Music and the destruction of European Jews

Since Hitler came to power in 1933, a central office for music was created, directed by Richard Strauss, to survey and control the music in Germany. Very quickly, it is forbidden to play works by Jewish composers, and these works are considered “degenerated”. Many Jewish musicians will be sent to working camps first, and then to concentration and extermination camps during the war.

In the camps, music and songs played an important role in the social organization, as a mean of hope, propaganda, and call for resistance. Music to survive.
“Peat Bog Soldiers”, also called “Die Moorsoldaten” is a symbol of this fight against nazi invaders. It’s a prisoner’s protest song that was sang all over Europe.

Music also plays a particular role in the ghetto of Terezin, 50 km north of Prague. For propaganda means, the nazis gathered many Jewish intellectuals and artists that tried to continue as much as possible their creative activities. Most of these composers (Viktor Ullmann, Hans Krása, Pavel Haas...) will die from hunger or will be sent to gas chambers, leaving behind a very modern work that music researchers from the last 20 years allowed to relive.

After the war, the genocide of European Jews inspired many works, such as Schoenberg’s “A Survivor from Warsaw”.


listen to the radio show : Survive and die with music in nazi camps.

Listen to the radio show : Forbidden musicians and music under third Reich.

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  • Cheder Yorn - Abraham BRUN

  • Dos ingele ligt farbrent - Sarah GORBY

  • Moide ani - Sarah GORBY

  • Motele fun Varshever Geto - Jacques GROBER

  • Shtil, di Nacht iz oysgeshternt - Norbert HOROWITZ

  • Oy, a Nacht a sheyne - Norbert HOROWITZ

  • Anni Ma’amim - Dorit REUVENI

  • Freeling - Chava ALBERSTEIN

  • Oyb Nit kayn Anume - Abraham BRUN

  • Farvos iz der Himl - Chava ALBERSTEIN

  • Ghetto lid - Pinchos BORENSTEIN

  • Jetz habe Leute, aufgepasst - KRASA_BRUNDIBAR

  • Die Moorsoldaten-Theodore BIKEL

  • Souviens toi d’Auschwitz - Emile Kaçmann

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