{"id":98542,"date":"2016-09-06T11:29:47","date_gmt":"2016-09-06T09:29:47","guid":{"rendered":"https:\/\/www.iemj.org\/il-mantovano-hebreo\/"},"modified":"2025-10-20T17:08:43","modified_gmt":"2025-10-20T15:08:43","slug":"il-mantovano-hebreo","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/de\/il-mantovano-hebreo\/","title":{"rendered":"Il Mantovano Hebreo"},"content":{"rendered":"<p><strong>Italienische Madrigale, j\u00fcdische Gebete und Instrumentalmusik von Salomone Rossi<\/strong><\/p>\n<p><!--more--><br \/><a href=\"https:\/\/www.iemj.org\/de\/rossi-salomone-vers-1570-vers-1630\/\" target=\"_blank\" rel=\"noopener\">Salomone Rossi<\/a> ist bekannt f\u00fcr seine Sammlung geistlicher Musik in hebr\u00e4ischer Sprache,\u00a0<em>haSchirim Ascher li-Schlomo (1622\/3)<\/em>, doch er ver\u00f6ffentlichte auch 4 B\u00fccher mit Instrumentalmusik und 9 B\u00fccher mit weltlicher italienischer Musik. Der Umfang dieses weltlichen Werks l\u00e4sst vermuten, dass Rossi eine prominente musikalische Rolle im Adel von Mantua (Italien) spielte, insbesondere am Hof der Gonzaga, wo er die meiste Zeit seines Lebens gewirkt haben soll.<\/p>\n<p>Seine St\u00fccke sollen regelm\u00e4\u00dfig bei B\u00e4llen und Kammermusikkonzerten gespielt worden sein. Seine ersten Sammlungen von Instrumentalmusik enthielten mehrere St\u00fccke f\u00fcr 4 und 5 Teilen (wie man in seiner <em>Sinfonia Prima a 5<\/em> h\u00f6ren kann). Sp\u00e4ter konzentrierte er sich auf die neu erfundene <em>trio sonata<\/em>, die aus zwei hohen Stimmen und einer Bassstimme besteht. Diese Werke umfassen <em>sinfonias<\/em> in mehreren Tanzs\u00e4tzen (<em>affeti, gagliarde, correnti<\/em> und <em>brandi<\/em>) sowie Violinsonaten.<\/p>\n<p>Neben der produktiven weltlichen T\u00e4tigkeit des Musikers aus Mantua wollte Rossi als Jude auch die synagogale Musik modernisieren, indem er mehrstimmige Ch\u00f6re zu den Gebeten und Psalmen der Gottesdienste einf\u00fchrte. Die Gr\u00fcndung des j\u00fcdischen Ghettos in Mantua im Jahr 1612 inspirierte Rossi wahrscheinlich zu dieser neuen Form der synagogalen Musik. Da die Juden in Mantua von der christlichen Gesellschaft ausgeschlossen waren, nutzten sie so die Gelegenheit, ihre eigene gelehrte Musik zu pflegen. Rossi \u2013 aufgrund seiner musikalischen F\u00e4higkeiten einzigartig innerhalb der j\u00fcdischen Gemeinschaft \u2013 schuf so ein neues Genre, das zumindest auf konzeptuelle Weise von der Musik des Jerusalemer Tempels inspiriert war.<\/p>\n<p>Diese ausgepr\u00e4gte doppelte Identit\u00e4t machte ihn als \u201eden Juden von Mantua\u201c bekannt. Rossis Ziel war es, das j\u00fcdische Gebet zu bereichern und zu erheben, indem er die alten Texte auf einer neuen Musik \u00fcbertrug. Er passte die Harmonien seiner Zeit an die hebr\u00e4ische Prosodie an. So kann der Zuh\u00f6rer dem Text folgen, w\u00e4hrend er die zarte Musik genie\u00dft. Auf diese Weise wollte Rossi die Herzen der Zuh\u00f6rer ber\u00fchren, anstatt sie zu beeindrucken.<\/p>\n<p>Diese CD zeigt uns Rossis vielseitige Talente als Hofkomponist und Reformer der synagogalen Musik. Das f\u00fcnfk\u00f6pfige A-cappella-Ensemble <strong>Profeti Della Quinta<\/strong> wird von <strong>Katya Polin<\/strong> und <strong>Eva Saladin<\/strong> an den Violinen sowie <strong>Ori Harmelin<\/strong> und <strong>Ryosuke Sakamoto<\/strong> an den Theorben (eine Art gro\u00dfe Laute) erg\u00e4nzt. Die S\u00e4nger, deren Muttersprache Hebr\u00e4isch ist, sind Spezialisten f\u00fcr italienische Barockmusik und als solche besonders geeignet, uns Rossis Werk (wieder) entdecken zu lassen.<\/p>\n<p><a href=\"https:\/\/www.quintaprofeti.com\/mantovano\" target=\"_blank\" rel=\"noopener\">Erfahren Sie mehr<\/a><br \/><a href=\"http:\/\/www.linnrecords.com\/recording-rossi-il-mantovano-hebreo.aspx\" target=\"_blank\" rel=\"noopener\">Bestellen Sie die CD<\/a><\/p>\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110606\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-3071d424-2bd3-4f8a-b8f4-ef6bc8995084\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/09\/cd_836_17_ex.mp3\">Psalm 100: Mizmor Letoda<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-40eed9c8-24e9-40c1-ada4-5878399aa6cd\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/09\/cd_836_26_ex.mp3\">Messaggier di speranza<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e8491c59-1928-407c-b472-1ec8475d575d\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/09\/cd_836_10_ex.mp3\">Gagliarda a 5 e a 3 placet, detta Narciso<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-6237113e-d93b-47d0-8fbc-d2b666965fa4\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/09\/cd_836_30_ex.mp3\">Psalm 126: Shir hamma&#8217;alot, beshuv Adonai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-73ca3461-5a6e-4d9a-8761-bcc51caae40f\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/09\/cd_836_12_ex.mp3\">Brando secondo<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Italienische Madrigale, j\u00fcdische Gebete und Instrumentalmusik von Salomone Rossi<\/p>\n","protected":false},"author":1048,"featured_media":98543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1571,1561],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[1861],"genre":[1893],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3277],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-98542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-de","category-letzte-neuerwerbungen-de","formation-vokal-und-instrumental-de","genre-barockmusik-de","interprete-compositeur-salomone-rossi-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Il Mantovano Hebreo - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, 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