{"id":94081,"date":"2020-01-15T12:42:38","date_gmt":"2020-01-15T11:42:38","guid":{"rendered":"https:\/\/www.iemj.org\/giacomo-meyerbeer\/"},"modified":"2023-02-13T16:16:54","modified_gmt":"2023-02-13T15:16:54","slug":"giacomo-meyerbeer","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/giacomo-meyerbeer\/","title":{"rendered":"Giacomo Meyerbeer"},"content":{"rendered":"

Nachtblau Verlag, April 2017, 176 S.<\/p>\n

<\/p>\n

Giacomo Meyerbeer (1791-1864)<\/a>\u00a0wurde in Berlin, in eine wohlhabende j\u00fcdische Familie geboren und spielte bereits im Alter von gerade einmal zehn Jahren, seine ersten \u00f6ffentlichen Konzerte. Er erlernte die Komposition bei Zeller und zu seinen Sch\u00fclern z\u00e4hlte Carl-Maria von Weber. Um seine F\u00e4higkeiten zu perfektionieren, ging er nach Italien, italienisierte seinen Vornamen und landete ihm Jahr 1824, mit Il Crociato in Egitto<\/em>, am Teatro La Fenice in Venedig, seinen ersten Erfolg.<\/p>\n

Nachdem er sich in Paris niedergelassen hatte, schuf er Robert le Diable<\/em> (1824), welches Spontinis (1774-1851) Fernand Cortez<\/em> folgend, die franz\u00f6sische Grand Op\u00e9ra begr\u00fcndete, deren weltweit bester Vertreter der Komponist wurde. Dieser Erfolg wurde vier Jahre sp\u00e4ter, mit demselben Librettisten, Eug\u00e8ne Scribe, in Les Huguenots <\/em>best\u00e4tigt.<\/p>\n

Auch wenn Meyerbeer zum Musikdirektor des preu\u00dfischen Hofes in Berlin ernannt wurde, erhielt er dabei jedoch nie die Anerkennung seiner deutschen Komponisten-Kollegen. Er kehrte schlie\u00dflich zur\u00fcck, um sein St\u00fcck Le Proph\u00e8te<\/em> (1849) zu pr\u00e4sentieren und starb in Paris, vor der Vollendung seiner letzten Oper, L\u2019Africaine<\/em>.<\/p>\n

\u00dcber die Autorin<\/strong><\/p>\n

Violaine Anger ist eine ehemalige Lehrerin f\u00fcr Musikgeschichte am Conservatoire National Sup\u00e9rieur de Musique (CNSM) in Paris und Dozentin an der Universit\u00e4t von Evry Val-d’Essonne sowie an der Ecole Polytechnique.<\/p>\n

Der Schwerpunkt ihrer Forschung, liegt auf der Beziehung zwischen Ausdruck, Sprache und Musik. Sie hat das Buch Sens de la musique<\/em> (Presses de la rue d\u2019Ulm, Paris, 2006) sowie zahlreicher Artikel verfasst.<\/p>\n

Das Buch bestellen<\/a>
\nLesen Sie die Biografie von Meyerbeer und seine j\u00fcdisch inspirierten Kompositionen<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Nachtblau Verlag, April 2017, 176 S.<\/p>\n","protected":false},"author":1045,"featured_media":94082,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1578,1561],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1900],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-94081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bucher-artikel-de","category-letzte-neuerwerbungen-de","genre-klassische-musik-de"],"acf":[],"yoast_head":"\nGiacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/de\/giacomo-meyerbeer\/\" \/>\n<meta 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