{"id":73364,"date":"2016-10-25T16:45:47","date_gmt":"2016-10-25T14:45:47","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/"},"modified":"2025-06-19T12:05:58","modified_gmt":"2025-06-19T10:05:58","slug":"musiques-des-theatres-et-cabarets-yiddish-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/","title":{"rendered":"MUSIK DES JIDDISCHEN THEATERS UND KABARETTS (2.TEIL)"},"content":{"rendered":"<p><strong>Ein weiterer \u00dcberblick der jiddischen kulturellen und musikalischen Aktivit\u00e4ten im Paris des fr\u00fchen 19. Jahrhunderts<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Dazu z\u00e4hlen jiddische Theater, wie des Th\u00e9\u00e2tre de la R\u00e9publique, auch Th\u00e9\u00e2tre Lancry genannt, das Th\u00e9\u00e2tre de l\u2019Entrep\u00f4t, aber ebenso auch Kabaretts, wie das La Riviera von Bernard Potock und Dave Cash, das Cabaret Dancing von Sigmunt Berland oder auch das Cabaret Yiddish von Dave Cash\u2026<\/p>\n<p>\u00dcber mehrere Jahrzehnte hinweg besch\u00e4ftigten Caf\u00e9s, Theater und Kabaretts, welche oft nur kurze Zeit existierten, Schauspieler, S\u00e4nger und Musiker, welche ein \u00fcberwiegend jiddisch-sprachiges Klientel anlockten. Dazu z\u00e4hlen jiddische Theater, wie des Th\u00e9\u00e2tre de la R\u00e9publique, auch Th\u00e9\u00e2tre Lancry genannt, das Th\u00e9\u00e2tre de l\u2019Entrep\u00f4t, aber ebenso auch Kabaretts, wie das La Riviera von Bernard Potock und Dave Cash, das Cabaret Dancing von Sigmunt Berland oder auch das Cabaret Yiddish von Dave Cash\u2026<\/p>\n<p>Die S\u00e4nger boten Volkslieder und Parodien dar. Oft wanderten sie von Tisch zu Tisch und animierten das Publikum zum Lachen, Singen und Tanzen. So verbreiteten sie den Geist des jiddischen Liedes.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/de\/musiques-des-theatres-et-cabarets-yiddish-1\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Playlist an: Musik der jiddischen Theaters und Kabaretts (1. Teil)<\/a><br \/><a href=\"https:\/\/www.iemj.org\/les-cabarets-yiddish-a-paris-de-1948-a-1970\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Radiosendung an: Les cabarets yiddish \u00e0 Paris, de 1948 \u00e0 1970<\/a><br \/><a href=\"https:\/\/www.iemj.org\/de\/produit\/casket-of-the-jewish-musics-in-paris-in-the-aftermath-of-ww-ii\/\" target=\"_blank\" rel=\"noopener\">Kaufen Sie die CD-Box: Musiques juives dans le Paris d\u2019apr\u00e8s-guerre \u2013 Elesdisc 1948-1953<\/a><\/p>\n<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12104\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_musique_cabaret_2_500px.jpg\" alt=\"doc_1_musique_cabaret_2_500px.jpg\" width=\"500\" height=\"293\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_musique_cabaret_2_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_musique_cabaret_2_500px-300x176.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/al_capone_-_jacques_grober.mp3\">Al Capone &#8211; Jacques GROBER<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/bublitchke_-_mary_soriano.mp3\">Bublitchke &#8211; Mary SORIANO<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/der_kinderisher_sechel_-_mary_soriano.mp3\">Der kinderisher sechel &#8211; Mary SORIANO<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/hei_hei_caramba_-_dave_cash.mp3\">Hei! Hei! Caramba &#8211; Dave CASH<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/kleyn_melamedl_-_theodore_bikel.mp3\">Kleyn Melamedl &#8211; Th\u00e9odore BIKEL<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/lomir_zingen_un_tanzen_-_talila.mp3\">Lomir zingen un tanzen &#8211; TALILA<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/yosel_ber_-_bernard_potock.mp3\">Yosel Ber &#8211; Bernard POTOCK<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/der_yiddischer_boogie-woogie_-_dave_cash.mp3\">Der Yiddischer Boogie-Woogie &#8211; Dave CASH<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/sha_shtil_-_dany_delmin.mp3\">Sha, Shtil &#8211; Dany DELMIN<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ein weiterer \u00dcberblick der jiddischen kulturellen und musikalischen Aktivit\u00e4ten im Paris des fr\u00fchen 19. Jahrhunderts<\/p>\n","protected":false},"author":1052,"featured_media":73365,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1534],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-73364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MUSIK DES JIDDISCHEN THEATERS UND KABARETTS (2.TEIL) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MUSIK DES JIDDISCHEN THEATERS UND KABARETTS (2.TEIL) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Ein weiterer \u00dcberblick der jiddischen kulturellen und musikalischen Aktivit\u00e4ten im Paris des fr\u00fchen 19. 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