{"id":135001,"date":"2026-09-28T10:27:02","date_gmt":"2026-09-28T08:27:02","guid":{"rendered":"https:\/\/www.iemj.org\/produit\/melodies-hebraiques-volume-3\/"},"modified":"2026-09-28T10:27:02","modified_gmt":"2026-09-28T08:27:02","slug":"melodies-hebraiques-volume-3","status":"publish","type":"product","link":"https:\/\/www.iemj.org\/de\/produit\/melodies-hebraiques-volume-3\/","title":{"rendered":"Hebrew Melodies, vol. 3"},"content":{"rendered":"\r\n<p class=\"wp-block-paragraph\">Magnificently performed by Sarah Iancu, principal cellist of the Orchestre National du Capitole de Toulouse, and the virtuoso pianist David Bismuth, this third volume of *M\u00e9lodies h\u00e9bra\u00efques* features 28 instrumental pieces inspired by liturgical music, Judeo-Spanish songs, and stage music, particularly from Yiddish theater.<\/p>\r\n<p class=\"wp-block-paragraph\">The opportunity to hear or rediscover works by Maurice Ravel (\u201cChanson h\u00e9bra\u00efque\u201d), Louis Aubert (\u201cTrois chants h\u00e9bra\u00efques\u201d), Joseph Joachim (\u201cHebrew Melodies\u201d), Joachim Stutschewsky (\u201cKaddish,\u201d \u201cOriental Melody\u201d), Paul Ben-Haim (\u201cBerceuse Sfaradite\u201d), <a href=\"https:\/\/www.iemj.org\/de\/hemsi-alberto-1898-1975\/\" target=\"_blank\" rel=\"noreferrer noopener\">Alberto Hemsi<\/a> (<em>Seconda Suite Sefardie<\/em>), <a href=\"https:\/\/www.iemj.org\/de\/algazi-leon-1890-1971\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u00e9on Algazi<\/a> (<em>Le \u00ab R\u00e9b\u00e9 \u00bb danse<\/em>), <a href=\"https:\/\/www.iemj.org\/de\/olshanetsky-alexander-1892-1946\/\" target=\"_blank\" rel=\"noreferrer noopener\">Alexander Olshanetsky<\/a> (<em>Glik<\/em>, <em>Mayn shtetele Beltz<\/em>) and Herman Yablokoff (<em>Papirosn<\/em>).<\/p>\r\n<p class=\"wp-block-paragraph\">Part of this album also highlights the creative effervescence of Paris at the turn of the 20th century, in the music salons where the cream of the intellectual and artistic world of the time gathered. These salons\u2014a number of which were hosted by Jewish patrons such as <a href=\"https:\/\/www.iemj.org\/de\/camondo-isaac-de-1850-1911\/\" target=\"_blank\" rel=\"noreferrer noopener\">Camondo<\/a>, <a href=\"https:\/\/www.iemj.org\/de\/cahen-danvers-albert-1846-1903\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cahen d\u2019Anvers<\/a>, <a href=\"https:\/\/www.iemj.org\/de\/henry-deutsch-de-la-meurthe-1846-1919\/\" target=\"_blank\" rel=\"noreferrer noopener\">Deutsch de la Meurthe<\/a>, Rothschild and <a href=\"https:\/\/www.iemj.org\/de\/halphen-fernand-1872-1917\/\" target=\"_blank\" rel=\"noreferrer noopener\">Halphen<\/a>\u2014contributed significantly to the golden age of French music.<\/p>\r\n<p class=\"wp-block-paragraph\">Finally, as a tribute to two women with tragic fates, this CD features two melodies by Ilse Weber composed in Terezin, as well as the magnificent poem \u201cEli Eli\u201d by resistance fighter Hannah Szenes, set to music by David Zehavi.<\/p>\r\n<p class=\"wp-block-paragraph\">An essential recording, performed with great sensitivity, accompanied by a richly documented 36-page booklet\u2026<\/p>\r\n<p class=\"wp-block-paragraph\">This CD was produced thanks to the support of the\u00a0<a href=\"https:\/\/www.fondationjudaisme.org\/\" target=\"_blank\" rel=\"noopener\">Fondation du Juda\u00efsme Fran\u00e7ais<\/a> and the\u00a0<a href=\"https:\/\/www.fondationshoah.org\/\" target=\"_blank\" rel=\"noopener\">Fondation pour la M\u00e9moire de la Shoah<\/a>.<\/p>\r\n\r\n<h1>Extracts<\/h1>\r\n<p>Ilse Weber &#8211; Wiegala (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/01-Ilse-Weber-Wiegala-Extrait.mp3?_=1\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/01-Ilse-Weber-Wiegala-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/01-Ilse-Weber-Wiegala-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Fernand Halphen &#8211; Melodie en re mineur (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/02-Fernand-Halphen-Melodie-en-re-mineur-Extrait.mp3?_=2\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/02-Fernand-Halphen-Melodie-en-re-mineur-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/02-Fernand-Halphen-Melodie-en-re-mineur-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Reynaldo Hahn &#8211; Chanson d&#8217;automne (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/03-Reynaldo-Hahn-Chanson-dautomne-Extrait.mp3?_=3\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/03-Reynaldo-Hahn-Chanson-dautomne-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/03-Reynaldo-Hahn-Chanson-dautomne-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Kurt Weill &#8211; Youkali (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/04-Kurt-Weill-Youkali-Extrait.mp3?_=4\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/04-Kurt-Weill-Youkali-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/04-Kurt-Weill-Youkali-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Hannah Szenes &amp; David Zehavi &#8211; Eli Eli (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/05-Hannah-Szenes-David-Zehavi-Eli-Eli-Extrait.mp3?_=5\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/05-Hannah-Szenes-David-Zehavi-Eli-Eli-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/05-Hannah-Szenes-David-Zehavi-Eli-Eli-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>John Williams &#8211; Theme du film La liste de Schindler (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/06-John-Williams-Theme-du-film-La-liste-de-Schindler-Extrait.mp3?_=6\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/06-John-Williams-Theme-du-film-La-liste-de-Schindler-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/06-John-Williams-Theme-du-film-La-liste-de-Schindler-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Louis Aubert &#8211; Der Rebele, der Gabele<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/07-Louis-Aubert-Der-Rebele-der-Gabele.mp3?_=7\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/07-Louis-Aubert-Der-Rebele-der-Gabele.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/07-Louis-Aubert-Der-Rebele-der-Gabele.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Maurice Ravel &#8211; Chanson h\u00e9bra\u00efque (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/08-Maurice-Ravel-Chanson-hebraique-Extrait.mp3?_=8\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/08-Maurice-Ravel-Chanson-hebraique-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/08-Maurice-Ravel-Chanson-hebraique-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Paul Ben-Haim &#8211; Berceuse Sfaradite (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/09-Paul-Ben-Haim-Berceuse-Sfaradite-Extrait.mp3?_=9\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/09-Paul-Ben-Haim-Berceuse-Sfaradite-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/09-Paul-Ben-Haim-Berceuse-Sfaradite-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Alexandre Olshanetsky &#8211; Mayn shtetele Beltz (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/10-Alexandre-Olshanetsky-Mayn-shtetele-Beltz-Extrait.mp3?_=10\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/10-Alexandre-Olshanetsky-Mayn-shtetele-Beltz-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/10-Alexandre-Olshanetsky-Mayn-shtetele-Beltz-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Herman Yablokoff &#8211; Papirosn (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/11-Herman-Yablokoff-Papirosn-Extrait.mp3?_=11\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/11-Herman-Yablokoff-Papirosn-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/11-Herman-Yablokoff-Papirosn-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Leon Algazi &#8211; Le Rebe danse (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/12-Leon-Algazi-Le-Rebe-danse-Extrait.mp3?_=12\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/12-Leon-Algazi-Le-Rebe-danse-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/12-Leon-Algazi-Le-Rebe-danse-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>13 &#8211; Alberto Hemsi &#8211; Seconda Suite Sefardies, op. 39-2 &#8211; Durme, Durme (Extract)<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/13-Alberto-Hemsi-Seconda-Suite-Sefardies-op.-39-2-Durme-Durme-Extrait.mp3?_=13\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/13-Alberto-Hemsi-Seconda-Suite-Sefardies-op.-39-2-Durme-Durme-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/13-Alberto-Hemsi-Seconda-Suite-Sefardies-op.-39-2-Durme-Durme-Extrait.mp3<\/a><\/audio>\r\n<p>&nbsp;<\/p>\r\n<p>Joachim Stutschewsky &#8211; Oriental Melody<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-135001-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/14-Joachim-Stutschewsky-Oriental-Melody.mp3?_=14\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/14-Joachim-Stutschewsky-Oriental-Melody.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/09\/14-Joachim-Stutschewsky-Oriental-Melody.mp3<\/a><\/audio>\r\n<h1>\u00a0<\/h1>","protected":false},"excerpt":{"rendered":"<p>28 pieces beautifully performed by Sarah Iancu (cello) and David Bismuth (piano), inspired by liturgical music, Judeo-Spanish songs, and stage music, particularly from Yiddish 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