{"id":116898,"date":"2025-01-16T16:29:00","date_gmt":"2025-01-16T15:29:00","guid":{"rendered":"https:\/\/www.iemj.org\/les-baqqachot\/"},"modified":"2025-01-17T10:57:20","modified_gmt":"2025-01-17T09:57:20","slug":"les-baqqachot","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/les-baqqachot\/","title":{"rendered":"Baqqachot"},"content":{"rendered":"<h3>\u00a0<\/h3>\n<p><!--more--><\/p>\n<h3><strong>Origins<\/strong><\/h3>\n<p>Since biblical times, night has been a special time for study and prayer. Didn&#8217;t the psalmist write (Psalms 119:62) \u201cI rise at midnight to give you thanks for your righteous judgments\u201d?<\/p>\n<p>With the emergence of the Kabbalistic school of Safed in Galilee in the 16th century, night prayer took on a new meaning: the mourning, at the middle of the night, of the destruction of the Temple and the exile of the divine presence, the <em>Shekhina<\/em>.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium wp-image-116888 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Shirat-ha-Baqqashot_Lior-Elmaleh_CD-belle-couv-300x273.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Shirat-ha-Baqqashot_Lior-Elmaleh_CD-belle-couv-300x273.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Shirat-ha-Baqqashot_Lior-Elmaleh_CD-belle-couv.jpg 435w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>The influence of the Safed Kabbalah was such that, in addition to spreading the study of Jewish mysticism, many of its practices were adopted by Jewish communities around the world. For example, rarely does a community not welcome Shabbat by intoning the famous <em>Lekha dodi<\/em>, written by Salomon Elqabe\u1e63, an eminent 16th-century Safed mystic.<\/p>\n<p>This influence was particularly strong in the Near East and North Africa. In many communities in these regions, the practice of <em>Shirat ha-Baqqachot<\/em> developed considerably.<\/p>\n<h3><strong>What is <em>Shirat ha-Baqqachot<\/em>?<\/strong><\/h3>\n<p>On Saturday mornings in winter, before sunrise, worshippers gather in the synagogue to sing <em>baqqachot<\/em> (or <em>bakashot<\/em>), a collection of liturgical poems. Ariel Danan, a specialist in Moroccan <em>bakashot<\/em>, explains in an interview given to IEMJ: \u201cThese songs begin on the first Shabbat after Sukkot, that is, on Shabbat Berechit, when the reading of the Torah is resumed, and continue every week until the Shabbat before Purim, in the Moroccan rite. In the Middle Eastern rite, they continue to be sung until Pesach.&#8221;<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_116898_1('footnote_plugin_reference_116898_1_1');\" onkeypress=\"footnote_moveToReference_116898_1('footnote_plugin_reference_116898_1_1');\" ><sup id=\"footnote_plugin_tooltip_116898_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_116898_1_1\" class=\"footnote_tooltip\">Interview with Ariel Danan, filmed on August 19, 2024. To listen to excerpts, see the video Chirat ha-Baqqashot according to the Moroccan rite (link at the bottom of the page).<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_116898_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_116898_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><img decoding=\"async\" class=\"wp-image-116877 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/image2_rognee-300x155.jpg\" alt=\"\" width=\"424\" height=\"219\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/image2_rognee-300x155.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/image2_rognee.jpg 597w\" sizes=\"(max-width: 424px) 100vw, 424px\" \/><em>Bakashot<\/em> are led by an experienced cantor, often the oldest of those present. In the North African tradition, these songs are mainly performed by paytanim (singer-poets). In the Middle Eastern rite, the congregation plays a more active role, participating in much of the singing. <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_116898_1('footnote_plugin_reference_116898_1_2');\" onkeypress=\"footnote_moveToReference_116898_1('footnote_plugin_reference_116898_1_2');\" ><sup id=\"footnote_plugin_tooltip_116898_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_116898_1_2\" class=\"footnote_tooltip\">Listen to the baqqashot playlist (link at bottom of page).<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_116898_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_116898_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<h3><strong>Differences between North African and Middle Eastern traditions<\/strong><\/h3>\n<p>The first distinction between these two traditions lies in their textual repertoire. In the Middle Eastern rite, <em>bakashot<\/em> follow a fixed text each week, beginning with the mystical poem <em>El Mistater<\/em>. Each stanza of this poem corresponds to one of the ten <em>Sefirot<\/em>, attributes or manifestations of the divine. Another key text in this tradition is a 16th-century poem beginning with: <em>Ode la-El levav &#8216;hoker beron ya&#8217;had kokhve voker<\/em> (\u201cAs the morning stars sing in concert, I praise God who encircles hearts\u201d).<\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-116883 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Haim-Look_Kassidot-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Haim-Look_Kassidot-300x297.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Haim-Look_Kassidot-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Haim-Look_Kassidot-100x100.jpg 100w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Haim-Look_Kassidot.jpg 435w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>In the Moroccan rite, the structure of the <em>bakashot<\/em> remains constant throughout the season, but the texts vary from week to week. The songs always open with two fixed poems, <em>Dodi Yarad<\/em> and <em>Yedid Nefesh<\/em>, and end with <em>Sha&#8217;har Avaqesh&#8217;ha (<\/em>\u201cAt dawn I seek you\u201d). Between these fixed elements, the liturgical poems change each week according to a specific musical mode, called <em>nouba<\/em>.<\/p>\n<p>Ariel Danan explains: \u201cIn Moroccan tradition, each Shabbat is associated with a nouba, a musical mode derived from Andalusian music. There are 11 listed noubas; some are common to the Jewish and Muslim traditions of Moroccan Andalusian music, others have been preserved or created by the Jews. <em>Bakashot<\/em> are sung during approximately twenty Shabbat. Some noubas are therefore used over two or three Shabbat, but the tunes differ each time, even within the same musical mode. This practice requires encyclopedic knowledge to master the entire repertoire\u201d <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_116898_1('footnote_plugin_reference_116898_1_3');\" onkeypress=\"footnote_moveToReference_116898_1('footnote_plugin_reference_116898_1_3');\" ><sup id=\"footnote_plugin_tooltip_116898_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_116898_1_3\" class=\"footnote_tooltip\">Interview with Ariel Danan, August 19, 2024. To listen to excerpts, consult the video Chirat ha-Baqqashot according to the Moroccan rite (link at the bottom of the page).<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_116898_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_116898_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p>The texts sung are Hebrew liturgical poems (piyyoutim), on the theme of Israel&#8217;s exile, of the bond between Israel and God, but also &#8211; in the Moroccan rite &#8211; the <em>parasha<\/em> of the week. This last category of poems is called <em>Qseda<\/em>, a generic term for narrative poems. It is a literary genre inspired by Arabic poetry, where it bears the same name. Each week, the <em>Qseda<\/em> poetically recounts a key theme from the weekly <em>parasha<\/em>.<\/p>\n<h3><strong><em>Baqqashot<\/em> today<\/strong><\/h3>\n<p>Today, this tradition is maintained mainly within the Moroccan and Syrian rite communities. In Israel, it has enjoyed a remarkable boom in recent years. In France, <em>bakashot<\/em> evenings are organized on certain Saturday evenings in winter, mainly in the \u00cele-de-France region. In Strasbourg, Rabbi Bendavid also contributes to the transmission of this tradition.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/a-la-decouverte-des-baqqachot\/\" target=\"_blank\" rel=\"noopener\">Listen to the <em>Discovery of baqqashot playlist<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/chirat-ha-baqqachot-selon-le-rite-marocain\/\" target=\"_blank\" rel=\"noopener\">Watch the <em>video Shirat ha-Baqqashot according to the Moroccan rite<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.pizmonim.com\/section.php?maqam=Baqashot\" target=\"_blank\" rel=\"noopener\">Listen to dozens of other baqqashot according to the Middle Eastern rite of Aleppo (Syria) on the Sephardic Pizmonim Project website.<\/a><\/p>\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_116898_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_116898_1();\">[<a id=\"footnote_reference_container_collapse_button_116898_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_116898_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_116898_1('footnote_plugin_tooltip_116898_1_1');\"><a id=\"footnote_plugin_reference_116898_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Interview with Ariel Danan, filmed on August 19, 2024. To listen to excerpts, see the video Chirat ha-Baqqashot according to the Moroccan rite (link at the bottom of the page).<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_116898_1('footnote_plugin_tooltip_116898_1_2');\"><a id=\"footnote_plugin_reference_116898_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Listen to the baqqashot playlist (link at bottom of page).<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_116898_1('footnote_plugin_tooltip_116898_1_3');\"><a id=\"footnote_plugin_reference_116898_1_3\" class=\"footnote_backlink\">3<\/a><\/th> <td class=\"footnote_plugin_text\">Interview with Ariel Danan, August 19, 2024. To listen to excerpts, consult the video Chirat ha-Baqqashot according to the Moroccan rite (link at the bottom of the page).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_116898_1() { jQuery('#footnote_references_container_116898_1').show(); jQuery('#footnote_reference_container_collapse_button_116898_1').text('\u2212'); } function footnote_collapse_reference_container_116898_1() { jQuery('#footnote_references_container_116898_1').hide(); jQuery('#footnote_reference_container_collapse_button_116898_1').text('+'); } function footnote_expand_collapse_reference_container_116898_1() { if (jQuery('#footnote_references_container_116898_1').is(':hidden')) { footnote_expand_reference_container_116898_1(); } else { footnote_collapse_reference_container_116898_1(); } } function footnote_moveToReference_116898_1(p_str_TargetID) { footnote_expand_reference_container_116898_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_116898_1(p_str_TargetID) { footnote_expand_reference_container_116898_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>\u00a0<\/p>\n","protected":false},"author":5,"featured_media":116870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[950],"tags":[],"technique":[],"squelettes":[],"sujet":[2119],"formation":[],"genre":[1116],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-116898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-articles-en","sujet-religious-poetry-piyyutim-en","genre-liturgy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baqqachot - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/les-baqqachot\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baqqachot - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"\u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/les-baqqachot\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-16T15:29:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-17T09:57:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Les-baqqachot_article-fond.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Baqqachot\",\"datePublished\":\"2025-01-16T15:29:00+00:00\",\"dateModified\":\"2025-01-17T09:57:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/\"},\"wordCount\":763,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Les-baqqachot_article-fond.jpg\",\"articleSection\":[\"Feature articles\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/\",\"name\":\"Baqqachot - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Les-baqqachot_article-fond.jpg\",\"datePublished\":\"2025-01-16T15:29:00+00:00\",\"dateModified\":\"2025-01-17T09:57:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Les-baqqachot_article-fond.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Les-baqqachot_article-fond.jpg\",\"width\":500,\"height\":500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/les-baqqachot\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Baqqachot\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Baqqachot - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/les-baqqachot\/","og_locale":"en_US","og_type":"article","og_title":"Baqqachot - Institut Europ\u00e9en des Musiques Juives","og_description":"\u00a0","og_url":"https:\/\/www.iemj.org\/en\/les-baqqachot\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2025-01-16T15:29:00+00:00","article_modified_time":"2025-01-17T09:57:20+00:00","og_image":[{"width":500,"height":500,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Les-baqqachot_article-fond.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jacqueline ROTEN","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Baqqachot","datePublished":"2025-01-16T15:29:00+00:00","dateModified":"2025-01-17T09:57:20+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/"},"wordCount":763,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Les-baqqachot_article-fond.jpg","articleSection":["Feature articles"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/","url":"https:\/\/www.iemj.org\/en\/les-baqqachot\/","name":"Baqqachot - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Les-baqqachot_article-fond.jpg","datePublished":"2025-01-16T15:29:00+00:00","dateModified":"2025-01-17T09:57:20+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/les-baqqachot\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Les-baqqachot_article-fond.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Les-baqqachot_article-fond.jpg","width":500,"height":500},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/les-baqqachot\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Baqqachot"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/116898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=116898"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/116898\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/116870"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=116898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=116898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=116898"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=116898"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=116898"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=116898"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=116898"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=116898"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=116898"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=116898"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=116898"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=116898"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=116898"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=116898"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=116898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}