{"id":29557,"date":"2020-09-21T16:53:31","date_gmt":"2020-09-21T14:53:31","guid":{"rendered":"https:\/\/www.iemj.org\/the-selichot-in-the-tunisian-rite\/"},"modified":"2024-02-16T17:17:39","modified_gmt":"2024-02-16T16:17:39","slug":"the-selichot-in-the-tunisian-rite","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/","title":{"rendered":"The selichot in the Tunisian rite"},"content":{"rendered":"<p><strong>A selection of <em>selichot<\/em> performed by Raphael Ebgui, Avishay Levi, Arie Ovadia, Yaniv Ben Mashiah and Doudou Derhy<\/strong><\/p>\n<p><!--more--><br \/>The <em>selichot<\/em> are penitential prayers in which the worshipper implores forgiveness to God for the sins committed. This tradition is based on the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Thirteen_Attributes_of_Mercy\"> thirteen attributes of mercy<\/a> which have been, according to the tradition, passed on from God to Moses. (Exodus 34, 6-7).<br \/>In the beginning, the <em>selichot<\/em> were read during Yom Kippur service and for fasts. Then this tradition took place during the 10 days (<em>yamim nora\u00efm<\/em>) between Rosh Hashanah and Yom Kippur. The Ashkenazi communities and the Chasidim start reciting the <em>selichot<\/em> on saturday evening preceding (for at least four days) Rosh Hashanah service. The Sefardi communities read it at dawn before the morning prayer for forty days, starting on the first of Elul.<\/p>\n<p>The following playlist features a selection of <em>selichot<\/em> performed in the various versions of the Tunisian rite. It is in Tunis and Djerba that we still find today the biggest Jewish communities, communities of which we associate the names of <em>paytanim<\/em> (authors of religious poetry) and singers, such as <a href=\"https:\/\/www.youtube.com\/playlist?list=OLAK5uy_kRXX5PhID6Va3kjOqkr8qiGb5cLaT0LHU\">Yaakov Bchiri<\/a> or <a href=\"https:\/\/www.iemj.org\/en\/raoul-journo\/\">Raoul Journo<\/a>.<br \/>Let us notice that the rite from Tunis was influenced by the Oranese tradition, which takes its roots from the Spanish Judaism of the end of the 15th century, and the Italian Judaism from the 18th century (the Granas of Livourne). The Djerbian rite has been influenced by traditions from Libya and Egypt.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/les-selihot-%d7%a1%d7%9c%d7%99%d7%97%d7%95%d7%aa\/\">Read the feature article on Selihot<\/a><br \/><a href=\"https:\/\/www.iemj.org\/en\/chants-des-juifs-de-tunisie\/\">Listen to the playlist Songs of the Jewish people from Tunisia 1 <\/a><br \/><a href=\"https:\/\/www.iemj.org\/en\/chants-des-juifs-de-tunisie-2\/\">Listen to the playlist Songs of the Jewish people from Tunisia 2 <\/a><\/p>\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"146\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-1024x146.jpg\" alt=\"\" class=\"wp-image-93119\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-1024x146.jpg 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-300x43.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-768x110.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-1536x220.jpg 1536w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2-600x86.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_EN2.jpg 1608w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-180c2f2e-313e-44c1-8ccd-489abd3ac447\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/01_adone_haselihot_-_rabbin_rapha_l_ebgui_d33-30_1967_06_.mp3\">Adon Haselihot &#8211; Rabbin Rapha\u00ebl Ebgui (Rite de Tunis)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-78e06a38-3cbc-4b69-aa88-6841a49c5327\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/02_hon_tahon_-_avishay_levi_cd_875_04_.mp3\">Hon Tahon &#8211; Avishay Levi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2c34a1bf-4ca6-4e7b-810e-6c00e5214b8c\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/03_mi_el_kamoha_-_arie_ovadia_d33-30_1536_09_.mp3\">Mi el kamoha &#8211; Arie Ovadia<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e5617488-eebb-4ab1-a7ee-a1f7a7945f02\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/04_eshel_eleha_hashem_-_itsik_et_avichay.mp3\">Eshel eleha Hashem &#8211; Itsik Et Avichay (Rite de Gab\u00e8s)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-3af816bc-a73a-4674-ae0e-e0263943f758\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/05_kamti_beashmoret_-_yaniv_ben_mashiah_rite_de_djerba_.mp3\">Kamti Beashmoret &#8211; Yaniv Ben Mashiah (Rite de Djerba)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-04a37191-274b-4b6f-8fc5-ec9968192038\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/06_bezohri_al_michkavi_-_doudou_derhy.mp3\">Bezohri Al Michkavi &#8211; Doudou Derhy<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A selection of selichot performed by Raphael Ebgui, Avishay Levi, Arie Ovadia, Yaniv Ben Mashiah and Doudou Derhy<\/p>\n","protected":false},"author":1048,"featured_media":29555,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1116],"fonds":[],"tradition":[1146],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-29557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","genre-liturgy","tradition-tunisian-rite-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The selichot in the Tunisian rite - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The selichot in the Tunisian rite - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"A selection of selichot performed by Raphael Ebgui, Avishay Levi, Arie Ovadia, Yaniv Ben Mashiah and Doudou Derhy\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-21T14:53:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T16:17:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4839.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"336\" \/>\n\t<meta property=\"og:image:height\" content=\"336\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"The selichot in the Tunisian rite\",\"datePublished\":\"2020-09-21T14:53:31+00:00\",\"dateModified\":\"2024-02-16T16:17:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/\"},\"wordCount\":321,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4839.jpg\",\"articleSection\":[\"Playlists\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/\",\"name\":\"The selichot in the Tunisian rite - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4839.jpg\",\"datePublished\":\"2020-09-21T14:53:31+00:00\",\"dateModified\":\"2024-02-16T16:17:39+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4839.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4839.jpg\",\"width\":336,\"height\":336},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-tunisian-rite\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The selichot in the Tunisian rite\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The selichot in the Tunisian rite - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/","og_locale":"en_US","og_type":"article","og_title":"The selichot in the Tunisian rite - Institut Europ\u00e9en des Musiques Juives","og_description":"A selection of selichot performed by Raphael Ebgui, Avishay Levi, Arie Ovadia, Yaniv Ben Mashiah and Doudou Derhy","og_url":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-09-21T14:53:31+00:00","article_modified_time":"2024-02-16T16:17:39+00:00","og_image":[{"width":336,"height":336,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4839.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"The selichot in the Tunisian rite","datePublished":"2020-09-21T14:53:31+00:00","dateModified":"2024-02-16T16:17:39+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/"},"wordCount":321,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4839.jpg","articleSection":["Playlists"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/","url":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/","name":"The selichot in the Tunisian rite - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4839.jpg","datePublished":"2020-09-21T14:53:31+00:00","dateModified":"2024-02-16T16:17:39+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4839.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4839.jpg","width":336,"height":336},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-tunisian-rite\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"The selichot in the Tunisian rite"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/29557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=29557"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/29557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/29555"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=29557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=29557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=29557"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=29557"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=29557"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=29557"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=29557"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=29557"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=29557"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=29557"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=29557"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=29557"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=29557"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=29557"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=29557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}