{"id":73224,"date":"2017-07-17T16:35:01","date_gmt":"2017-07-17T14:35:01","guid":{"rendered":"https:\/\/www.iemj.org\/la-sequence-israelienne-par-avner-azoulay-2\/"},"modified":"2025-06-19T15:04:02","modified_gmt":"2025-06-19T13:04:02","slug":"la-sequence-israelienne-par-avner-azoulay-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/la-sequence-israelienne-par-avner-azoulay-2\/","title":{"rendered":"DIE ISREALISCHE SEQUENZ VON AVNER AZOULAY (2)"},"content":{"rendered":"<p><strong>Eine Vorstellung der orientalischen Musik, mit sowohl sephardischen und aschkenasischen als auch mittel\u00f6stlichen Einfl\u00fcssen<\/strong><\/p>\n<p><!--more--><\/p>\n<p><strong>Was zeichnet die israelische Musik aus?<\/strong><\/p>\n<p>Bei der israelischen Musik handelt es sich um einen gemischten Salat, der sich aus verschiedener j\u00fcdischer Musik aus der ganzen Welt zusammensetzt und sich \u00fcber Jahrhunderte hinweg angesammelt hat, vermischt mit sephardischen, aschkenasischen und mittel\u00f6stlichen Einfl\u00fcssen\u2026<\/p>\n<p>Entdecken Sie die facettenreiche israelische Musik, welche entschieden dem Orient und w\u00fcrziger Musik zugewandt ist.<\/p>\n<p>F\u00fcr diese zweite israelische Sequenz bitten wir Sie Ihre Augen zu schlie\u00dfen: Stellen Sie sich vor, in einem trendigen israelischen Restaurant auf der Strandpromenade von Tel Aviv zu sitzen. Wir versammeln uns an einem hei\u00dfen Sommerabend um ein leckeres Pita-Schawarma und w\u00fcnschen eine gute musikalische Reise!<\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/avner_gadassi_-_halfou_yamaye.mp3\">Halfou Yamaye &#8211; Avner Gadassi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/doudou_aharon_et_sharif_-_hakol_kore_betel_aviv.mp3\">Hakol Kor\u00e9 B\u00e9Tel Aviv &#8211; Doudou Aharon &amp; Sharif <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/eyal_golan_et_sarit_hadad_-_menaguenet_et_hayaye.mp3\">M\u00e9nagu\u00e9n\u00e8t&#8216; Et&#8216; Hayaye &#8211; Eyal Golan &amp; Sarit Hadad <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/haim_moshe_-_ahavat_hayaye.mp3\">Ahavat&#8216; Hayaye &#8211; Haim Mosh\u00e9 <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/haim_moshe_-_hakolot_shel_pireouss.mp3\">Hakolot Shel Pir\u00e9ouss &#8211; Haim Mosh\u00e9<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/kobi_perets_et_ishtar_-_yahad.mp3\">Yahad &#8211; Kobi Perets &amp; Ishtar <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/lior_narkis_et_doudou_aharon_-_haguigua_beisrael.mp3\">Haguigua B\u00e9Israel &#8211; Lior Narkis &amp; Doudou Aharon <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/sarit_hadad_-_inta_daymane.mp3\">Inta Daymane &#8211; Sarit Hadad <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/shimi_tavori_-_etmol_hayit_shona.mp3\">Etmol Hayit&#8216; Shona &#8211; Shimi Tavori<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/ychai_levi_-_raaya.mp3\">Raaya &#8211; Ychai L\u00e9vi <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/zehava_ben_-_esh_esh.mp3\">Esh Esh &#8211; Zehava Ben <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/zohar_argov_-_haperah_begani.mp3\">Hap\u00e9rah&#8216; B\u00e9gani &#8211; Zohar Argov <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/07\/zohar_argov_-_od_yom_yavo.mp3\">Od Yom Yavo &#8211; Zohar Argov <\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eine Vorstellung der orientalischen Musik, mit sowohl sephardischen und aschkenasischen als auch mittel\u00f6stlichen Einfl\u00fcssen<\/p>\n","protected":false},"author":1052,"featured_media":73225,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1524,1534],"tags":[2088],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1880],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-73224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anhoren-anschauen-de","category-playlists-de","tag-israel-de","genre-israellied-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DIE ISREALISCHE SEQUENZ VON AVNER AZOULAY (2) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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