{"id":117663,"date":"2025-02-05T15:37:20","date_gmt":"2025-02-05T14:37:20","guid":{"rendered":"https:\/\/www.iemj.org\/histoire-de-voix-hebraiques\/"},"modified":"2025-02-06T16:53:26","modified_gmt":"2025-02-06T15:53:26","slug":"histoires-de-voix-hebraiques","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/histoires-de-voix-hebraiques\/","title":{"rendered":"Histoires de voix h\u00e9bra\u00efques"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Stories of Hebrew Voices<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Crossed musical anamorphoses<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_117663_1('footnote_plugin_reference_117663_1_1');\" onkeypress=\"footnote_moveToReference_117663_1('footnote_plugin_reference_117663_1_1');\" ><sup id=\"footnote_plugin_tooltip_117663_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_117663_1_1\" class=\"footnote_tooltip\">Deformed image produced by a curved mirror.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_117663_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_117663_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">By Hector Sabo<\/h2>\n\n\n\n<p><strong>\u00a9 2024, Editions Musicales Sabo<\/strong><\/p>\n\n\n<p>Composer, musician and choirmaster, <a href=\"https:\/\/www.iemj.org\/en\/sabo-hector\/\" target=\"_blank\" rel=\"noopener\">Hector Sabo<\/a> has devoted a significant part of his career to Hebrew music, a term he associates with music sung in Hebrew or associated with the Hebrew people.<\/p>\n<p>In this one-hundred-page work, the author offers a more synthetic and accessible approach to what he partially presented in his first book, <a href=\"https:\/\/www.iemj.org\/en\/voix-hebraiques-un-voyage-dans-la-musique-juive-doccident-accompagne-danalyses-et-dexemples-musicaux\/\" target=\"_blank\" rel=\"noopener\"><em>Voix h\u00e9bra\u00efques &#8211; Voyage dans la musique juive d&#8217;Occident<\/em><\/a> (Hebrew Voices: A journey into Western Jewish music, with analysis and musical examples (in French)), published in 2020. Each chapter is short (3-4 pages on average) and factual. For the uninitiated, the 1st prologue recalls the history of the Hebrews and their language. The 2nd prologue is devoted to the musical relationship between Christianity and Judaism. And it is at the end of this prologue and at the beginning of the introduction that the author defines the main subject of his book, which is &#8220;to trace the course of this fascinating musical dialog (&#8230;) between two musics, one Jewish, the other Christian&#8221; (p.14). The book is thus &#8220;an introduction to Hebrew music (&#8230;) in close connection with European music&#8221; (p. 17).<\/p>\n<p>Having limited the geographical scope of his approach to Western music, Hector Sabo offers a thematic and chronological tour in 16 chapters, from the music of the Temple of Jerusalem to contemporary music in France. The 17th chapter offers a selection of Hebrew psalms set to music since the Middle Ages. Finally, the conclusion &#8211; apart from the inevitable summary &#8211; expands the field of possibilities to include film music and musicals with a Jewish theme.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/10\/arton3641-225x300.jpg\" width=\"225\" height=\"300\" \/>In short, with the exception of a 2-page chapter on Hebrew-language Israeli music, this book presents Western Jewish music in its relationship to the surrounding Christian society. This journey through time and space alternates historical and musicological facts with the author&#8217;s often interesting reflections on his practice of Hebrew music. There are, however, a number of approximations and even errors, such as the reference on p. 29 to &#8220;manuscripts of music from the Jewish communities of Normandy&#8221; that were supposedly used in the recording of the CD <em>Juifs et trouv\u00e8res<\/em> produced by the IEMJ<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_117663_1('footnote_plugin_reference_117663_1_2');\" onkeypress=\"footnote_moveToReference_117663_1('footnote_plugin_reference_117663_1_2');\" ><sup id=\"footnote_plugin_tooltip_117663_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_117663_1_2\" class=\"footnote_tooltip\">The music on the CD Juifs et trouv\u00e8res comes from Hebrew manuscripts from northern France (Flanders, Picardy, Artois, Champagne&#8230;) that do not contain musical notation. In two of these&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_117663_1('footnote_plugin_reference_117663_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_117663_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_117663_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. It should also be noted that the author rarely cites his sources. For example, when Hector Sabo claims on p. 38 that Beethoven received a book of Hebrew melodies from Salomon Sulzer that inspired him to use the Kol nidr\u00e9 theme in his 14th quartet, this version is far from unanimous among musicologists. Similarly, the author notes that in the musical West Side Story, Leonard &#8220;Bernstein wanted to tell in music his personal version of a story inspired by Shakespeare&#8217;s Romeo and Juliet, in which the characters are not Irish and Puerto Rican, as the definitive version intended, but Jewish and Arab&#8230;&#8221; (p. 80). (p. 80). If we refer to <a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/serie-la-story-de-west-side-story\" target=\"_blank\" rel=\"noopener\">Laurent Vali\u00e8re&#8217;s broadcast on France Musique in 2021<\/a> and Charlotte Landru-Chand\u00e8s&#8217; article <a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/serie-la-story-de-west-side-story\" target=\"_blank\" rel=\"noopener\">&#8220;West Side Story: everything you always wanted to know about Bernstein&#8217;s work&#8221;<\/a>, this assertion would be dubious, to say the least.<\/p>\n<p>Apart from these few reservations, the book is a pleasure to read and makes one want to know more about Jewish music. It also introduces us to lesser-known works, such as the magnificent <em>Five Hebrew Love Songs<\/em> by American composer Eric Whitacre.<\/p>\n<ul>\n<li><a href=\"https:\/\/livres.bookelis.com\/histoire\/62238-histoire-de-voix-hebraiques.html\" target=\"_blank\" rel=\"noopener\">Order the book<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/sabo-hector\/\" target=\"_blank\" rel=\"noopener\">Learn more about Hector Sabo<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/categorie\/ecouter-voir\/emissions-de-radio\/emissions-hector-sabo\/\" target=\"_blank\" rel=\"noopener\">Listen to Hector Sabo&#8217;s Ledor Vador radio broadcastsl<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/\" target=\"_blank\" rel=\"noopener\">Listen to Hector Sabo&#8217;s lecture on The Voice in the Ashkenazi Liturgical Tradition <\/a><\/li>\n<li>Browse the CDs <a href=\"https:\/\/www.iemj.org\/en\/musiques-juives-et-hebraiques-sacrees-et-profanes-au-moyen-age-xix-et-xx-siecles\/\" target=\"_blank\" rel=\"noopener\">Musiques juives h\u00e9bra\u00efques et sacr\u00e9es et profanes au Moyen Age, XIX et XXe si\u00e8cles (Musiques juives h\u00e9bra\u00efques et sacr\u00e9es et profanes au Moyen Age, XIX et XXe si\u00e8cles (Hebrew Jewish Music, Sacred and Secular in the Middle Ages, 19th and 20th Centuries)<\/a> and <a href=\"https:\/\/www.iemj.org\/en\/chants-et-emotions-2\/\" target=\"_blank\" rel=\"noopener\">Chants et Emotions (Songs and Emotions)<\/a><\/li>\n<\/ul>\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_117663_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_117663_1();\">[<a id=\"footnote_reference_container_collapse_button_117663_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_117663_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_117663_1('footnote_plugin_tooltip_117663_1_1');\"><a id=\"footnote_plugin_reference_117663_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Deformed image produced by a curved mirror.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_117663_1('footnote_plugin_tooltip_117663_1_2');\"><a id=\"footnote_plugin_reference_117663_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">The music on the CD <em>Juifs et trouv\u00e8res<\/em> comes from Hebrew manuscripts from northern France (Flanders, Picardy, Artois, Champagne&#8230;) that do not contain musical notation. In two of these manuscripts, the copyist indicated in the margin of the text the title of a trouv\u00e8re song to which the religious poetry was to be sung.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_117663_1() { jQuery('#footnote_references_container_117663_1').show(); jQuery('#footnote_reference_container_collapse_button_117663_1').text('\u2212'); } function footnote_collapse_reference_container_117663_1() { jQuery('#footnote_references_container_117663_1').hide(); jQuery('#footnote_reference_container_collapse_button_117663_1').text('+'); } function footnote_expand_collapse_reference_container_117663_1() { if (jQuery('#footnote_references_container_117663_1').is(':hidden')) { footnote_expand_reference_container_117663_1(); } else { footnote_collapse_reference_container_117663_1(); } } function footnote_moveToReference_117663_1(p_str_TargetID) { footnote_expand_reference_container_117663_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_117663_1(p_str_TargetID) { footnote_expand_reference_container_117663_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Stories of Hebrew Voices Crossed musical anamorphoses[1]Deformed image produced by a curved mirror. By Hector Sabo \u00a9 2024, Editions Musicales Sabo Composer, musician and choirmaster, Hector Sabo has devoted a<\/p>\n","protected":false},"author":5,"featured_media":117641,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1579,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-117663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books-articles-en","category-latest-acquisitions-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Histoires de voix h\u00e9bra\u00efques - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/histoires-de-voix-hebraiques\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Histoires de voix h\u00e9bra\u00efques - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Stories of Hebrew Voices Crossed musical anamorphoses[1]Deformed image produced by a curved mirror. 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