{"id":87766,"date":"2018-01-17T16:24:51","date_gmt":"2018-01-17T15:24:51","guid":{"rendered":"https:\/\/www.iemj.org\/manuel-detude-et-dapplication-de-la-liturgie-hebraique-du-rite-sefardi-dit-portugais\/"},"modified":"2025-08-18T17:13:33","modified_gmt":"2025-08-18T15:13:33","slug":"manuel-detude-et-dapplication-de-la-liturgie-hebraique-du-rite-sefardi-dit-portugais","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/manuel-detude-et-dapplication-de-la-liturgie-hebraique-du-rite-sefardi-dit-portugais\/","title":{"rendered":"handbuch zum studium und zur anwendung der hebr\u00e4ischen liturgie des portugiesischen sepharischen ritus"},"content":{"rendered":"<p>Als Spezialist und treue St\u00fctze des portugiesischen Ritus von Bordeaux hat <a href=\"https:\/\/www.iemj.org\/de\/leon-gilbert-1934\/\" target=\"_blank\" rel=\"noopener\">Gilbert L\u00e9on<\/a> in jahrelanger Arbeit das vorliegende <em>Handbuch zum Studium und zur Anwendung der hebr\u00e4ischen Liturgie des portugiesischen sephardischen Ritus<\/em> erarbeitet.<\/p>\n<p>Dieses einzigartige Werk wird von 65 CDs mit Aufnahmen aller Gottesdienste des portugiesischen Ritus begleitet, die von Gilbert L\u00e9on erstellt wurden.<\/p>\n<p>Dieses monumentale Werk ist in drei gro\u00dfe Teile gegliedert. Der erste Teil widmet sich der Geschichte der biblischen Akzente (Teamim) und der Art und Weise, wie sie beim Lesen der Tora kantilliert werden. Der zweite Teil beschreibt die Kantillation der poetischen B\u00fccher: Psalmen, Spr\u00fcche, Hiob&#8230; Der dritte Teil schlie\u00dflich stellt die verschiedenen Gottesdienste des liturgischen Jahres, ihre Gebete und Melodien im portugiesischen Ritus vor.<\/p>\n<p>Neben den Aufnahmen, mit denen man sich jedes Gebet einpr\u00e4gen kann, enth\u00e4lt das Handbuch eine Reihe von Partituren, darunter: Die vollst\u00e4ndige <em>hebr\u00e4ische Sammlung traditionellen und liturgischen Ges\u00e4nge des portugiesischen sephardischen Ritus, die in der Gemeinde von Bordeaux in Gebrauch sind<\/em>, von Herrn Salomon Foy, drei religi\u00f6se Ges\u00e4nge (<em>Achquibenou, Ymlorh<\/em> und <em>Chant de f\u00eate<\/em>) vom selben Salomon Foy, die 1917 gedruckt und im israelitischen Tempel von Bordeaux aufgef\u00fchrt wurden, neun religi\u00f6se Ges\u00e4nge, die von A. Nunes gegen Ende des 19. Jahrhunderts notiert wurden, ein <em>Lecha Dodi<\/em> aus der liturgischen Sammlung von Alphonse de Villers (1872), Organist am portugiesischen Tempel in der Stra\u00dfe Lamartine in Paris, und schlie\u00dflich Ausz\u00fcge aus dem Vorwort und der Sammlung <em>Traditionelle hebr\u00e4ischen Lieder<\/em> \u00a0von Maurice Benharoche-Baralia, die 1958 in Bayonne ver\u00f6ffentlicht wurde.<\/p>\n<p>Eine grundlegende Sammlung f\u00fcr alle, die den portugiesischen Ritus erlernen oder ihre Kenntnisse vertiefen m\u00f6chten&#8230;<\/p>\n<div style=\"text-align: center;\">\n<div style=\"margin: 8px 0px 4px;\"><a href=\"http:\/\/www.calameo.com\/books\/0046127492cae846d97fd\" target=\"_blank\" rel=\"noopener noreferrer\">Handbuch zum Studium und zur Anwendung der hebr\u00e4ischen Liturgie des portugiesischen Ritus<\/a><\/div>\n<p><iframe style=\"margin: 0 auto;\" src=\"\/\/v.calameo.com\/?bkcode=0046127492cae846d97fd&amp;mode=mini\" width=\"480\" height=\"300\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div style=\"margin: 4px 0px 8px;\">\u00a0<\/div>\n<\/div>\n<p><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+manuel+ET+WRD+%3D+L%C3%A9on+ET+WTY+%3D+P1+or+P2+or+P3+or+P4+or+A3+or+A4&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Lesen Sie die Beschreibung von Gilberts L\u00e9ons Handbuch im RACHEL Katalog <\/a><br \/><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Manuel+ET+WRD+%3D+L%C3%A9on+ET+WTY+%3D+31+or+32+or+41+or+42+or+71+or+72+or+C1+or+C2+or+D1+or+D2+or+K1+or+K2+or+R1+or+R2+or+RB+or+SR&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Lesen Sie die Beschreibung der 65 CDs im RACHEL Katalog <\/a><br \/><a href=\"https:\/\/www.iemj.org\/de\/leon-gilbert-1934\/\" target=\"_blank\" rel=\"noopener\">Lesen Sie die Biografie von Gilbert L\u00e9on<\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-52e85a23-eda6-4453-b6c2-99f2aa7df2cb\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_856_01_extrait_.mp3\">Prologue et explication sur les Tahamim (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e829a61f-1dff-478d-bba6-8c928eaa9b60\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_526_03_theme_musical_des_tahamim_pour_la_lecture_de_la_thora_ex.mp3\">Theme musical des tahamim pour la lecture de la thora (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-9c9d44ab-5633-4c43-9723-0005670b7601\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_527_09_ps_92.mp3\">Psaume 92<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-686bfdd8-55c8-4dbb-981a-fba8f12904f9\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_529_04_lerha_dodi.mp3\">Lerha dodi (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-f12b793b-8bde-42e6-bc1f-d541fcf8d8a7\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_530_14_bendigamos.mp3\">Bendigamos (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-000e3abc-c1de-4a2e-b2a0-c81aa4b3bd7f\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_551_03_en_souviense_y_entendiense.mp3\">En Souviense y entendiense (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-0ca9b552-550b-48b5-8f71-c030639693c2\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/cd_569_09_keter.mp3\">Keter (extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Als Spezialist und treue St\u00fctze des portugiesischen Ritus von Bordeaux hat Gilbert L\u00e9on in jahrelanger Arbeit das vorliegende Handbuch zum Studium und zur Anwendung der hebr\u00e4ischen Liturgie des portugiesischen sephardischen<\/p>\n","protected":false},"author":1048,"featured_media":87767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1563],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-87766","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlights-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>handbuch zum studium und zur anwendung der hebr\u00e4ischen liturgie des portugiesischen sepharischen ritus - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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