Biblical cantillation and psalmody - Jean-Philippe Amar

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Since the 5th century before the Christian era, the Hebraic Bible is read out loud in public. It has to be cantillated, which means it has to follow melodic movements of relatively simple construction.
Music holds here the function of regulator and solemn coating.

Until the 6th century, this cantillation follows rules transmitted from the oral tradition. Between the 7th and the 10th century, time of dispersion of the Jewish people and setting of communities in the diaspora, transmission is weakened.
Learned people (Masoretes) develop mnemonic systems in order to keep the traditions of recitation and appropriate cutting of the Biblical texts, consonantal and without punctuation.

From the 10th century on, sacred texts are therefore cantillated following a "masoretic" notation. The latter is set on an elaborate system allowing to subtly vocalize and punctuate the prose. Around 20 signs indicate the melodic movements of the voice, generating a necessary punctuation for the understanding of the text. As the musical notation is not precise, the cantillation can vary depending on the performer, the communautary ritual and the text (Pentateuch, Psalms).

Thoughts on the cantillated Torah, Revue des Traditions Musicales des Mondes Arabes et Méditéranéens.

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  • Cantillation biblique et psalmodie - Jean-Philippe AMAR

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