{"id":93509,"date":"2013-12-13T21:00:42","date_gmt":"2013-12-13T20:00:42","guid":{"rendered":"https:\/\/www.iemj.org\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/"},"modified":"2025-09-22T11:32:42","modified_gmt":"2025-09-22T09:32:42","slug":"les-chemins-du-klezmer-sirba-octet-ou-la-classique-world","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/","title":{"rendered":"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT"},"content":{"rendered":"\n

MUSIQUES JUIVES D\u2019HIER ET D\u2019AUJOURD\u2019HUI – <\/strong>DIENSTAG, 17. <\/strong>DEZEMBER 2013, JUDA\u00cfQUES FM (94.8), 21:05 UHR.<\/strong><\/p>\n\n\n\n\n\n\n\n

Klezmer ist heute eine allgemein anerkannte Bezeichnung f\u00fcr die Instrumentalmusik, die in den Schtetl (D\u00f6rfern), Ghettos und allen Wohngebieten der aschkenasischen Juden vom Mittelalter bis zur Mitte des 20. Jahrhunderts gespielt wurde.<\/p>\n\n\n\n

Diese Musik, die oft mit der j\u00fcdischen Hochzeit – insbesondere mit den T\u00e4nzen – verbunden ist, hat sich im Laufe der Jahrhunderte, der Moden und der Wohnl\u00e4nder weiterentwickelt.<\/p>\n\n\n\n

Heute ist Klezmer zu einem eigenst\u00e4ndigen Genre geworden, das sich an alle Publikumsschichten richtet. Als B\u00fchnen- und Showmusik, die oft mit dem jiddischen Lied in Verbindung gebracht wird, versetzt uns der Klezmer in die – oft nachgestellte – Welt der Shtetl des Jiddishlands zur\u00fcck.<\/p>\n\n\n\n

Und in dieser Rekonstruktion stechen bestimmte Gruppen – oder K\u00fcnstler – durch ihre Art, dieses Repertoire anzugehen, hervor.<\/p>\n\n\n\n

Dies ist der Fall des Geigers Richard Schmoucler, Gr\u00fcnder des Sirba Octet<\/a>, der mit diesem Ensemble ein Genre zwischen klassischer Musik, Klezmermusik und jiddischen Liedern neu erfindet. Indem er die Grenzen aufl\u00f6st, installiert Richard Schmoucler sein Projekt in einem originellen und neuartigen musikalischen Universum, dem der „Classique World“.<\/p>\n\n\n\n

\n
\n
\"\"<\/figure>\n<\/div><\/div>\n\n\n\n
\n

Herv\u00e9 Roten ist Officier des Arts et des Lettres, Doktor der Musikwissenschaft der Universit\u00e4t Paris IV Sorbonne und Preistr\u00e4ger des Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris. Er ist seit der Gr\u00fcndung des Institut Europ\u00e9en des Musiques Juives im Jahr 2006 dessen Direktor.<\/em><\/p>\n\n\n\n

Als ausgebildeter Ethnomusikologe interessierte er sich schon fr\u00fch f\u00fcr die Sicherung und Digitalisierung von Archiven, die er mehrere Jahre lang an den Universit\u00e4ten von Reims und Marne-La-Vall\u00e9e unterrichtete.<\/em><\/p>\n\n\n\n

Herv\u00e9 Roten ist Autor zahlreicher Artikel, B\u00fccher und CDs \u00fcber j\u00fcdische Musik, Produzent von Radiosendungen und gilt heute als einer der besten Experten f\u00fcr j\u00fcdische Musik weltweit.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

 <\/em><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n
Les chemins du klezmer : Sirba Octet – Herv\u00e9 Roten (Juda\u00efques FM 94.8)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

MUSIQUES JUIVES D\u2019HIER ET D\u2019AUJOURD\u2019HUI – DIENSTAG, 17. DEZEMBER 2013, JUDA\u00cfQUES FM (94.8), 21:05 UHR.<\/p>\n","protected":false},"author":1045,"featured_media":93511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2169,1539],"tags":[2211],"technique":[],"squelettes":[],"sujet":[1822],"formation":[],"genre":[1900,1875],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3303],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-93509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-herve-roten-programme-de","category-radiosendungen-de","tag-iemj-radioprogramme-de","sujet-frankreich-de","genre-klassische-musik-de","genre-klezmer-de","interprete-compositeur-sirba-octet-de"],"acf":[],"yoast_head":"\nDIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"MUSIQUES JUIVES D\u2019HIER ET D\u2019AUJOURD\u2019HUI – DIENSTAG, 17. DEZEMBER 2013, JUDA\u00cfQUES FM (94.8), 21:05 UHR.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-12-13T20:00:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-22T09:32:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton804.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"136\" \/>\n\t<meta property=\"og:image:height\" content=\"136\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Herv\u00e9 Roten\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Herv\u00e9 Roten\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"3\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/\"},\"author\":{\"name\":\"Herv\u00e9 Roten\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\"},\"headline\":\"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT\",\"datePublished\":\"2013-12-13T20:00:42+00:00\",\"dateModified\":\"2025-09-22T09:32:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/\"},\"wordCount\":331,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton804.jpg\",\"keywords\":[\"IEMJ-Radioprogramme\"],\"articleSection\":[\"Herv\u00e9 Roten Programme\",\"Radiosendungen\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/\",\"name\":\"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton804.jpg\",\"datePublished\":\"2013-12-13T20:00:42+00:00\",\"dateModified\":\"2025-09-22T09:32:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton804.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton804.jpg\",\"width\":136,\"height\":136},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/de\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\",\"name\":\"Herv\u00e9 Roten\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"caption\":\"Herv\u00e9 Roten\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/","og_locale":"de_DE","og_type":"article","og_title":"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT - Institut Europ\u00e9en des Musiques Juives","og_description":"MUSIQUES JUIVES D\u2019HIER ET D\u2019AUJOURD\u2019HUI – DIENSTAG, 17. DEZEMBER 2013, JUDA\u00cfQUES FM (94.8), 21:05 UHR.","og_url":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2013-12-13T20:00:42+00:00","article_modified_time":"2025-09-22T09:32:42+00:00","og_image":[{"width":136,"height":136,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton804.jpg","type":"image\/jpeg"}],"author":"Herv\u00e9 Roten","twitter_card":"summary_large_image","twitter_misc":{"Verfasst von":"Herv\u00e9 Roten","Gesch\u00e4tzte Lesezeit":"3\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/"},"author":{"name":"Herv\u00e9 Roten","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd"},"headline":"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT","datePublished":"2013-12-13T20:00:42+00:00","dateModified":"2025-09-22T09:32:42+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/"},"wordCount":331,"publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton804.jpg","keywords":["IEMJ-Radioprogramme"],"articleSection":["Herv\u00e9 Roten Programme","Radiosendungen"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/","url":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/","name":"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/de\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton804.jpg","datePublished":"2013-12-13T20:00:42+00:00","dateModified":"2025-09-22T09:32:42+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton804.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton804.jpg","width":136,"height":136},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/de\/les-chemins-du-klezmer-sirba-octet-ou-la-classique-world\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/de\/"},{"@type":"ListItem","position":2,"name":"DIE WEGE DES KLEZMER: SIRBA OCTET ODER DIE KLASSISCHE WELT"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/de\/#website","url":"https:\/\/www.iemj.org\/de\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/de\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/de\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/de\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/de\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/de\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd","name":"Herv\u00e9 Roten","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","caption":"Herv\u00e9 Roten"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/93509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/users\/1045"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/comments?post=93509"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/posts\/93509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media\/93511"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/media?parent=93509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/categories?post=93509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tags?post=93509"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/technique?post=93509"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/squelettes?post=93509"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/sujet?post=93509"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/formation?post=93509"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/genre?post=93509"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/fonds?post=93509"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tradition?post=93509"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-de-contenu?post=93509"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/interprete-compositeur?post=93509"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/frise?post=93509"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/type-devenement?post=93509"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/de\/wp-json\/wp\/v2\/tableaux-liens-externes?post=93509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}