{"id":29442,"date":"2020-09-10T12:42:33","date_gmt":"2020-09-10T10:42:33","guid":{"rendered":"https:\/\/www.iemj.org\/the-selichot-in-the-moroccan-rite\/"},"modified":"2024-02-16T17:43:10","modified_gmt":"2024-02-16T16:43:10","slug":"the-selichot-in-the-moroccan-rite","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/","title":{"rendered":"The selichot in the Moroccan rite"},"content":{"rendered":"<p><strong>A selection of <em>selichot<\/em> performed by Jo Amar, Ouriel Amar, Ouria Bensoussan, Ouriel Elbilia, Lior Elmaliah&#8217;, Haim Louk and Avraham Toledano<\/strong><\/p>\n<p><!--more--><\/p>\n<p>The <em>selichot<\/em> are penitential prayers in which the worshipper implores forgiveness to God for the sins committed. This tradition is based on the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Thirteen_Attributes_of_Mercy\"> thirteen attributes of mercy<\/a> which have been, according to the tradition, passed on from God to Moses. (Exodus 34, 6-7).<br \/>In the beginning, the <em>selichot<\/em> were read during Yom Kippur service and for fasts. Then this tradition took place during the 10 days (<em>yamim nora\u00efm<\/em>) between Rosh Hashanah and Yom Kippur. The Ashkenazi communities and the Chasidim start reciting the <em>selichot<\/em> on saturday evening preceding (for at least four days) Rosh Hashanah service. The Sefardi communities read it at dawn before the morning prayer for forty days, starting on the first of Elul.<\/p>\n<p>The following playlist features a selection of <em>selichot<\/em> in various Moroccan rites (Casablanca, Meknes, Marrakesh\u2026). The first one of these <em>selichot<\/em>, &#8220;Anenou&#8221; (Answer me), performed by the Israeli cantor Avraham Toledano is sung on a typical melody of Meknes. We recognize the Meknassi rite for its mix of Andalusian sounds and irregular rhythms coming from the Berber folklore in the surrounding mountains of Meknes.<br \/>The sixth <em>selicha<\/em>, &#8220;Hatanou Lefaneicha&#8221;, performed by Lior Elmaliah&#8217;, follows a tune from Marrakesh. the seventh <em>seliha<\/em>, &#8220;Elecha Hashem&#8221;, performed by the world known cantor, Haim Louk, follows a tune from Casablanca.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/en\/les-selihot-%d7%a1%d7%9c%d7%99%d7%97%d7%95%d7%aa\/\" target=\"_blank\" rel=\"noopener\">Read the feature article on Selihot<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/chants-des-juifs-du-maroc-1\/\" target=\"_blank\" rel=\"noopener\">Listen to the playlist Songs of Moroccan Jews 1<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/chants-des-juifs-du-maroc-2\/\" target=\"_blank\" rel=\"noopener\">Listen to the playlist Songs of Moroccan Jews 2<\/a><\/li>\n<\/ul>\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"146\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-1024x146.jpg\" alt=\"\" class=\"wp-image-93119\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-1024x146.jpg 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-300x43.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-768x110.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-1536x220.jpg 1536w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-600x86.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2.jpg 1608w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-997c7086-0740-4661-a177-e0a6a426dc49\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/01_anenou_avraham_toledano_rite_meknassi_k7_1303_08__1.mp3\">Anenou &#8211; Avraham Toledano (rite Meknassi)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-27acefc1-7d83-47de-962d-4d52ab385ff7\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/02_el_melekh_yoshev__ouriel_amar_k7_369_14__1.mp3\">El melekh yoshev &#8211; Ouriel Amar<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-4183fa53-4d26-4da9-835e-cdfc0eab6285\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/03_ya_shema_evionekha_ouriel_elbilia_k7_992_13__1.mp3\">Ya Shema Evionekha &#8211; Ouriel Elbilia<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-7e9ebaa4-07e3-482c-ae93-29798abd571e\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/04_atanu_lehalot_paneikha_jo_amar_d33-30_1971b_05__1.mp3\">Atanu Lehalot Paneikha &#8211; Jo Amar<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-201434af-9cb4-41db-ad1d-7ba1268b72e0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/05_medley_seli_hot_ouria_bensoussan_1.mp3\">Medley Selihot &#8211; Ouria Bensoussan<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-581635ff-3e6f-4ea5-8636-3c6ad5572217\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/06_hatanou-lefanekha-lior-elmaliah_rite_marakchi__1.mp3\">Hatanou lefanekha &#8211; Lior Elmaliah (rite Marakchi)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-3a170f7e-e1e6-45c8-a48e-c174e906bb46\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/07_eleha_hachem-rabbin-haim-louk_rite_casablancais__1.mp3\">Elekha Hachem &#8211; Rabbin Haim Louk (rite Casablancais)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A selection of selichot performed by Jo Amar, Ouriel Amar, Ouria Bensoussan, Ouriel Elbilia, Lior Elmaliah&#8217;, Haim Louk and Avraham Toledano<\/p>\n","protected":false},"author":1048,"featured_media":29440,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1116],"fonds":[],"tradition":[1144],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-29442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","genre-liturgy","tradition-nmoroccan-rite-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The selichot in the Moroccan rite - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The selichot in the Moroccan rite - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"A selection of selichot performed by Jo Amar, Ouriel Amar, Ouria Bensoussan, Ouriel Elbilia, Lior Elmaliah&#8217;, Haim Louk and Avraham Toledano\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-10T10:42:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T16:43:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4830.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"336\" \/>\n\t<meta property=\"og:image:height\" content=\"336\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"The selichot in the Moroccan rite\",\"datePublished\":\"2020-09-10T10:42:33+00:00\",\"dateModified\":\"2024-02-16T16:43:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/\"},\"wordCount\":304,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4830.jpg\",\"articleSection\":[\"Playlists\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/\",\"name\":\"The selichot in the Moroccan rite - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4830.jpg\",\"datePublished\":\"2020-09-10T10:42:33+00:00\",\"dateModified\":\"2024-02-16T16:43:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4830.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4830.jpg\",\"width\":336,\"height\":336},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-moroccan-rite\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The selichot in the Moroccan rite\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The selichot in the Moroccan rite - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/","og_locale":"en_US","og_type":"article","og_title":"The selichot in the Moroccan rite - Institut Europ\u00e9en des Musiques Juives","og_description":"A selection of selichot performed by Jo Amar, Ouriel Amar, Ouria Bensoussan, Ouriel Elbilia, Lior Elmaliah&#8217;, Haim Louk and Avraham Toledano","og_url":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-09-10T10:42:33+00:00","article_modified_time":"2024-02-16T16:43:10+00:00","og_image":[{"width":336,"height":336,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4830.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"The selichot in the Moroccan rite","datePublished":"2020-09-10T10:42:33+00:00","dateModified":"2024-02-16T16:43:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/"},"wordCount":304,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4830.jpg","articleSection":["Playlists"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/","url":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/","name":"The selichot in the Moroccan rite - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4830.jpg","datePublished":"2020-09-10T10:42:33+00:00","dateModified":"2024-02-16T16:43:10+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4830.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4830.jpg","width":336,"height":336},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-moroccan-rite\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"The selichot in the Moroccan rite"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/29442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=29442"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/29442\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/29440"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=29442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=29442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=29442"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=29442"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=29442"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=29442"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=29442"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=29442"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=29442"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=29442"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=29442"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=29442"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=29442"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=29442"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=29442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}