbi Chaim’s Dance – Giora FEIDMAN<\/a><\/div>\n\n\n\n
Samchenu – Nira RABINOVITZ<\/a><\/div>\n\n\n\n
Sim Shalom – Gali ATARI<\/a><\/div>\n\n\n\n
Sisu V’Simchu – Sholosh R’Golim<\/a><\/div>\n\n\n\n
The Thre’ngers – Vehaer EYNEUINU<\/a><\/div>\n\n\n\n
Waltz of the Modzhitz Hassidim – Hassidic tunes of Dancing & Rejoicing<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Mit der Entstehung der chassidischen Bewegung in Podolie im 18. Jahrhundert, ging die Entstehung einer neuen Gesangsart, irgendwo zwischen religi\u00f6ser Musik und Volksmusik, einher. Hier bekommen sie eine Auswahl, einiger<\/p>\n","protected":false},"author":1052,"featured_media":72268,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-72267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de"],"acf":[],"yoast_head":"\nCHASSIDISCHE MUSIK (3.TEIL) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/musiques-hassidiques-3eme-partie\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CHASSIDISCHE MUSIK (3.TEIL) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Mit der Entstehung der chassidischen Bewegung in Podolie im 18. 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