{"id":74905,"date":"2020-01-15T16:39:02","date_gmt":"2020-01-15T15:39:02","guid":{"rendered":"https:\/\/www.iemj.org\/simkhat-hanefesh-early-yiddish-music-2\/"},"modified":"2025-09-16T12:22:52","modified_gmt":"2025-09-16T10:22:52","slug":"simkhat-hanefesh-early-yiddish-music-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/simkhat-hanefesh-early-yiddish-music-2\/","title":{"rendered":"Simkhat Hanefesh – Early Yiddish Music"},"content":{"rendered":"

Die CD Simkhat Hanefesh<\/em> bietet popul\u00e4re Musik der aschkenasischen j\u00fcdischen Welt, von der Renaissance bis zum Barockzeitalter (15. bis Mitte des 17. Jahrhunderts).<\/p>\n

Wie sich auch einige alte europ\u00e4ische Sprachen von ihren heute gesprochenen Sprachformen unterscheiden, entspricht auch das westliche Jiddisch der Renaissance, nicht dem modernen \u00f6stlichen Jiddisch. Ein Sprecher des \u00f6stlichen Jiddischen w\u00fcrde angesichts des damaligen westlichen Jiddisch, insbesondere das Fehlen slawischer W\u00f6rter oder aber auch eine andere Aussprache hebr\u00e4ischer W\u00f6rter bemerken.<\/p>\n

Diese CD enth\u00e4lt 20 instrumentale und gesungene St\u00fccke (gr\u00f6\u00dftenteils auf westlichem Jiddisch, aber auch auf Franz\u00f6sisch und Hebr\u00e4isch) von Autoren und Komponisten der Zeit, wie Guglielmo Ebreo aus Pesaro, Wolfgang Dachstein, Leyb Kottenheim oder Shloyme Singer aus Prag.<\/p>\n

\"cd_1442_1_400px.jpg\"<\/p>\n

Das 1726\/1727 in F\u00fcrth (Deutschland) gedruckte Buch Simkhass hanefesh<\/em> (Seelenfreude) ist das erste bekannte Buch, in welchem westliche jiddische Lieder mit notierten Melodien enthalten sind. Obwohl die jiddischen Lieder in ganz Europa verbreitet waren, wurden sie doch haupts\u00e4chlich in Form von kleinen gedruckten, qualitativ minderwertigen B\u00fcchern verbreitet. Sie enthielten nur die Texte sowie eine Angabe der Melodie, mit einem Vermerk des Autoren oder des Verlegers, welcher einen Satz wie \u201ezur Melodie von\u2026\u201c, gefolgt von dem Titel eines bekannten Liedes in den Text einf\u00fcgte.<\/p>\n

Songs in Western Yiddish encompassed almost every subject imaginable: religious, moralistic, educative, to the completely secular (historical events, news and politics, war and peace, parodies and satire, love, lies, hunting, knights and nobility, thieves, time…).<\/p>\n

Westliche jiddische Lieder behandelten nahezu alle denkbaren Themen: religi\u00f6se, moralische, erzieherische, bis hin zu weltlicheren Themen (historische Ereignisse, Politik, Krieg und Frieden, Parodien und Satiren, Liebe, L\u00fcgen, Jagd, Ritterlichkeit, Diebe, Wetter\u2026).<\/p>\n

Zahlreiche j\u00fcdische Autoren schrieben neue Texte auf bekannte Melodien. Ihre Beweggr\u00fcnde daf\u00fcr waren \u00e4sthetischer, moralischer oder auch einfach kommerzieller Natur. Diese Dichter trugen somit zur Schaffung einer Vielzahl von Kontrafakturen<\/em> bei, d.h. eine bekannte Melodie, versehen mit einem neuen Text. Demnach waren in ganz Europa dieselben Melodien im Umlauf, mit an das jeweilige Publikum (j\u00fcdisch, protestantisch oder katholisch, den k\u00f6niglichen Hof) angepassten Texten.<\/p>\n

Jedoch wurden die von den Aschkenasim gesch\u00e4tzten Lieder sowie die vielen Arten, sie zu singen, zu spielen oder auf sie zu tanzen, nicht immer von den j\u00fcdischen oder nichtj\u00fcdischen Beh\u00f6rden gebilligt. In den Quellen jener Zeit, finden sich zahlreiche Beschwerden \u00fcber in der \u00d6ffentlichkeit singende Frauen, \u00fcber zusammen tanzende Juden und Christen, \u00fcber j\u00fcdische Musiker, die f\u00fcr Christen spielen und umgekehrt, oder \u00fcber f\u00fcr zu frivol erachtete Lieder, wie die \u00fcber viele Generationen hinweg beliebten khutspe lider<\/em> (freche Lieder).<\/p>\n

\"cd_1442_2_400px.jpg\"<\/p>\n

Die um die Forscherin, Lehrerin, Musikwissenschaftlerin und Sopranistin Diana Matut versammelten f\u00fcnf Musiker spielen diese Lieder mit Instrumenten der damaligen Zeit wie der Nyckelharpa (einem Instrument schwedischen Ursprungs, das zur Familie der Geigen geh\u00f6rt), der Barockvioline, der Laute, der Theorbe oder der Viola de Gamba.<\/p>\n

Begleitet von einem umfangreichen 60-seitigen Begleitheft auf Englisch und Deutsch, mit Fotos, \u00dcbersetzungen der Lieder sowie Anmerkungen zu den Komponisten und Werken, ist diese CD eine wahres Kunstwerk und \u00fcberaus h\u00f6renswert.<\/p>\n

Besuchen Sie die Internetseite von Simkhat Hanefesh<\/a><\/p>\n

Kaufen Sie die CD Simkhat Hanefesh \u2013 Early Yiddish Music<\/a><\/p>\n\n\n

<\/h2>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
Ballo Gelosia – Guglielmo Ebreo de Pesaro (extrait)<\/a><\/div>\n\n\n\n
Nun freut euch lieben Christen g’mein & Mo’oz tsur – Martin Luther (extrait)<\/a><\/div>\n\n\n\n
A nice bridal song – Leyb Kottenheim (extrait)<\/a><\/div>\n\n\n\n
Pumay, pumay, you Poles & Pumay, you dear companions – Anonymous (extrait)<\/a><\/div>\n\n\n\n
A nice song about two martyrs – Khayim ben Shalom (extrait)<\/a><\/div>\n\n\n\n
Joseph est bien mari\u00e9 – trad. fran\u00e7ais (extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Die CD Simkhat Hanefesh bietet popul\u00e4re Musik der aschkenasischen j\u00fcdischen Welt, von der Renaissance bis zum Barockzeitalter (15. bis Mitte des 17. Jahrhunderts). Wie sich auch einige alte europ\u00e4ische Sprachen<\/p>\n","protected":false},"author":1048,"featured_media":74907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1571],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-74905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-de"],"acf":[],"yoast_head":"\nSimkhat Hanefesh - Early Yiddish Music - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/simkhat-hanefesh-early-yiddish-music-2\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Simkhat Hanefesh - Early Yiddish Music - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Die CD Simkhat Hanefesh bietet popul\u00e4re Musik der aschkenasischen j\u00fcdischen Welt, von der Renaissance bis zum Barockzeitalter (15. bis Mitte des 17. 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