{"id":132582,"date":"2026-05-14T17:46:47","date_gmt":"2026-05-14T15:46:47","guid":{"rendered":"https:\/\/www.iemj.org\/concert-de-gala-des-20-ans-de-liemj\/"},"modified":"2026-09-03T12:17:45","modified_gmt":"2026-09-03T10:17:45","slug":"concert-de-gala-des-20-ans-de-liemj","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/concert-de-gala-des-20-ans-de-liemj\/","title":{"rendered":"EIJM 20th Anniversary Gala Concert"},"content":{"rendered":"\n

<\/p>\n\n\n\n

JEWISH MUSIC THROUGH TIMES AND SPACE, FROM THE BIBLICAL ERA TO THE PRESENT DAY<\/strong><\/p>\n\n\n\n

With the support of the Fondation Henriette Halphen, under the aegis of the Fondation du Juda\u00efsme Fran\u00e7ais<\/strong><\/p>\n\n\n\n

SUNDAY, OCTOBER 18, 2026, at 5:30 p.m.<\/strong><\/p>\n\n\n\n

Salle Cortot \u2013 78 rue Cardinet, 75017 Paris<\/strong><\/p>\n\n\n\n

The European Institute of Jewish Music is celebrating its 20th anniversary (2006\u20132026). To mark the occasion, the EIJM is organizing a special concert that will take us on a journey through time and space. From the sound of the shofar to biblical cantations and the Psalms of David, from the earliest musical notations of the Middle Ages to Baroque, Classical, and contemporary Jewish music, from the music of the Mediterranean region to the shtetls of Eastern Europe, from Judeo-Spanish songs to Yiddish and Oriental songs, not to mention klezmer, this concert-event offers an initiatory journey through Jewish music from here and elsewhere.<\/p>\n\n\n\n

The concert will be followed by a cocktail reception<\/strong> with the artists (reserved for Gold <\/strong>and Silver ticket <\/strong>holders).<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Program<\/strong><\/h1>\n\n\n\n

Biblical Period<\/h2>\n\n\n\n
    \n
  1. Shofar Blasts<\/em><\/li>\n\n\n\n
  2. Bereishit<\/em>: Biblical cantillation of the first verse of Genesis, performed according to various traditions<\/li>\n\n\n\n
  3. Mizmor le-David<\/em> (Psalm of David)<\/li>\n<\/ol>\n\n\n\n
    <\/div>\n\n\n\n

    Middle Ages and Baroque \u2013 12th to 18th centuries<\/h2>\n\n\n\n
      \n
    1. Mi-al har horev <\/em>: 12th-century religious poetry (piyyut) by Abdias, the Norman proselyte<\/li>\n\n\n\n
    2. Maoz tsour<\/em> by Benedetto Marcello (a melody collected in the early 18th century in the Venice Ghetto)<\/li>\n\n\n\n
    3. Keter <\/em>by Salomon Rossi (4-part a cappella choir)<\/li>\n\n\n\n
    4. Hishki hiski<\/em> by Abraham Caceres (3-part choir)<\/li>\n<\/ol>\n\n\n\n
      <\/div>\n\n\n\n

      Emancipation \u2013 19th Century<\/h2>\n\n\n\n
        \n
      1. Baroukh haba<\/em> (Portuguese rite) for soloist, four-part choir, and piano by Alphonse Perpignan<\/li>\n\n\n\n
      2. Veal yede avadeikha \/ Zarakhti lakh<\/em> (Ashkenazi rite) for soloist, four-part choir, and piano by Louis Lewandowski<\/li>\n<\/ol>\n\n\n\n
        <\/div>\n\n\n\n

        Music from the Maghreb and the Ottoman Empire<\/h2>\n\n\n\n
          \n
        1. A piyyut<\/em> from Algeria, Tunisia, or Morocco (solo voice and oud)<\/li>\n\n\n\n
        2. A song or piyyut <\/em>in Judeo-Arabic (solo voice and oud)<\/li>\n\n\n\n
        3. Ah, el novio no quere dinero !? <\/em>(solo voice and piano) by Alberto Hemsi (excerpt from Coplas sefardies<\/em>)<\/li>\n\n\n\n
        4. Montanas altas y maridanas <\/em>(solo voice and piano) by Mario Castelnuovo-Tedesco (excerpt from Three Sephardic Songs<\/em>)<\/li>\n<\/ol>\n\n\n\n
          <\/div>\n\n\n\n

          INTERMISSION<\/strong><\/h2>\n\n\n\n
          <\/div>\n\n\n\n

          Hasidic, Klezmer, and Yiddish music<\/h2>\n\n\n\n
            \n
          1. Lekha dodi <\/em>(clarinet, violin, accordion, cimbalom, and vocals)<\/li>\n\n\n\n
          2. Nigoun<\/em> (clarinet, violin, accordion, and cimbalom)<\/li>\n\n\n\n
          3. Klezmer Tune<\/em> (clarinet, violin, accordion, and cimbalom)<\/li>\n\n\n\n
          4. Yiddish Songs \u2013 Medley <\/em>(clarinet, violin, accordion, cimbalom, and vocals)<\/li>\n<\/ol>\n\n\n\n
            <\/div>\n\n\n\n

            Jewish Music: A Source of Inspiration and Creativity<\/h2>\n\n\n\n
              \n
            1. Andante religioso <\/em>for cello and piano by Fernand Halphen<\/li>\n\n\n\n
            2. Kaddisch <\/em>for cello and piano by Maurice Ravel<\/li>\n\n\n\n
            3. The Rebbe Dances,<\/em> a Yiddish melody by L\u00e9on Algazi<\/li>\n\n\n\n
            4. Klezmer Ballad <\/em>for violin, clarinet, and cimbalom by Serge Kaufmann<\/li>\n\n\n\n
            5. Hashkivenu <\/em>for mixed choir and piano by Ita\u00ef Daniel<\/li>\n<\/ol>\n\n\n\n
              <\/div>\n\n\n\n

              Cast<\/h2>\n\n\n\n

              Alexandre Cerveux (tenor), Ian Pomerantz (bass), Marine Beelen (soprano), Marielou Jacquard (mezzo-soprano), Philippe Darmon (liturgical and Eastern chant), Sarah Iancu (cello), David Bismuth (piano), Marine Goldwaser (clarinet), Elie Hackel (violin), Adrian Iordan (accordion), Mihai Trestian (cymbalum), and Romain Falik (theorbo and oud)<\/p>\n\n\n\n

              Concert followed by a cocktail reception<\/strong> with the artists (reserved for Gold <\/strong>and Silver <\/strong>Section ticket holders).<\/p>\n\n\n\n

              <\/div>\n\n\n\n
              \n
              ONLINE TICKETING<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
              <\/div>\n\n\n\n

              Fees :<\/strong> 15 \u20ac* \u2013 25 \u20ac \u2013 50 \u20ac** \u2013 100 \u20ac** \u2013 200 \u20ac**
              * Fee for members of EIJM with their membership updated (limited number of tickets) \u2013 Purchasable only by bank check ordered to IEMJ, 29 rue Marcel Duchamp \u2013 75013 Paris
              ** with receipt Cerfa on the donation part, which represents the price of the ticket minus 15 \u20ac
              (Example : for a 100 \u20ac ticket, a Cerfa receipt of 85 \u20ac will be given)<\/p>\n\n\n\n

              Practical information:<\/strong>
              SALLE CORTOT<\/strong>, Ecole Normale de Musique de Paris, 78 rue Cardinet, 75017 Paris
              T\u00e9l : + 33 1 47 63 47 48
              <\/a>https:\/\/sallecortot.com\/<\/a><\/p>\n\n\n

              \n
              \"\"<\/figure>\n<\/div>\n\n\n

              Accessibility<\/strong>: As a historic building, the Salle Cortot unfortunately does not have wheelchair access. Please feel free to contact us before your visit if you have any questions.<\/p>\n\n\n\n

              Access:<\/strong>
              M\u00e9tro : ligne 3, station Malesherbes | ligne 2, station Monceau
              Bus : lignes 31, 94 | Voiture : parking Villiers, 14 avenue de Villiers | Taxi : station au 155 bd Malesherbes
              V\u00e9lib\u2019 : 64 rue de Tocqueville ou 20 rue de Phalsbourg<\/p>\n\n\n\n

              You can also support the European Institute of Jewish Music by making an online donation<\/p>\n\n\n\n

              \n
              MAKE A DONATION<\/strong><\/a><\/div>\n<\/div>\n\n\n\n

              <\/p>\n","protected":false},"excerpt":{"rendered":"

              JEWISH MUSIC THROUGH TIMES AND SPACE, FROM THE BIBLICAL ERA TO THE PRESENT DAY With the support of the Fondation Henriette Halphen, under the aegis of the Fondation du 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