{"id":75619,"date":"2017-11-28T13:00:25","date_gmt":"2017-11-28T12:00:25","guid":{"rendered":"https:\/\/www.iemj.org\/confluences-2\/"},"modified":"2025-09-20T13:50:50","modified_gmt":"2025-09-20T11:50:50","slug":"confluences-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/confluences-2\/","title":{"rendered":"Confluence(s)"},"content":{"rendered":"<p>\u201eZwei rote F\u00e4den durchziehen diese Aufnahme. Zwei ineinander verschlungene F\u00e4den. Der eine stammt aus Frankreich und verschlingt sich mit dem anderem, dem j\u00fcdischen, um eine neue Realit\u00e4t zu kn\u00fcpfen, das schillernde, nuancenreiche Kapitel eines Jahrhunderts, von dem man annahm, bereits die gesamte Musik zu kennen.\u201c<\/p>\n<p>Der Tenor <strong>Benjamin Alunni<\/strong> ver\u00f6ffentlichte, gemeinsam mit der Pianistin <strong>Marine Thoreau La Salle<\/strong> und der Cellistin des Quartetts Voce <strong>Lydia Shelley<\/strong>, ein erstes Album bei Klarthe Records.<\/p>\n<p>Die auf dieser CD enthaltenen Lieder, sind das Ergebnis einer Erkundung eines wenig bekannten oder auch unver\u00f6ffentlichten Repertoires, welches volkst\u00fcmliche und traditionelle Melodien mit Werken eines klassischen Repertoires sowie zeitgen\u00f6ssischer Musik verbindet.<\/p>\n<p>Zahlreiche j\u00fcdische wie auch nichtj\u00fcdische Komponisten, haben sich vom Judaismus und seiner Kultur inspirieren lassen. F\u00fcr die einen bedeutet die Musik, ein nat\u00fcrlicher Ausdruck ihrer j\u00fcdischen Identit\u00e4t, f\u00fcr die anderen wiederum, ist die j\u00fcdische Kultur eine Quelle der Inspiration. Diese franz\u00f6sischen, hebr\u00e4ischen, aram\u00e4ischen und auch jiddischen Melodien stammen sowohl von ber\u00fchmten als auch von unbekannten, m\u00e4nnlichen und weiblichen, manchmal auch vergessenen Komponisten.<\/p>\n<p>Diese CD umfasst Lieder, aus einen Zeitraum von 1914 bis 2009. Von <strong>Maurice Ravels<\/strong> <em>Kaddish<\/em> bis hin zu <strong>Graciane Finzis<\/strong> Version eben dieses Liedes, \u00fcber <strong>Milhaud<\/strong>, <strong>Honegger<\/strong>, <strong>Barraine<\/strong>, <strong>Martineau<\/strong> und viele andere. Die Lieder auf dieser CD bieten einen \u00dcberblick des 20. Jahrhunderts, welcher bis in die Gegenwart reicht. Auf dieser originellen Reise, irgendwo zwischen Tradition und Moderne, Frankophonie und Judentum, enth\u00fcllen diese nicht-synagogalen Konzert-Melodien, auch ein St\u00fcck unserer Geschichte.<\/p>\n<p><em>Ver\u00f6ffentlichung mit Unterst\u00fctzung des Arcal, dem Institut Alain de Rothschild und der Fondation pour la M\u00e9moire de la Shoah.<\/em><\/p>\n<p><a href=\"http:\/\/www.klarthe.com\/index.php\/fr\/enregistrements\/confluence-s-detail\" target=\"_blank\" rel=\"noopener\">Erfahren Sie mehr und bestellen Sie die CD<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/confluences-la-rencontre-des-melodies-juives-et-francaises\/\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie sich die Radiosendung von Juda\u00efques FM, welche sich der CD <em>Confluences<\/em> widmet<\/a><\/p>\n<p>\u00a0<\/p>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/cd_888a_01_ex.mp3\">Kaddish pour t\u00e9nor, violoncelle et piano, Finzi (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/cd_888a_04_ex.mp3\">La Chanson du gardien de la vigne, Barraine (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/cd_888a_08_ex.mp3\">Chant d&#8217;amour, Milhaud (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/cd_888a_10_ex.mp3\">Po\u00e8me h\u00e9bra\u00efque, Schlonski (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/cd_888a_13_ex.mp3\">Efent, Rebetsin !, Algazi (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/cd_888b_07_ex.mp3\">Die alte kasche, Martineau (extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201eZwei rote F\u00e4den durchziehen diese Aufnahme. Zwei ineinander verschlungene F\u00e4den. Der eine stammt aus Frankreich und verschlingt sich mit dem anderem, dem j\u00fcdischen, um eine neue Realit\u00e4t zu kn\u00fcpfen, das<\/p>\n","protected":false},"author":1048,"featured_media":75621,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1571,1561],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1900],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3131,3251],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-75619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-de","category-letzte-neuerwerbungen-de","genre-klassische-musik-de","interprete-compositeur-darius-milhaud-de","interprete-compositeur-leon-algazi-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Confluence(s) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/confluences-2\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Confluence(s) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"\u201eZwei rote F\u00e4den durchziehen diese Aufnahme. 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