{"id":24484,"date":"2019-06-26T11:03:19","date_gmt":"2019-06-26T09:03:19","guid":{"rendered":"https:\/\/www.iemj.org\/2019\/06\/26\/hidden-sides-of-jewish-music-jean-jacques-goldman\/"},"modified":"2025-09-26T12:16:42","modified_gmt":"2025-09-26T10:16:42","slug":"hidden-sides-of-jewish-music-jean-jacques-goldman","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/","title":{"rendered":"Hidden sides of Jewish music : Jean-Jacques Goldman"},"content":{"rendered":"<p class=\"post_excerpt\"><strong>Les faces cach\u00e9es de la musique juive &#8211; August 24, 2015, Radio SHALOM Montr\u00e9al (1650 AM)<\/strong><\/p>\n<p><!--more--><br \/>H\u00e9l\u00e8ne Engel presents the career of the famous French author, composer and singer <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jean-Jacques_Goldman\">Jean-Jacques Goldman<\/a>.<\/p>\n<p>His solo career allows him to establish himself as one of the most popular pop rock singers of his generation, with songs liks <em>Quand la musique est bonne<\/em> (1982), <em>Je te donne <\/em> (1986) or <em>On ira<\/em> (1997). Later on, he will write lyrics and music for many famous artists such as C\u00e9line Dion or Johnny Hallyday.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-24471\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/golman.jpg\" alt=\"golman.jpg\" width=\"275\" height=\"272\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/golman.jpg 275w, https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/golman-100x100.jpg 100w\" sizes=\"(max-width: 275px) 100vw, 275px\" \/><\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-25908\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/10\/h._engel_10mm.jpg\" alt=\"h._engel_10mm.jpg\" width=\"106\" height=\"118\" align=\"left\" \/><em><a href=\"https:\/\/www.iemj.org\/en\/engel-helene\/\" target=\"_blank\" rel=\"noopener\">H\u00e9l\u00e8ne Engel<\/a> is a singer, musicologist, author, composer and arranger. She is interested in all aspects of Jewish music, from the collecting of historical sounds to today\u2019s compositions. Based in Montreal, she hosts the radio show \u201d The hidden sides of Jewish Music\u201d on Radio SHALOM Montreal.<\/em><\/p>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/helene_engel_-_goldman_full_revu.mp3\">Jean-Jacques Goldman &#8211; H\u00e9l\u00e8ne Engel (Radio SHALOM Montr\u00e9al)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les faces cach\u00e9es de la musique juive &#8211; August 24, 2015, Radio SHALOM Montr\u00e9al (1650 AM)<\/p>\n","protected":false},"author":1048,"featured_media":24482,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2163,899],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-24484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-helene-engels-programs-en","category-radio-programs-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hidden sides of Jewish music : Jean-Jacques Goldman - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hidden sides of Jewish music : Jean-Jacques Goldman - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Les faces cach\u00e9es de la musique juive &#8211; August 24, 2015, Radio SHALOM Montr\u00e9al (1650 AM)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-26T09:03:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-26T10:16:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/arton4240.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"192\" \/>\n\t<meta property=\"og:image:height\" content=\"80\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"Hidden sides of Jewish music : Jean-Jacques Goldman\",\"datePublished\":\"2019-06-26T09:03:19+00:00\",\"dateModified\":\"2025-09-26T10:16:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/\"},\"wordCount\":153,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/arton4240.jpg\",\"articleSection\":[\"H\u00e9l\u00e8ne Engel's Programs\",\"Radio programs\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/\",\"name\":\"Hidden sides of Jewish music : Jean-Jacques Goldman - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/arton4240.jpg\",\"datePublished\":\"2019-06-26T09:03:19+00:00\",\"dateModified\":\"2025-09-26T10:16:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/arton4240.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/arton4240.jpg\",\"width\":192,\"height\":80},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/hidden-sides-of-jewish-music-jean-jacques-goldman\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hidden sides of Jewish music : Jean-Jacques Goldman\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Hidden sides of Jewish music : Jean-Jacques Goldman - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/","og_locale":"en_US","og_type":"article","og_title":"Hidden sides of Jewish music : Jean-Jacques Goldman - Institut Europ\u00e9en des Musiques Juives","og_description":"Les faces cach\u00e9es de la musique juive &#8211; August 24, 2015, Radio SHALOM Montr\u00e9al (1650 AM)","og_url":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2019-06-26T09:03:19+00:00","article_modified_time":"2025-09-26T10:16:42+00:00","og_image":[{"width":192,"height":80,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/arton4240.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"Hidden sides of Jewish music : Jean-Jacques Goldman","datePublished":"2019-06-26T09:03:19+00:00","dateModified":"2025-09-26T10:16:42+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/"},"wordCount":153,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/arton4240.jpg","articleSection":["H\u00e9l\u00e8ne Engel's Programs","Radio programs"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/","url":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/","name":"Hidden sides of Jewish music : Jean-Jacques Goldman - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/arton4240.jpg","datePublished":"2019-06-26T09:03:19+00:00","dateModified":"2025-09-26T10:16:42+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/arton4240.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/06\/arton4240.jpg","width":192,"height":80},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/hidden-sides-of-jewish-music-jean-jacques-goldman\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Hidden sides of Jewish music : Jean-Jacques Goldman"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/24484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=24484"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/24484\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/24482"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=24484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=24484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=24484"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=24484"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=24484"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=24484"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=24484"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=24484"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=24484"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=24484"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=24484"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=24484"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=24484"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=24484"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=24484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}