{"id":119076,"date":"2025-03-26T15:56:48","date_gmt":"2025-03-26T14:56:48","guid":{"rendered":"https:\/\/www.iemj.org\/fonds-michel-heymann\/"},"modified":"2025-03-28T10:10:26","modified_gmt":"2025-03-28T09:10:26","slug":"fonds-michel-heymann","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/","title":{"rendered":"Michel Heymann Collection"},"content":{"rendered":"<p><!--more--><\/p>\n<\/p>\n<p>On December 7, 2022, <a href=\"https:\/\/www.iemj.org\/en\/heymann-michel-1952\/\" target=\"_blank\" rel=\"noopener\">Michel Heymann<\/a> donated to the European Institute of Jewish Music a collection of archives covering almost fifty years of activity as a hazzan in Haguenau, Mulhouse and in Luxembourg. The collection is distinguished by its richness and diversity, illustrating the transmission of the Ashkenazi cantorial tradition in the Rhine Valley over more than a century.<\/p>\n<p>The collection comprises several thousand pages of mainly handwritten scores, some of which have never been published before, as well as several hundred hours of audio and video recordings.<\/p>\n<figure id=\"attachment_119128\" aria-describedby=\"caption-attachment-119128\" style=\"width: 142px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"wp-image-119128\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/I_484_redim-1-211x300.jpg\" alt=\"\" width=\"142\" height=\"201\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/I_484_redim-1-211x300.jpg 211w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/I_484_redim-1.jpg 321w\" sizes=\"(max-width: 142px) 100vw, 142px\" \/><figcaption id=\"caption-attachment-119128\" class=\"wp-caption-text\"><strong>Rabbi Isa\u00efe Schwartz<\/strong><\/figcaption><\/figure>\n<p>These documents attest to the vitality of Alsatian hazzanout and Michel Heymann&#8217;s commitment to preserving this musical heritage.<\/p>\n<p>Notable documents include a score of <em>La Marseillaise<\/em> (the French national anthem), published in Alsace-Lorraine in 1918, and the program for a synagogal ceremony celebrating the return of Alsace to France. It also includes a rare photograph of Rabbi Isa\u00efe Schwartz, Chief Rabbi of France, taken in 1942.<\/p>\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"478\" height=\"771\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5632-La-Marseillaise-COUV.jpg\" alt=\"\" class=\"wp-image-119026\" style=\"aspect-ratio:0.6758064516129032;object-fit:cover;width:519px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5632-La-Marseillaise-COUV.jpg 478w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5632-La-Marseillaise-COUV-186x300.jpg 186w\" sizes=\"(max-width: 478px) 100vw, 478px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" width=\"594\" height=\"869\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5632-La-Marseillaise-COUV4.jpg\" alt=\"\" class=\"wp-image-119031\" style=\"width:528px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5632-La-Marseillaise-COUV4.jpg 594w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5632-La-Marseillaise-COUV4-205x300.jpg 205w\" sizes=\"(max-width: 594px) 100vw, 594px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"626\" height=\"889\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-COUV.jpg\" alt=\"\" class=\"wp-image-119037\" style=\"width:514px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-COUV.jpg 626w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-COUV-211x300.jpg 211w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-COUV-600x852.jpg 600w\" sizes=\"(max-width: 626px) 100vw, 626px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"552\" height=\"765\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-Partition.jpg\" alt=\"\" class=\"wp-image-119042\" style=\"width:528px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-Partition.jpg 552w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-p_5682-Ceremonie-retour-Alsace-Partition-216x300.jpg 216w\" sizes=\"(max-width: 552px) 100vw, 552px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-119047 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5403-rite-des-fetes-de-Bertrand-Joseph-p.-143-192x300.jpg\" alt=\"\" width=\"352\" height=\"550\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5403-rite-des-fetes-de-Bertrand-Joseph-p.-143-192x300.jpg 192w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5403-rite-des-fetes-de-Bertrand-Joseph-p.-143.jpg 567w\" sizes=\"(max-width: 352px) 100vw, 352px\" \/>Several collections of handwritten musical notations illustrate the transmission of this liturgical repertoire in the Jewish communities of the Rhine Valley. Of particular note is the notebook\u00a0of <a href=\"http:\/\/www.judaisme-alsalor.fr\/histoire\/rabbins\/hazanim\/bjoseph.htm\" target=\"_blank\" rel=\"noopener\">Bertrand Joseph<\/a>, Michel Heymann&#8217;s teacher, in which many of the melodies of the festival cycle are precisely transcribed. This notebook contains many of the melodies of the festive cycle, transcribed with precision. Another remarkable document is the <em>Gesangbuch f\u00fcr Emil Jacob<\/em>\u00a0from 1899, which stands out for the quality of its handwriting and its state of preservation.<\/p>\n<p>The collection also includes an important set of sound archives, mainly recorded during concerts in which Michel Heymann took part, sometimes in collaboration with renowned hazzanim. These recordings testify to the precision, sensitivity and mastery required to perform the liturgical repertoire of the Alsatian rite. They are an invaluable resource for anyone wishing to study or learn about the cantorial art of the Rhine Valley.<\/p>\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"411\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/12\/Capture-P_5598_01_Gesangbuch-fur-Emil-Jacob_Corrigee.jpg\" alt=\"\" class=\"wp-image-119052\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/12\/Capture-P_5598_01_Gesangbuch-fur-Emil-Jacob_Corrigee.jpg 960w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/12\/Capture-P_5598_01_Gesangbuch-fur-Emil-Jacob_Corrigee-300x128.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/12\/Capture-P_5598_01_Gesangbuch-fur-Emil-Jacob_Corrigee-768x329.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/12\/Capture-P_5598_01_Gesangbuch-fur-Emil-Jacob_Corrigee-600x257.jpg 600w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\"><strong>Gesangbuch f\u00fcr Emil Jacob<\/strong><\/figcaption><\/figure>\n\n\n<p>The most important discovery in this collection is an unpublished manuscript by Bernard B\u00f6chner, a major figure in Alsatian hazzanout. As a choirmaster, B\u00f6chner often transcribed the melodies of the Rhine Valley rite to facilitate their interpretation by the hazzanim. Numerous isolated handwritten scores in the collection also appear to be by his hand. Author of the <em>Schir\u00eb Dovid<\/em> collection, he recorded the main liturgical tunes of this tradition. The found manuscript contains Pessa&#8217;h melodies that do not appear in the printed edition, suggesting the existence of an unpublished draft second volume.<\/p>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"907\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5899-Bochner_Maariv-lil-1-shel-Pessah.jpg\" alt=\"\" class=\"wp-image-119057\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5899-Bochner_Maariv-lil-1-shel-Pessah.jpg 564w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5899-Bochner_Maariv-lil-1-shel-Pessah-187x300.jpg 187w\" sizes=\"(max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\"><strong>B\u00f6chner &#8211; Maariv lil 1 shel Pessah<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"562\" height=\"904\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5899-Bochner_Shaharit-leyom-1-shel-PessahPessah.jpg\" alt=\"\" class=\"wp-image-119062\" style=\"width:562px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5899-Bochner_Shaharit-leyom-1-shel-PessahPessah.jpg 562w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-P_5899-Bochner_Shaharit-leyom-1-shel-PessahPessah-187x300.jpg 187w\" sizes=\"(max-width: 562px) 100vw, 562px\" \/><figcaption class=\"wp-element-caption\"><strong>B\u00f6chner &#8211; Shaharit leyom 1 shel Pessah<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n<p><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WHOL+%3D+Michel+Heymann&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Consult the Michel Heymann collection<\/a><\/p>\n<p><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WAMS+%3D+Michel+Heymann&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">View audio and video documents by Michel Heymann<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/heymann-michel-1952\/\" target=\"_blank\" rel=\"noopener\">En savoir plus sur Michel Heymann<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/michel-heymann-et-la-liturgie-ashkenaze-de-la-vallee-du-rhin\/\" target=\"_blank\" rel=\"noopener\">Watch the video <em>Michel Heymann and the Ashkenazi Liturgy in the Valley of the Rhine<\/em><\/a><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":119022,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1584],"tags":[],"technique":[],"squelettes":[],"sujet":[2100],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3270],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-119076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-main-holdings-en","sujet-alsace-lorraine-en","interprete-compositeur-michel-heymann-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Michel Heymann Collection - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Michel Heymann Collection - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-26T14:56:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-28T09:10:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Michel Heymann Collection\",\"datePublished\":\"2025-03-26T14:56:48+00:00\",\"dateModified\":\"2025-03-28T09:10:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/\"},\"wordCount\":465,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"articleSection\":[\"Main Holdings\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/\",\"name\":\"Michel Heymann Collection - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"datePublished\":\"2025-03-26T14:56:48+00:00\",\"dateModified\":\"2025-03-28T09:10:26+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"width\":500,\"height\":500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/fonds-michel-heymann\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Michel Heymann Collection\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Michel Heymann Collection - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/","og_locale":"en_US","og_type":"article","og_title":"Michel Heymann Collection - Institut Europ\u00e9en des Musiques Juives","og_url":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2025-03-26T14:56:48+00:00","article_modified_time":"2025-03-28T09:10:26+00:00","og_image":[{"width":500,"height":500,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jacqueline ROTEN","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Michel Heymann Collection","datePublished":"2025-03-26T14:56:48+00:00","dateModified":"2025-03-28T09:10:26+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/"},"wordCount":465,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","articleSection":["Main Holdings"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/","url":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/","name":"Michel Heymann Collection - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","datePublished":"2025-03-26T14:56:48+00:00","dateModified":"2025-03-28T09:10:26+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","width":500,"height":500},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/fonds-michel-heymann\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Michel Heymann Collection"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/119076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=119076"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/119076\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/119022"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=119076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=119076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=119076"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=119076"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=119076"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=119076"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=119076"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=119076"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=119076"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=119076"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=119076"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=119076"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=119076"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=119076"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=119076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}