{"id":19661,"date":"2013-12-14T18:34:00","date_gmt":"2013-12-14T17:34:00","guid":{"rendered":"https:\/\/www.iemj.org\/2013\/12\/14\/sirba-octet-du-shtetl-a-new-york-2\/"},"modified":"2025-10-20T17:29:45","modified_gmt":"2025-10-20T15:29:45","slug":"sirba-octet-du-shtetl-a-new-york-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/","title":{"rendered":"Sirba Octet &#8211; Du Shtetl \u00e0 New-York"},"content":{"rendered":"\n<p>In 2007, as part of the Festival d\u2019\u00cele-de-France, the Sirba Octet worked with Isabelle Georges, the multi-talented singer, dancer and actress known to anglophone audiences as a \u2018triple threat\u2019, to produce Du Shtetl \u00e0 New York. The show charts the journey made by millions of Eastern Europeans from their shtetls, or villages, to New York \u2013 melting pot of musical influences from all over the world. The show was inspired by Fabienne Rousso-Lenoir\u2019s documentary Du Shtetl \u00e0 Broadway and celebrates heredity and inheritance, an important foundation of the Yiddish community.<\/p>\n\n\n\n<p>From the end of the 19th century to the Second World War more than two millions Eastern European Jews left their shtetls and emigrated to the USA to escape antisemitism and find happiness in America. They fled poverty only to find misery and social isolation in America. In the face of such disappointment, however, they did not look back. The Jewish people integrated through their art. Their music became a unifying outlet for their creativity. Musical forms became entwined and the path to integration lay open. Even their names took on an American twang \u2013 Gershowitz became Gershwin, Rogazinsky became Rodgers, Asa Yoelson became Al Jolson.<\/p>\n\n\n\n<p>And so were born some of the greatest jazz standards and stars of musical theatre. Du Shtetl \u00e0 New York reunites the heroes of that epic venture, such as Irving Berlin, Harold Arlen, Jerry Bloch and Sophie Tucker, and explores their music from shtetl folk to well-loved standards of musical theatre\u2019s golden age. The show sweeps through traditional tunes, lullabies, jazz and ragtime \u2013 from Bessarabye to Over the Rainbow, from Rozhinkes mit Mandlen to My Funny Valentine \u2013 delving into the roots of American music with astonishing artistry, heartfelt emotion and a flourish of tap shoes. Amerik\u00e9!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><img fetchpriority=\"high\" decoding=\"async\" width=\"400\" height=\"362\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/cd_516_couv4.jpg\" alt=\"cd_516_couv4.jpg\" class=\"wp-image-6472\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/cd_516_couv4.jpg 400w, https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/cd_516_couv4-300x272.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p>Du Shtetl \u00e0 New York was produced for the 2007 Festival d\u2019Ile-de-France and has since been performed at many festivals and in prestigious concert halls in France and abroad.<br><\/p>\n\n\n\n<p><a href=\"https:\/\/www.sirbaoctet.com\/en\/\" target=\"_blank\" rel=\"noopener\">Visit the Sirba Octet&#8217;s website<\/a><br><a href=\"https:\/\/www.iemj.org\/en\/performer-composer\/sirba-octet-en\/\" target=\"_blank\" rel=\"noopener\">Discover the other CD&#8217;s by the Sirba Octet<\/a><br><a href=\"https:\/\/www.iemj.org\/en\/the-routes-of-klezmer-sirba-octet-or-classic-world\/\" target=\"_blank\" rel=\"noopener\">Listen to the radio show hosted by Herv\u00e9 Roten : Les chemins du klezmer : Sirba Octet ou la Classique World<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110608\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-d97bba40-269b-45dc-a143-1db6497de185\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/bessarabye.mp3\">Bessarabye<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-0f6d9461-1a61-434d-9cce-cc42c875b164\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/bei_mir_bist_du_scheyn.mp3\">Bei mir bist du scheyn<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-d1e28fd8-8709-40e9-99ad-fc5aeff3b562\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/i_got_rhythm.mp3\">I got rhythm<\/a><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2007, as part of the Festival d\u2019\u00cele-de-France, the Sirba Octet worked with Isabelle Georges, the multi-talented singer, dancer and actress known to anglophone audiences as a \u2018triple threat\u2019, to<\/p>\n","protected":false},"author":1048,"featured_media":19659,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1570,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1113,1120,1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3301],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-19661","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-latest-acquisition-en","category-latest-acquisitions-en","genre-klezmer-en","genre-variety","genre-yiddish-en-2","interprete-compositeur-sirba-octet-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sirba Octet - Du Shtetl \u00e0 New-York - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sirba Octet - Du Shtetl \u00e0 New-York - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"In 2007, as part of the Festival d\u2019\u00cele-de-France, the Sirba Octet worked with Isabelle Georges, the multi-talented singer, dancer and actress known to anglophone audiences as a \u2018triple threat\u2019, to\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-12-14T17:34:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-20T15:29:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton3417.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1435\" \/>\n\t<meta property=\"og:image:height\" content=\"1388\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"Sirba Octet &#8211; Du Shtetl \u00e0 New-York\",\"datePublished\":\"2013-12-14T17:34:00+00:00\",\"dateModified\":\"2025-10-20T15:29:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/\"},\"wordCount\":366,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton3417.jpg\",\"articleSection\":[\"CD\",\"Latest Acquisitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/\",\"name\":\"Sirba Octet - Du Shtetl \u00e0 New-York - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton3417.jpg\",\"datePublished\":\"2013-12-14T17:34:00+00:00\",\"dateModified\":\"2025-10-20T15:29:45+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton3417.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/arton3417.jpg\",\"width\":1435,\"height\":1388},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/sirba-octet-du-shtetl-a-new-york-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sirba Octet &#8211; Du Shtetl \u00e0 New-York\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sirba Octet - Du Shtetl \u00e0 New-York - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/","og_locale":"en_US","og_type":"article","og_title":"Sirba Octet - Du Shtetl \u00e0 New-York - Institut Europ\u00e9en des Musiques Juives","og_description":"In 2007, as part of the Festival d\u2019\u00cele-de-France, the Sirba Octet worked with Isabelle Georges, the multi-talented singer, dancer and actress known to anglophone audiences as a \u2018triple threat\u2019, to","og_url":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2013-12-14T17:34:00+00:00","article_modified_time":"2025-10-20T15:29:45+00:00","og_image":[{"width":1435,"height":1388,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton3417.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"Sirba Octet &#8211; Du Shtetl \u00e0 New-York","datePublished":"2013-12-14T17:34:00+00:00","dateModified":"2025-10-20T15:29:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/"},"wordCount":366,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton3417.jpg","articleSection":["CD","Latest Acquisitions"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/","url":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/","name":"Sirba Octet - Du Shtetl \u00e0 New-York - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton3417.jpg","datePublished":"2013-12-14T17:34:00+00:00","dateModified":"2025-10-20T15:29:45+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton3417.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2013\/12\/arton3417.jpg","width":1435,"height":1388},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/sirba-octet-du-shtetl-a-new-york-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Sirba Octet &#8211; Du Shtetl \u00e0 New-York"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/19661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=19661"}],"version-history":[{"count":1,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/19661\/revisions"}],"predecessor-version":[{"id":127489,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/19661\/revisions\/127489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/19659"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=19661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=19661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=19661"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=19661"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=19661"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=19661"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=19661"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=19661"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=19661"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=19661"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=19661"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=19661"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=19661"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=19661"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=19661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}