{"id":23986,"date":"2019-05-16T15:25:32","date_gmt":"2019-05-16T13:25:32","guid":{"rendered":"https:\/\/www.iemj.org\/2019\/05\/16\/hidden-sides-of-jewish-music-shpilkes\/"},"modified":"2025-09-26T12:18:46","modified_gmt":"2025-09-26T10:18:46","slug":"hidden-sides-of-jewish-music-shpilkes","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/","title":{"rendered":"Hidden sides of Jewish music : Shpilkes"},"content":{"rendered":"<p class=\"post_excerpt\"><strong>Les faces cach\u00e9es de la musique juive &#8211; June 16, 2015, Radio SHALOM Montr\u00e9al (1650 AM)<\/strong><\/p>\n<p><!--more--><br \/>H\u00e9l\u00e8ne Engel presents the CD <strong><a href=\"https:\/\/shpilkesparis.bandcamp.com\/album\/zol-zayn-2\">Zol Zayn<\/a><\/strong> by the band Shpilkes released in 2014.<br \/>Shpilkes (in Yiddish : needles) was created in 2010, under the direction of the singer and fiddler \u00c9l\u00e9onore Biezunski. It builds an original and misknowned repertoire from East European Jewish tunes.<br \/>Slowly and delicately, Shpilkes stitches back a cloth of popular music, to dance, to laugh, to drink and to cry, putting pieces together, of a culture which never stops recreating itself. Carried by the expressive and authentic voice of El\u00e9onore Biezunski, the band invites to a dancing and poetic journey through Central and Eastern Europe&#8230;<\/p>\n<p><strong>Marine Goldwaser<\/strong>, clarinet, flutes,<br \/><strong>El\u00e9onore Biezunski<\/strong>, violin, vocals<br \/><strong>Charles Rappoport<\/strong>, violin, mandolin<br \/><strong>Piotr Odrekhivskyy<\/strong>, accordion<br \/><strong>Sylvain Plommet<\/strong>, double bass<br \/><strong>Nils Wekstein<\/strong>, drums, percussions<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-23953\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/zol_zayn.jpg\" alt=\"zol_zayn.jpg\" width=\"275\" height=\"244\" align=\"middle\" \/><br \/><a href=\"http:\/\/www.eleonorebiezunski.com\/shpilkes\" target=\"_blank\" rel=\"noopener\">See the band&#8217;s website<\/a><\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-25908\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/10\/h._engel_10mm.jpg\" alt=\"h._engel_10mm.jpg\" width=\"106\" height=\"118\" align=\"left\" \/><em><a href=\"https:\/\/www.iemj.org\/en\/engel-helene\/\" target=\"_blank\" rel=\"noopener\">H\u00e9l\u00e8ne Engel<\/a> is a singer, musicologist, author, composer and arranger. She is interested in all aspects of Jewish music, from the collecting of historical sounds to today\u2019s compositions. Based in Montreal, she hosts the radio show \u201d The hidden sides of Jewish Music\u201d on Radio SHALOM Montreal.<\/em><\/p>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/helene_engel_-_shpilkes_def.mp3\">Shpilkes &#8211; H\u00e9l\u00e8ne Engel (Radio SHALOM Montr\u00e9al)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les faces cach\u00e9es de la musique juive &#8211; June 16, 2015, Radio SHALOM Montr\u00e9al (1650 AM)<\/p>\n","protected":false},"author":1048,"featured_media":23984,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2163,899],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-23986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-helene-engels-programs-en","category-radio-programs-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hidden sides of Jewish music : Shpilkes - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hidden sides of Jewish music : Shpilkes - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Les faces cach\u00e9es de la musique juive &#8211; June 16, 2015, Radio SHALOM Montr\u00e9al (1650 AM)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-16T13:25:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-26T10:18:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4160.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"192\" \/>\n\t<meta property=\"og:image:height\" content=\"80\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"Hidden sides of Jewish music : Shpilkes\",\"datePublished\":\"2019-05-16T13:25:32+00:00\",\"dateModified\":\"2025-09-26T10:18:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/\"},\"wordCount\":210,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4160.jpg\",\"articleSection\":[\"H\u00e9l\u00e8ne Engel's Programs\",\"Radio programs\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/\",\"name\":\"Hidden sides of Jewish music : Shpilkes - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4160.jpg\",\"datePublished\":\"2019-05-16T13:25:32+00:00\",\"dateModified\":\"2025-09-26T10:18:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4160.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4160.jpg\",\"width\":192,\"height\":80},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-shpilkes\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hidden sides of Jewish music : Shpilkes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Hidden sides of Jewish music : Shpilkes - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/","og_locale":"en_US","og_type":"article","og_title":"Hidden sides of Jewish music : Shpilkes - Institut Europ\u00e9en des Musiques Juives","og_description":"Les faces cach\u00e9es de la musique juive &#8211; June 16, 2015, Radio SHALOM Montr\u00e9al (1650 AM)","og_url":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2019-05-16T13:25:32+00:00","article_modified_time":"2025-09-26T10:18:46+00:00","og_image":[{"width":192,"height":80,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4160.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"Hidden sides of Jewish music : Shpilkes","datePublished":"2019-05-16T13:25:32+00:00","dateModified":"2025-09-26T10:18:46+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/"},"wordCount":210,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4160.jpg","articleSection":["H\u00e9l\u00e8ne Engel's Programs","Radio programs"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/","url":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/","name":"Hidden sides of Jewish music : Shpilkes - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4160.jpg","datePublished":"2019-05-16T13:25:32+00:00","dateModified":"2025-09-26T10:18:46+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4160.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4160.jpg","width":192,"height":80},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-shpilkes\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Hidden sides of Jewish music : Shpilkes"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/23986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=23986"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/23986\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/23984"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=23986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=23986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=23986"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=23986"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=23986"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=23986"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=23986"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=23986"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=23986"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=23986"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=23986"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=23986"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=23986"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=23986"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=23986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}