{"id":121811,"date":"2025-06-06T11:53:41","date_gmt":"2025-06-06T09:53:41","guid":{"rendered":"https:\/\/www.iemj.org\/henry-deutsch-de-la-meurthe-1846-1919\/"},"modified":"2025-06-16T15:01:43","modified_gmt":"2025-06-16T13:01:43","slug":"henry-deutsch-de-la-meurthe-1846-1919","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/henry-deutsch-de-la-meurthe-1846-1919\/","title":{"rendered":"Deutsch de la Meurthe, Henry (1846-1919)"},"content":{"rendered":"<p><!--more--><\/p>\r\n<p>The two brothers, Henry and \u00c9mile Deutsch, added &#8220;de la Meurthe&#8221; to their name after losing their native Alsace and Lorraine to Germany. This was their way of expressing their attachment to France and distinguishing themselves from other Deutsch families. They joined their father, Alexandre, in the oil business. Their enterprise became one of the three leading refining companies in France and soon extended to the Caspian Sea, Croatia, and Spain. <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_1');\" onkeypress=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_1');\" ><sup id=\"footnote_plugin_tooltip_121811_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_121811_1_1\" class=\"footnote_tooltip\">See Tristan Gaston-Breton and Sonia de Panafieu, <em>La famille Deutsch de la Meurthe. D\u2019hier et d\u2019aujourd\u2019hui 1815-2010<\/em>, Pour m\u00e9moire, 2010.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_121811_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_121811_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\r\n<p>Like his brother, who after the First World War financed the creation of the Cit\u00e9 Universitaire with the \u00c9mile and Louise (n\u00e9e Halphen) Deutsch de la Meurthe Foundation, Henry was a great philanthropist, putting his fortune at the service of his two passions: aeronautics and music.<\/p>\r\n<figure id=\"attachment_121785\" aria-describedby=\"caption-attachment-121785\" style=\"width: 229px\" class=\"wp-caption alignright\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-121785\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Pneumatique-G-Astruc-a-Henry-Deutsch-DLM-A_934_EX-234x300.jpg\" alt=\"\" width=\"229\" height=\"294\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Pneumatique-G-Astruc-a-Henry-Deutsch-DLM-A_934_EX-234x300.jpg 234w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Pneumatique-G-Astruc-a-Henry-Deutsch-DLM-A_934_EX.jpg 390w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><figcaption id=\"caption-attachment-121785\" class=\"wp-caption-text\"><strong>Pneumatique G. Astruc to H. Deutsch de la Meurthe<\/strong><\/figcaption><\/figure>\r\n<p>One of the founders in 1895 of the Automobile club de France and in 1898 of the A\u00e9ro-club de France, Henry created several prizes between 1900 and 1909 to encourage the development of aeronautics, including the Deutsch de la Meurthe Cup<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_2');\" onkeypress=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_2');\" ><sup id=\"footnote_plugin_tooltip_121811_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_121811_1_2\" class=\"footnote_tooltip\">For more details, see Sophie Mouton, \u00ab De l\u2019aviation \u00e0 la Cit\u00e9 universitaire. Philanthropie et patriotisme chez les Deutsch de la Meurthe \u00bb, <em>Archives juives<\/em>, vol. 42, 2009\/1, p. 105-117.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_121811_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_121811_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\r\n<p>He was also one of the most generous patrons of the Soci\u00e9t\u00e9 des grandes auditions musicales de France, chaired by Countess Greffulhe, as well as of the musical seasons organized by Gabriel Astruc. Astruc was the son of the progressive Rabbi Aristide Astruc, who was responsible for his religious instruction. De la M. subsidized performances of Richard Strauss&#8217;s <em>Salome<\/em> in 1907 (5,000 francs), the Russian season in 1909 (10,000 francs), and the Italian season in 1910 (12,500 francs). Above all, he was one of the Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es&#8217;s main shareholders (50,000 francs for 100 shares), which Astruc opened in 1913.<\/p>\r\n<p>He was also a generous donor to the Association des Artistes et Amis de l&#8217;Op\u00e9ra (Association of Artists and Friends of the Opera), an organization that provides pensions for artists. He became its president after <a href=\"https:\/\/www.iemj.org\/en\/camondo-isaac-de-1850-1911\/\" target=\"_blank\" rel=\"noopener\">Isaac de Camondo<\/a> passed away in 1911.<\/p>\r\n<figure id=\"attachment_121790\" aria-describedby=\"caption-attachment-121790\" style=\"width: 232px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"wp-image-121790\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Aschrei-kol-Yerei-de-H-Deutsch_VC-P_3201_0016-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Aschrei-kol-Yerei-de-H-Deutsch_VC-P_3201_0016-232x300.jpg 232w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Aschrei-kol-Yerei-de-H-Deutsch_VC-P_3201_0016.jpg 463w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><figcaption id=\"caption-attachment-121790\" class=\"wp-caption-text\"><strong>Aschre\u00ef kol Yere\u00ef de H. Deutsch<\/strong><\/figcaption><\/figure>\r\n<p>He was a great lover of music and an elected member of the Consistoire central isra\u00e9lite de France. He also devoted himself to composition. He wrote <a href=\"https:\/\/www.iemj.org\/en\/fonds-des-archives-musicales-de-la-grande-synagogue-de-la-victoire-paris\/\" target=\"_blank\" rel=\"noopener\">arrangements of prayers for the new consistorial worship service used at the Grande Synagogue de la Victoire<\/a> and, from 1900, published melodies, such as <em>Douze m\u00e9lodies<\/em>, which was published by Grus around 1909. Most of these melodies were based on poems by Camille de Morlhon, an auto enthusiast who became his secretary. He also composed piano pieces, as well as Icare, <em>Icare, \u00e9pop\u00e9e lyrique en 3 tableaux<\/em> based on a poem by Henri Cain and orchestrated by <a href=\"https:\/\/www.iemj.org\/en\/camille-erlanger-1863-1919\/\" target=\"_blank\" rel=\"noopener\">Camille Erlanger<\/a>. Icare is the first known stage work inspired by aviation and was also Henry D.&#8217;s name for a hydroaerobus. The work premiered at the Paris Opera on December 19, 1911, as part of a benefit organized by Astruc for the A\u00e9roclub de France. He was inspired by Wagner&#8217;s use of motifs; he was a fervent admirer of Wagner&#8217;s operas, which he heard in Bayreuth in 1891 and 1892. <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_3');\" onkeypress=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_3');\" ><sup id=\"footnote_plugin_tooltip_121811_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_121811_1_3\" class=\"footnote_tooltip\">For an analysis of Icare, see Frederico Lazzaro and Marie-Pier Leduc, &#8220;Le r\u00eave et la science: Henry Deutsch de la Meurthe, Icare et la musique a\u00e9ronautique en France avant la Premi\u00e8re Guerre&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_121811_1('footnote_plugin_reference_121811_1_3');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_121811_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_121811_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\r\n\r\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\r\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" width=\"440\" height=\"500\" class=\"wp-image-121775\" style=\"width: 347px; height: auto;\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Melodies-de-Henry-Deutsch-de-la-meurthe.jpg\" alt=\"\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Melodies-de-Henry-Deutsch-de-la-meurthe.jpg 440w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Melodies-de-Henry-Deutsch-de-la-meurthe-264x300.jpg 264w\" sizes=\"(max-width: 440px) 100vw, 440px\" \/><\/figure>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\r\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"369\" height=\"500\" class=\"wp-image-121765\" style=\"width: 292px; height: auto;\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Icare-de-HDDLM.jpg\" alt=\"\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Icare-de-HDDLM.jpg 369w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Icare-de-HDDLM-221x300.jpg 221w\" sizes=\"(max-width: 369px) 100vw, 369px\" \/><\/figure>\r\n<\/div><\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-121795 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Capture-partition-En-metro-de-HDDLM-229x300.jpg\" alt=\"\" width=\"279\" height=\"365\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Capture-partition-En-metro-de-HDDLM-229x300.jpg 229w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/Capture-partition-En-metro-de-HDDLM.jpg 382w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/>Many of his compositions were inspired by his passion for aviation. Examples include the 1909 melody <em>Vers les cieux (\u00e0 la conqu\u00eate de l&#8217;air)<\/em>, the 1901 piano and violin piece <em>Balade A\u00e9rienne<\/em>, and several solo piano pieces. In <em>Santos-Valse<\/em> (1901), he pays tribute to Brazilian pilot Alberto Santos-Dumont, who had just won the prize established by D. de la M. by flying an airship from Saint-Cloud to the Eiffel Tower and back in under 30 minutes. In <em>En Dirigeable<\/em>, <em>Souvenir du Ville-de-Paris (1907\u20131908)<\/em>, he reminisces about his own airship, the <em>Ville-de-Paris<\/em>, which he donated to the military in 1907 following the loss of their <em>Patrie<\/em> airship.<\/p>\r\n<p>The piano pieces <em>En automobile<\/em> (1901), which describes the adventures of a journey (and of which there is a version orchestrated by Camille Erlanger), and <em>En m\u00e9tro<\/em> (1902), testify to his interest in the most modern means of transport, the first line of the Paris metro having been opened at the 1900 Universal Exhibition and the second under construction in 1902.<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-121760 size-medium alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/En-automobile-de-HDDLM-279x300.jpg\" alt=\"\" width=\"279\" height=\"300\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/En-automobile-de-HDDLM-279x300.jpg 279w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/06\/En-automobile-de-HDDLM.jpg 465w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/>In these pieces, D. de la M. attempts to depict technical details in music. For example,\u00a0he depicts &#8220;starting up,&#8221; &#8220;starting the engine,&#8221; &#8220;slowing down,&#8221; &#8220;changing direction,&#8221; and &#8220;breaking down,&#8221; according to the score&#8217;s indications. These indications evoke the intertitles of silent films from that era and foreshadow the humorous texts that punctuate some of Erik Satie&#8217;s piano pieces. The music evokes the style that accompanied the early days of silent cinema. The scenario of <em>En automobile<\/em> can be compared to the 1905 film <em>Accident d&#8217;automobile<\/em> by the Lumi\u00e8re brothers. Once again, Henry demonstrates his extreme interest in culture and technical innovation.<\/p>\r\n<p><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WHOL+%3D+Henry+Deutsch+de+la+Meurthe&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Consult the Henry Deutsch de la Meurthe fonds<\/a><\/p>\r\n<p><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Deutsch+de+la+Meurthe&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">See all our documents on Henry Deutsch de la Meurthe<\/a><\/p>\r\n<p><iframe title=\"Henri Deutsch de la Meurthe: En automobile!\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/J4DeE_SSEw0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\r\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_121811_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_121811_1();\">[<a id=\"footnote_reference_container_collapse_button_121811_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_121811_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_121811_1('footnote_plugin_tooltip_121811_1_1');\"><a id=\"footnote_plugin_reference_121811_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">See Tristan Gaston-Breton and Sonia de Panafieu, <em>La famille Deutsch de la Meurthe. D\u2019hier et d\u2019aujourd\u2019hui 1815-2010<\/em>, Pour m\u00e9moire, 2010.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_121811_1('footnote_plugin_tooltip_121811_1_2');\"><a id=\"footnote_plugin_reference_121811_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">For more details, see Sophie Mouton, \u00ab De l\u2019aviation \u00e0 la Cit\u00e9 universitaire. Philanthropie et patriotisme chez les Deutsch de la Meurthe \u00bb, <em>Archives juives<\/em>, vol. 42, 2009\/1, p. 105-117.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_121811_1('footnote_plugin_tooltip_121811_1_3');\"><a id=\"footnote_plugin_reference_121811_1_3\" class=\"footnote_backlink\">3<\/a><\/th> <td class=\"footnote_plugin_text\">For an analysis of Icare, see Frederico Lazzaro and Marie-Pier Leduc, &#8220;Le r\u00eave et la science: Henry Deutsch de la Meurthe, Icare et la musique a\u00e9ronautique en France avant la Premi\u00e8re Guerre mondiale,&#8221; Intersections, Revue canadienne de musique, 39\/2 (2019), pp. 61\u2013117, available at <a href=\"https:\/\/www.erudit.org\/fr\/revues\/is\/2019-v39-n2-is07232\/1091838ar\" target=\"_blank\" rel=\"noopener\"><span class=\"footnote_url_wrap\">https:\/\/www.erudit.org\/fr\/revues\/is\/2019-v39-n2-is07232\/1091838ar\/<\/span><\/a><\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_121811_1() { jQuery('#footnote_references_container_121811_1').show(); jQuery('#footnote_reference_container_collapse_button_121811_1').text('\u2212'); } function footnote_collapse_reference_container_121811_1() { jQuery('#footnote_references_container_121811_1').hide(); jQuery('#footnote_reference_container_collapse_button_121811_1').text('+'); } function footnote_expand_collapse_reference_container_121811_1() { if (jQuery('#footnote_references_container_121811_1').is(':hidden')) { footnote_expand_reference_container_121811_1(); } else { footnote_collapse_reference_container_121811_1(); } } function footnote_moveToReference_121811_1(p_str_TargetID) { footnote_expand_reference_container_121811_1(); var l_obj_Target = jQuery('#' + 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}<\/script>","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":121771,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"Tribe__Tickets_Plus__Commerce__WooCommerce__Main","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[903],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-121811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biographies-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Deutsch de la Meurthe, Henry (1846-1919) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/henry-deutsch-de-la-meurthe-1846-1919\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deutsch de la Meurthe, Henry (1846-1919) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/henry-deutsch-de-la-meurthe-1846-1919\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta 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