{"id":72510,"date":"2010-03-11T15:29:06","date_gmt":"2010-03-11T14:29:06","guid":{"rendered":"https:\/\/www.iemj.org\/reflexions-sur-la-thora-cantilee\/"},"modified":"2021-11-25T10:40:28","modified_gmt":"2021-11-25T09:40:28","slug":"reflexions-sur-la-thora-cantilee","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/reflexions-sur-la-thora-cantilee\/","title":{"rendered":"ER\u00d6TERUNGEN \u00dcBER DIE KANTILLIERTE TORA"},"content":{"rendered":"<p><strong>Jean-Philippe Amar ist Doktorand an der Universit\u00e4t IV Sorbonne und arbeitet an einer Dissertation \u00fcber die Kantillation der Tora in den j\u00fcdischen Gemeinschaften von Paris.<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Die Lesung der Tora, des Pentateuchs, welche auf Moses zur\u00fcckgeht, wurde ab Esra, dem Schriftgelehrten (5. Jahrhundert v. Chr.), zu einem wesentlichen Bestandteil des synagogalen Gottesdienstes. Beim w\u00f6chentlichen Sabbatmorgen-Gottesdienst, wird eine Perikope gesungen, wobei man einem j\u00e4hrlichen Zyklus von Lesungen folgt, welcher den Text in 54 Teile (Parascha) unterteilt.<\/p>\n<p>Diese gesungene Lesung basiert, trotz der Vielfalt der Deutungsriten, auf dem gleichen System von Teamim. Dieses wurde im Mittelalter, in Tiberias von den Massoreten entwickelt. Es handelt sich hierbei um eine Reihe von diakritischen Zeichen, welche weniger strenggenommen, die angeben, wie die W\u00f6rter gesungen und wie die Strophen eingeteilt werden.&nbsp; Jedes Taam, gibt eine wenig pr\u00e4zise melodische Formel an, welche dem Interpreten einen gewissen Spielraum l\u00e4sst, unter der Beding dem Text treu zu bleiben, welcher den Gl\u00e4ubigen n\u00e4hergebracht werden soll.<\/p>\n<p>Bei dem Artikel handelt es sich um eine Er\u00f6rterung der Prinzipien der j\u00fcdischen Kantillation, anhand der Begriffe, der \u00dcbertragung der Botschaft Gottes, ihrer Deutung sowie der Schaffung von Bedeutung, einem hermeneutischen Ansatz folgend, zur Praktik des rituellen Gesangs.<\/p>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/10\/reflexions_sur_la_thora_cantilee_jean-ph_amar.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/10\/reflexions_sur_la_thora_cantilee_jean-ph_amar.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Lesen Sie den Artikel von Jean-Philippe Amar <em>R\u00e9flexions sur la Thora cantil\u00e9e <\/em>(auf Franz\u00f6sisch)<\/a><\/a><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/10\/reflexions_sur_la_thora_cantilee_jean-ph_amar.pdf\" class=\"wp-block-file__button\" download>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Philippe Amar ist Doktorand an der Universit\u00e4t IV Sorbonne und arbeitet an einer Dissertation \u00fcber die Kantillation der Tora in den j\u00fcdischen Gemeinschaften von Paris.<\/p>\n","protected":false},"author":1045,"featured_media":72511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1406,1410],"tags":[],"technique":[],"squelettes":[],"sujet":[2095],"formation":[],"genre":[1891],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-72510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hintergrundartikel-de","category-liturgische-musik-de","sujet-biblische-akzente-teamim-de","genre-liturgie-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ER\u00d6TERUNGEN \u00dcBER DIE KANTILLIERTE TORA - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, 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