{"id":26673,"date":"2020-01-15T17:03:08","date_gmt":"2020-01-15T16:03:08","guid":{"rendered":"https:\/\/www.iemj.org\/giacomo-meyerbeer-2\/"},"modified":"2021-07-21T09:59:37","modified_gmt":"2021-07-21T07:59:37","slug":"giacomo-meyerbeer-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/","title":{"rendered":"Giacomo Meyerbeer"},"content":{"rendered":"

Born in Berlin into a rich Jewish family, Giacomo Meyerbeer (1791-1864)<\/a> performed his first concerts in public at the age of 10. He learned composition with Zeller and Carl-Maria von Weber was his classmate. He left for Italy to further his education, and italianized his name there, where he became successful in La Fenice of Venice in 1824 with Il Crociato in Egitto<\/em>.<\/p>\n

Settled in Paris, he created Robert le Diable<\/em> (1824) which established, following Fernand Cortez<\/em> by Spontini (1774-1851), the foundations of the French Grand Op\u00e9ra, for which the composer will be the best ambassador in the world. The success is confirmed four years later with the same librettist, Eug\u00e8ne Scribe, in Les Huguenots<\/em>.<\/p>\n

Appointed musical director of the Prussian court in Berlin, Meyerbeer will never get the recognition of his German peers. He returned to France to present Le Proph\u00e8te<\/em> (1849), and died in Paris before the creation of his last opera, l\u2019Africaine<\/em>.<\/p>\n

The author<\/strong>
\nFormer teacher of History of Music at the Paris National Music School (CNSM), Violaine Anger is a lecturer at the university of Evry Val-d’Essonne and associate lecturer at the Polytechnique School.
\nHer research focuses on language and music. She wrote the Sens de la musique<\/em> (Presses de la rue d’Ulm, Paris, 2006), and many other articles.<\/p>\n

Purchase the book<\/a>
\nRead Meyerbeer’s biography and browse his works of Jewish inspiration<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Born in Berlin into a rich Jewish family, Giacomo Meyerbeer (1791-1864) performed his first concerts in public at the age of 10. He learned composition with Zeller and Carl-Maria von<\/p>\n","protected":false},"author":1048,"featured_media":26671,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1579],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1117],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-26673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books-articles-en","genre-classical-music"],"acf":[],"yoast_head":"\nGiacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Giacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Born in Berlin into a rich Jewish family, Giacomo Meyerbeer (1791-1864) performed his first concerts in public at the age of 10. He learned composition with Zeller and Carl-Maria von\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-15T16:03:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-21T07:59:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4482.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"414\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"Giacomo Meyerbeer\",\"datePublished\":\"2020-01-15T16:03:08+00:00\",\"dateModified\":\"2021-07-21T07:59:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/\"},\"wordCount\":230,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4482.jpg\",\"articleSection\":[\"Books, articles\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/\",\"name\":\"Giacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4482.jpg\",\"datePublished\":\"2020-01-15T16:03:08+00:00\",\"dateModified\":\"2021-07-21T07:59:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4482.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4482.jpg\",\"width\":414,\"height\":600},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/giacomo-meyerbeer-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Giacomo Meyerbeer\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Giacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/","og_locale":"en_US","og_type":"article","og_title":"Giacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives","og_description":"Born in Berlin into a rich Jewish family, Giacomo Meyerbeer (1791-1864) performed his first concerts in public at the age of 10. He learned composition with Zeller and Carl-Maria von","og_url":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-01-15T16:03:08+00:00","article_modified_time":"2021-07-21T07:59:37+00:00","og_image":[{"width":414,"height":600,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4482.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"Giacomo Meyerbeer","datePublished":"2020-01-15T16:03:08+00:00","dateModified":"2021-07-21T07:59:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/"},"wordCount":230,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4482.jpg","articleSection":["Books, articles"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/","url":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/","name":"Giacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4482.jpg","datePublished":"2020-01-15T16:03:08+00:00","dateModified":"2021-07-21T07:59:37+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4482.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4482.jpg","width":414,"height":600},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/giacomo-meyerbeer-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Giacomo Meyerbeer"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"ticketed":false,"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/26673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=26673"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/26673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/26671"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=26673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=26673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=26673"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=26673"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=26673"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=26673"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=26673"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=26673"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=26673"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=26673"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=26673"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=26673"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=26673"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=26673"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=26673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}