{"id":112835,"date":"2024-06-20T12:14:41","date_gmt":"2024-06-20T10:14:41","guid":{"rendered":"https:\/\/www.iemj.org\/darius-milhaud-et-ses-oeuvres-inspirees-de-la-tradition-juive\/"},"modified":"2024-06-20T14:41:06","modified_gmt":"2024-06-20T12:41:06","slug":"darius-milhaud-et-ses-oeuvres-inspirees-de-la-tradition-juive","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/darius-milhaud-et-ses-oeuvres-inspirees-de-la-tradition-juive\/","title":{"rendered":"Darius Milhaud and his works inspired by Jewish tradition"},"content":{"rendered":"

Born in Marseille on September 4, 1892, Darius Milhaud<\/a> came from an old Jewish family in the Comtat Venaissin region of France. Author of a prolific oeuvre (443 opus numbers!), Darius Milhaud tackled every genre: opera, chamber music, symphonic music, concertos, ballets and vocal music. His musical language is marked by polytonality and polyrhythm. He draws his inspiration from jazz, Brazilian, African and Proven\u00e7al Jewish music. He defines himself as “French from Provence and of Israelite religion”.<\/p>\n

Written between 1916 and 1974, Milhaud’s Jewish-inspired works are mainly vocal. They are rooted in Judeo-Comtadin traditions, such as Po\u00e8mes juifs (1916), the opera Esther de Carpentras (1925-1927), Chants populaires h\u00e9bra\u00efques (1925), Pri\u00e8res journali\u00e8res \u00e0 l’usage des Juifs du Comtat Venaissin \"\"(1927), Liturgie comtadine (1933), Cantate nuptiale (1937), Couronne de gloire (1940)… The Second World War, and Milhaud’s exile to the USA in 1940, led to a broader awareness of his Jewishness, which is reflected in his later works: Borechou-Schema Israel<\/em> (1944), Kaddish<\/em> (1945), Service sacr\u00e9 pour le samedi matin<\/em> (1947), Lekha dodi<\/em> (1948), Cantate des Proverbes<\/em> (1951), Le Cand\u00e9labre \u00e0 sept branches<\/em><\/a> (1951), the oratorio David<\/em> composed in 1952-1953 for the third millennium of Jerusalem in 1954, Le Dibbouk<\/em> (1963) or the cantata Ani Maamin<\/em> (1972) on a text by Elie Wiesel, which recounts the horrors committed at Auschwitz. Treblinka, Maidanek… places where more than twenty of the composer’s cousins perished.<\/p>\n

The playlist below features excerpts from several of his iconic Jewish works, among them the Etude sur des th\u00e8mes liturgiques du Comtat Venaissin<\/em>, the Chants populaires h\u00e9bra\u00efques<\/em>, the Cantate des proverbes<\/em>, Couronne de gloire<\/em>, Ani Maamin<\/em>, Ca\u00efn et Abel<\/em>, as well as various Hebrew prayers (Lekha dodi<\/em>, Adon olam<\/em>\u2026)<\/p>\n

Read Darius Milhaud’s biography<\/a><\/p>\n

Read the article Le Cand\u00e9labre \u00e0 Sept branches by Darius Milhaud<\/a><\/p>\n\n\n

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Born in Marseille on September 4, 1892, Darius Milhaud came from an old Jewish family in the Comtat Venaissin region of France. 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