{"id":117238,"date":"2025-01-25T18:37:06","date_gmt":"2025-01-25T17:37:06","guid":{"rendered":"https:\/\/www.iemj.org\/piano-music-by-jewish-composers\/"},"modified":"2025-01-27T16:16:38","modified_gmt":"2025-01-27T15:16:38","slug":"piano-music-by-jewish-composers","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/","title":{"rendered":"Piano Music by Jewish Composers"},"content":{"rendered":"<p>In the 19th century, a liberal Judaism developed in Western Europe, advocating the adoption of Western music in synagogal worship, in place of the traditional singing of the hazzan and his assistants, the meshorerim <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_117238_1('footnote_plugin_reference_117238_1_1');\" onkeypress=\"footnote_moveToReference_117238_1('footnote_plugin_reference_117238_1_1');\" ><sup id=\"footnote_plugin_tooltip_117238_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_117238_1_1\" class=\"footnote_tooltip\">assistants who support the <em>hazzan<\/em>&#8216;s singing with various melodic devices (alternating voices, drone, improvisation, etc.)<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_117238_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_117238_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. Among the singers, arrangers and composers of this new synagogue service were Salomon Sulzer in Vienna (from 1826), Hirsch Weintraub in Koenigsberg (1838), Louis Lewandowski in Berlin (1840) and Samuel Naumbourg in Paris (1845). These different singers composed prayer melodies in the tonal style, without however rejecting the old synagogal chants, which they endeavored to harmonize for soloist and choir, often accompanied by organ.<\/p>\n<p>While we are relatively familiar with the liturgical works of these reformers, we are sometimes unaware that they also wrote pieces for piano or other instruments. Such is the case of the composers featured in this collection of scores compiled by the excellent duo of musicians: pianist Bella Kalinowsky <img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-117224 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/FH_3640_NS2_klein_1-p-de-la-partition-221x300.jpg\" alt=\"\" width=\"265\" height=\"360\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/FH_3640_NS2_klein_1-p-de-la-partition-221x300.jpg 221w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/FH_3640_NS2_klein_1-p-de-la-partition.jpg 600w\" sizes=\"(max-width: 265px) 100vw, 265px\" \/>and her husband, violist Semjon Kalinowsky, who have set themselves the task of reviving the often little-known piano repertoire of these Jewish composers.<\/p>\n<p>The score includes the <em>Rhapsodie h\u00e9bra\u00efque<\/em>, Op. 34, by Louis Lewandowski (1821-1894), the <em>Kol Nidrei<\/em> by Joseph Sulzer (1850-1926)<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_117238_1('footnote_plugin_reference_117238_1_2');\" onkeypress=\"footnote_moveToReference_117238_1('footnote_plugin_reference_117238_1_2');\" ><sup id=\"footnote_plugin_tooltip_117238_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_117238_1_2\" class=\"footnote_tooltip\">Joseph Sulzer was the son of Salomon Sulzer.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_117238_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_117238_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, the <em>Kol Nidrei<\/em> by Salomon Jadassohn (1831-1902) and the <em>J\u00fcdische Volkslieder<\/em> by Joel Engel (1868-1922), published posthumously in Moscow in 1930, containing ten arrangements of Yiddish songs and dance tunes.<\/p>\n<p>These piano works can be played both by professionals and experienced amateurs. So don&#8217;t miss out on this very interesting repertoire!<\/p>\n<p><a href=\"https:\/\/www.hofmeister-musikverlag.com\/produkt\/piano-music-by-jewish-composers\/\" target=\"_blank\" rel=\"noopener\">Order the score<\/a><\/p>\n<p><a href=\"https:\/\/www.viola-raritaeten.de\/?&amp;set_lang=en\" target=\"_blank\" rel=\"noopener\">More about the Kalinowsky duo<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/?s=Kalinowsky\" target=\"_blank\" rel=\"noopener\">Consult other scores or CDs by the Kalinowsky duo on the IEMJ website<\/a><\/p>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Joel Engel: Jewish Folksongs Volume III performed by Thomas Kotcheff (c. 1920)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rMjf5fLb_j0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Rhapsodie h\u00e9bra\u00efque pour le Piano, Op.34 (Louis Lewandowski) S&amp;P C4063V\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6A-W5VSapZI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_117238_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_117238_1();\">[<a id=\"footnote_reference_container_collapse_button_117238_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_117238_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_117238_1('footnote_plugin_tooltip_117238_1_1');\"><a id=\"footnote_plugin_reference_117238_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">assistants who support the <em>hazzan<\/em>&#8216;s singing with various melodic devices (alternating voices, drone, improvisation, etc.)<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_117238_1('footnote_plugin_tooltip_117238_1_2');\"><a id=\"footnote_plugin_reference_117238_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Joseph Sulzer was the son of Salomon Sulzer.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_117238_1() { jQuery('#footnote_references_container_117238_1').show(); jQuery('#footnote_reference_container_collapse_button_117238_1').text('\u2212'); } function footnote_collapse_reference_container_117238_1() { jQuery('#footnote_references_container_117238_1').hide(); jQuery('#footnote_reference_container_collapse_button_117238_1').text('+'); } function footnote_expand_collapse_reference_container_117238_1() { if (jQuery('#footnote_references_container_117238_1').is(':hidden')) { footnote_expand_reference_container_117238_1(); } else { footnote_collapse_reference_container_117238_1(); } } function footnote_moveToReference_117238_1(p_str_TargetID) { footnote_expand_reference_container_117238_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_117238_1(p_str_TargetID) { footnote_expand_reference_container_117238_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>In the 19th century, a liberal Judaism developed in Western Europe, advocating the adoption of Western music in synagogal worship, in place of the traditional singing of the hazzan and<\/p>\n","protected":false},"author":5,"featured_media":117230,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1562,1580],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-117238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-acquisitions-en","category-sheet-music-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"In the 19th century, a liberal Judaism developed in Western Europe, advocating the adoption of Western music in synagogal worship, in place of the traditional singing of the hazzan and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-25T17:37:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-27T15:16:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"439\" \/>\n\t<meta property=\"og:image:height\" content=\"601\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Piano Music by Jewish Composers\",\"datePublished\":\"2025-01-25T17:37:06+00:00\",\"dateModified\":\"2025-01-27T15:16:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/\"},\"wordCount\":299,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"articleSection\":[\"Latest Acquisitions\",\"Sheet Music\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/\",\"name\":\"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"datePublished\":\"2025-01-25T17:37:06+00:00\",\"dateModified\":\"2025-01-27T15:16:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"width\":439,\"height\":601},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/piano-music-by-jewish-composers\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Piano Music by Jewish Composers\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/","og_locale":"en_US","og_type":"article","og_title":"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives","og_description":"In the 19th century, a liberal Judaism developed in Western Europe, advocating the adoption of Western music in synagogal worship, in place of the traditional singing of the hazzan and","og_url":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2025-01-25T17:37:06+00:00","article_modified_time":"2025-01-27T15:16:38+00:00","og_image":[{"width":439,"height":601,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jacqueline ROTEN","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Piano Music by Jewish Composers","datePublished":"2025-01-25T17:37:06+00:00","dateModified":"2025-01-27T15:16:38+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/"},"wordCount":299,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","articleSection":["Latest Acquisitions","Sheet Music"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/","url":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/","name":"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","datePublished":"2025-01-25T17:37:06+00:00","dateModified":"2025-01-27T15:16:38+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","width":439,"height":601},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/piano-music-by-jewish-composers\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Piano Music by Jewish Composers"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/117238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=117238"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/117238\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/117230"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=117238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=117238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=117238"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=117238"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=117238"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=117238"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=117238"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=117238"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=117238"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=117238"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=117238"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=117238"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=117238"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=117238"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=117238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}