{"id":131452,"date":"2026-03-06T17:41:01","date_gmt":"2026-03-06T16:41:01","guid":{"rendered":"https:\/\/www.iemj.org\/?p=131452"},"modified":"2026-03-20T12:39:47","modified_gmt":"2026-03-20T11:39:47","slug":"lifshitz-nehama-1927-2017","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/lifshitz-nehama-1927-2017\/","title":{"rendered":"Lifshitz, Nehama (1927-2017)"},"content":{"rendered":"\n<p>The soprano Nehama (or Nechama) Lifshitz (1927-2017), often nicknamed \u201cthe Jewish nightingale,\u201d was one of the leading figures of the Jewish cultural renaissance of the 20th century. Through her performances of songs in Yiddish and Hebrew, she made her voice heard in the heart of the Soviet Union, becoming a symbol of identity, memory, and hope for many Jews.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"331\" height=\"500\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/In-kindergarten-IMG_1043.jpg\" alt=\"\" class=\"wp-image-131379\" style=\"aspect-ratio:0.6619894371699115;width:159px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/In-kindergarten-IMG_1043.jpg 331w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/In-kindergarten-IMG_1043-199x300.jpg 199w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/figure>\n<\/div>\n\n\n<p>She was born in 1927 in Kaunas, Lithuania, into a Zionist Jewish family deeply attached to culture. Her father, Yehuda-Hirsch Lifshitz, a doctor, teacher, and violinist, embodied the ideal of a rich intellectual and artistic life. Her mother, Batya, sang constantly at home and instilled a love of music in her daughter from an early age. Before World War II, Nehama studied at the Hebrew gymnasium in Kaunas.<\/p>\n\n\n\n<p>When war broke out and the region was invaded by Nazi Germany, she fled eastward with her parents and sister and found refuge in Uzbekistan. Much of her family who remained in Lithuania was murdered during the Holocaust, notably in the ghettos of Vilnius and Kaunas, as well as in the Ninth Fortress near the latter.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" width=\"500\" height=\"323\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Nechamas-parents.jpg\" alt=\"\" class=\"wp-image-131384\" style=\"aspect-ratio:1.5480141260703402;width:312px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Nechamas-parents.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Nechamas-parents-300x194.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\"><strong>Nehama\u2019s parents<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p>At the end of the war, the family returned to Lithuania. Nehama Lifshitz then continued her musical studies at the Vilnius Conservatory. Blessed with an exceptional soprano voice, she quickly began a career as a soloist, performing at the Kaunas Opera House and then joining the Lithuanian Philharmonic Orchestra in 1953.<\/p>\n\n\n\n<p>From 1956 onwards, she began singing in Yiddish. This artistic choice took on particular significance in the Soviet context, where public expression of Jewish culture remained severely restricted. In 1958, she won first prize for singing at the Soviet Union music competition in Moscow. From then on, she toured extensively throughout the Soviet Union and Europe.<\/p>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"361\" height=\"500\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/22851748_10209785008453905_5525920284784975130_n.jpg\" alt=\"\" class=\"wp-image-131399\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/22851748_10209785008453905_5525920284784975130_n.jpg 361w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/22851748_10209785008453905_5525920284784975130_n-217x300.jpg 217w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"318\" height=\"500\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/22829601_10209785008373903_7131545806574815052_o.jpg\" alt=\"\" class=\"wp-image-131394\" style=\"object-fit:cover\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/22829601_10209785008373903_7131545806574815052_o.jpg 318w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/22829601_10209785008373903_7131545806574815052_o-191x300.jpg 191w\" sizes=\"(max-width: 318px) 100vw, 318px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"345\" height=\"600\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/09.jpg\" alt=\"\" class=\"wp-image-131389\" style=\"object-fit:cover\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/09.jpg 345w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/09-173x300.jpg 173w\" sizes=\"(max-width: 345px) 100vw, 345px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Her concerts attracted large Jewish audiences who recognized her repertoire as a cultural and spiritual affirmation. Gradually, Nehama Lifshitz became an iconic figure for Soviet Jews, expressing through music their attachment to their identity and their aspiration to emigrate to Israel. During those years, she also collaborated secretly with the Israeli embassy in Moscow, an activity that placed her in a delicate situation with regard to the Soviet authorities.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"500\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/image5_Different-photos_Couv-33trs_On-la-ds-notre-catalogue.jpeg\" alt=\"\" class=\"wp-image-131408\" style=\"aspect-ratio:1.0040001250039063;width:314px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/image5_Different-photos_Couv-33trs_On-la-ds-notre-catalogue.jpeg 502w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/image5_Different-photos_Couv-33trs_On-la-ds-notre-catalogue-300x300.jpeg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/image5_Different-photos_Couv-33trs_On-la-ds-notre-catalogue-150x150.jpeg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/image5_Different-photos_Couv-33trs_On-la-ds-notre-catalogue-100x100.jpeg 100w\" sizes=\"(max-width: 502px) 100vw, 502px\" \/><\/figure>\n<\/div>\n\n\n<p>In 1964, she began performing openly in Hebrew on stage, a highly symbolic gesture in a political context marked by surveillance and mistrust of any expression of national or religious particularism.<\/p>\n\n\n\n<p>In 1969, she finally left Soviet Lithuania and emigrated to Israel. In her new country, she continued her artistic career and contributed to enriching the Israeli musical repertoire with her interpretations of songs in Yiddish and Hebrew. She also performed songs associated with Jewish dissidents in the Soviet Union, notably those of the Prisoners of Zion and the refuzniks.<\/p>\n\n\n\n<p>Her commitment to Yiddish culture also extends to the field of education. In 1998, she founded a Yiddish song and poetry workshop, aimed at passing on this heritage to younger generations. The method she developed there is based on a comprehensive approach, combining music, poetry, and history in order to convey the full richness of a culture shaped by nearly a thousand years of creativity.<\/p>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"600\" data-id=\"131418\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Fig-2_Nehama-Golda.jpg\" alt=\"\" class=\"wp-image-131418\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Fig-2_Nehama-Golda.jpg 453w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Fig-2_Nehama-Golda-227x300.jpg 227w\" sizes=\"(max-width: 453px) 100vw, 453px\" \/><figcaption class=\"wp-element-caption\"><strong>Nehama &amp; Golda Meir<\/strong><\/figcaption><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"344\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Isaac-Bashevis-Singer-Nechama-Abba-Kovner-Reuven-Rubin-Abraham-Sutzkever-Estera-Rubin_Meilleure-qualite_N\u00b02_IMG_1007-1.jpg\" alt=\"\" class=\"wp-image-131423\" style=\"aspect-ratio:1.453574997728718;width:619px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Isaac-Bashevis-Singer-Nechama-Abba-Kovner-Reuven-Rubin-Abraham-Sutzkever-Estera-Rubin_Meilleure-qualite_N\u00b02_IMG_1007-1.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Isaac-Bashevis-Singer-Nechama-Abba-Kovner-Reuven-Rubin-Abraham-Sutzkever-Estera-Rubin_Meilleure-qualite_N\u00b02_IMG_1007-1-300x206.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\"><strong>From right to left: Isaac Bashevis Singer, Nechama, Abba Kovner, Reuven Rubin, Abraham Sutzkever, Estera Rubin<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"600\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Bonds_DSC04851.jpg\" alt=\"\" class=\"wp-image-131443\" style=\"aspect-ratio:0.7799942706841324;width:366px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Bonds_DSC04851.jpg 468w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Bonds_DSC04851-234x300.jpg 234w\" sizes=\"(max-width: 468px) 100vw, 468px\" \/><\/figure>\n<\/div>\n\n\n<p>In 1994, a program broadcast by the Israeli Broadcasting Authority celebrated the twenty-fifth anniversary of her arrival in Israel. In 2004, the city of Tel Aviv awarded her the title of \u201cBeloved of Tel Aviv.\u201d In 2006, she was elected president of the World Council of Yiddish Culture.<\/p>\n\n\n\n<p>Throughout her life, Nehama Lifshitz has devoted her work to preserving and passing on Yiddish culture, which the totalitarian regimes of the 20th century\u2014those of Adolf Hitler and Joseph Stalin\u2014attempted to eradicate. Through her voice, her commitment, and her teaching, she made an essential contribution to preserving this heritage and reintroducing it into contemporary Israeli culture.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"428\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Yad-vashem-1988.jpg\" alt=\"\" class=\"wp-image-131433\" style=\"aspect-ratio:1.401883830455259;width:617px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Yad-vashem-1988.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Yad-vashem-1988-300x214.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\"><strong>Yad Vashem, 1988<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"500\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Theo-Bikel-and-Nechama-Lifshitz-1969-New-York_IMG_0981_Meilleure-qualite.jpg\" alt=\"\" class=\"wp-image-131428\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Theo-Bikel-and-Nechama-Lifshitz-1969-New-York_IMG_0981_Meilleure-qualite.jpg 424w, https:\/\/www.iemj.org\/wp-content\/uploads\/2026\/03\/Theo-Bikel-and-Nechama-Lifshitz-1969-New-York_IMG_0981_Meilleure-qualite-254x300.jpg 254w\" sizes=\"(max-width: 424px) 100vw, 424px\" \/><figcaption class=\"wp-element-caption\"><strong>Theo Bikel &amp; Nechama Lifshitz, 1969 New York<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"MANO TE\u0307VO NAMU\u0328 MELODIJOS: NECHAMA LIF\u0160ICAIT\u0116\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/so1Xz79BH_k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Television recording of Nehama Lifshits&#8217; musical program \u201cMelodies from My Father&#8217;s House.\u201d Tel Aviv, 1990s. The program includes stories and songs in Yiddish and Hebrew. Subtitles translated by Roza Litay, Nehama&#8217;s daughter. Recording from the family archives of Nehama Lif\u0161icait\u0117 (Lifshitz).<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Sources: <em><strong>Thanks to Roza Litay, daughter of Nehama Lifshitz, for the many documents and information provided.<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color has-medium-font-size has-custom-font-size wp-element-button\" href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WHOL+%3D+Lifshitz&amp;local_base=iemcg\" style=\"background-color:#3c4b98\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Browse the Nehama Lifshitz Collection<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color has-medium-font-size has-custom-font-size wp-element-button\" href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Nehama+Lifshitz&amp;local_base=iemcg\" style=\"background-color:#3c4b98\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>View all archives on Nehama Lifshitz<\/strong><\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The soprano Nehama (or Nechama) Lifshitz (1927-2017), often nicknamed \u201cthe Jewish nightingale,\u201d was one of the leading figures of the Jewish cultural renaissance of the 20th century. Through her performances<\/p>\n","protected":false},"author":5,"featured_media":131357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[903],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-131452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biographies-en","genre-yiddish-en-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lifshitz, Nehama (1927-2017) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/lifshitz-nehama-1927-2017\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lifshitz, Nehama (1927-2017) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"The soprano Nehama (or Nechama) Lifshitz (1927-2017), often nicknamed \u201cthe Jewish nightingale,\u201d was one of the leading figures of the Jewish cultural renaissance of the 20th century. 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