{"id":72477,"date":"2018-12-19T11:11:36","date_gmt":"2018-12-19T10:11:36","guid":{"rendered":"https:\/\/www.iemj.org\/la-hora-en-musique\/"},"modified":"2025-07-08T17:50:48","modified_gmt":"2025-07-08T15:50:48","slug":"la-hora-en-musique","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/la-hora-en-musique\/","title":{"rendered":"DIE HORA IN DER MUSIK"},"content":{"rendered":"<p><strong>Sonderausgabe \u00fcber die israelische Hora<\/strong><\/p>\n<p><!--more-->Urspr\u00fcnglich ist die <a href=\"https:\/\/www.iemj.org\/de\/la-hora\/\" target=\"_blank\" rel=\"noopener\">hora<\/a> (auch \u201erum\u00e4nische Hora\u201c \u201eZhok\u201c, \u201eLondre\u201c, \u201eVolakh\u201c oder \u201eKrimer\u201c genannt) ein langsamer Tanz, der in Rum\u00e4nien (Moldawien, Bessarabien, Bukowina) und in einigen Teilen der Ukraine, sowohl unter Juden als auch unter Nicht-Juden verbreitet war.<\/p>\n<p>Es handelt sich dabei um einen b\u00e4uerlichen Reigen, welcher alle Versammelten in einem gro\u00dfen geschlossenen oder offenen Kreis zusammenf\u00fchrt. Die T\u00e4nzer halten sich an den H\u00e4nden, gehen dabei schr\u00e4g, vorw\u00e4rts oder r\u00fcckw\u00e4rts, im Uhrzeigersinn. Die Tanzenden singen von den Musikern begleitet, den Text des Liedes.<\/p>\n<p>Traditionellerweise wird eine Hora von Cimbalom, Akkordeon, Violine, Bratsche, Kontrabass, Saxofon, Trompete und Panfl\u00f6te begleitet.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/de\/la-hora\/\" target=\"_blank\" rel=\"noopener\">Lesen Sie den Hintergrundartikel \u00fcber die Hora<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-22157\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/doc_1_hora_500px.jpg\" alt=\"doc_1_hora_500px.jpg\" width=\"650\" height=\"310\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/doc_1_hora_500px.jpg 650w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/doc_1_hora_500px-300x143.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/doc_1_hora_500px-600x286.jpg 600w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/p>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"260\" height=\"270\" data-id=\"22160\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_1613_couv_500px.jpg\" alt=\"d33-30_1613_couv_500px.jpg\" class=\"wp-image-22160\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"293\" height=\"303\" data-id=\"22155\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_187_couv_500px.jpg\" alt=\"d33-30_187_couv_500px.jpg\" class=\"wp-image-22155\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_187_couv_500px.jpg 293w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_187_couv_500px-290x300.jpg 290w\" sizes=\"(max-width: 293px) 100vw, 293px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"293\" height=\"302\" data-id=\"22153\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_1496_couv_500px.jpg\" alt=\"d33-30_1496_couv_500px.jpg\" class=\"wp-image-22153\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_1496_couv_500px.jpg 293w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/d33-30_1496_couv_500px-291x300.jpg 291w\" sizes=\"(max-width: 293px) 100vw, 293px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/ay_ay_hora_extrait_-_the_barry_sisters.mp3\">Ay Ay Hora (EXTRAIT) &#8211; The Barry Sisters<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_-_genia_feierman.mp3\">Hora &#8211; Genia Feierman<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_agadati_-_nirkoda.mp3\">Hora agadati &#8211; Nirkoda<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_aviva_-_kol_aviv.mp3\">Hora aviva &#8211; Kol Aviv<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_chadera_extrait_-_mispacha._ensemble_et_chorale.mp3\">Hora chadera (EXTRAIT) &#8211; Mi\u0161pacha. Ensemble et chorale<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_medura_-_israeli_folk_dances.mp3\">Hora medura &#8211; Israeli Folk Dances<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_neurim_-_sharona_aron.mp3\">Hora Neurim &#8211; Sharona Aron<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/hora_nuba_-_aliza_azikri.mp3\">Hora Nuba &#8211; Aliza Azikri<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/la_hora_des_hassydim_-_les_kibboutzniks.mp3\">La Hora des Hassydim &#8211; Les Kibboutzniks<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/12\/usheavtem_mayin_-_les_chanteurs_de_sion.mp3\">Usheavtem Mayin &#8211; Les Chanteurs de Sion<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sonderausgabe \u00fcber die israelische Hora<\/p>\n","protected":false},"author":1052,"featured_media":72478,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-72477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DIE HORA IN DER MUSIK - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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