{"id":29617,"date":"2020-09-24T15:32:35","date_gmt":"2020-09-24T13:32:35","guid":{"rendered":"https:\/\/www.iemj.org\/the-selichot-in-the-algerian-rite\/"},"modified":"2024-02-16T17:02:36","modified_gmt":"2024-02-16T16:02:36","slug":"the-selichot-in-the-algerian-rite","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/","title":{"rendered":"The selichot in the Algerian rite"},"content":{"rendered":"

A selection of selichot<\/em> performed by Israel Dadoun, Abraham Dahan, Philippe Darmon, Amir Eliahou, Georges E. Haik, Haim Harboun and Andr\u00e9 Ta\u00efeb<\/strong><\/p>\n


The selichot<\/em> are penitential prayers in which the worshipper implores forgiveness to God for the sins committed. This tradition is based on the thirteen attributes of mercy<\/a> which have been, according to the tradition, passed on from God to Moses. (Exodus 34, 6-7).
In the beginning, the selichot<\/em> were read during Yom Kippur service and for fasts. Then this tradition took place during the 10 days (yamim nora\u00efm<\/em>) between Rosh Hashanah and Yom Kippur. The Ashkenazi communities and the Chasidim start reciting the selichot<\/em> on saturday evening preceding (for at least four days) Rosh Hashanah service. The Sefardi communities read it at dawn before the morning prayer for forty days, starting on the first of Elul.<\/p>\n

The following playlist features a selection of selichot<\/em> performed in various Algerian rites. The traditions from Algiers, Oran on Constantine take their roots in the Spanish judaism In the 6th and 7th centuries, and especially in the 14th and 15th centuries, many Jews from the Iberian Peninsula mix with the Jewish local population, influencing their traditions. In the 18th century, the Sefardi Italian Jews from Livorno, the Granas, settle down in Algeria and become business intermediates between Europe and the Ottoman Empire. The 19th century markes the arriving of Jews from Tetuan (Morocco). Finally, the colonisation of Algeria by the French in 1830, the consistorial French model and the l\u2019Alliance isra\u00e9lite universelle favor the introduction of Portuguese Sefardi, or Ashkenazi tunes, into the cult of the main Algerian cities. The great synagogue of Oran even had big organs with 18 sounding registers and 900 pipes !<\/p>\n

Read the feature article on Selihot<\/a>
Listen to the playlist Songs by Jews from Algeria 1<\/a>
Listen to the playlist Songs by Jews from Algeria 2<\/a><\/p>\n\n\n

\"\"<\/figure>\n\n\n\n
Ben Adam – Grand Rabbin Georges E Haik<\/a><\/div>\n\n\n\n
Hamelekh Adonay – Hazan Andr\u00e9 Ta\u00efeb (rite constantinois)<\/a><\/div>\n\n\n\n
Rakhamana – Rabbin Abraham Dahan<\/a><\/div>\n\n\n\n
Et Chaare Ratson – Philippe Darmon (rite alg\u00e9rois)<\/a><\/div>\n\n\n\n
Selihot diverses (rite alg\u00e9rois)<\/a><\/div>\n\n\n\n
Selihot diverses (rite constantinois)<\/a><\/div>\n\n\n\n
Elekha Hadoshem Amir Eliahou (rite constantinois)<\/a><\/div>\n\n\n\n
Instrumental oranais sur l’air des selihot – Israel Dadoun<\/a><\/div>\n\n\n\n
Elekha Hadoshem – Harboun Haim (rite oranais)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

A selection of selichot performed by Israel Dadoun, Abraham Dahan, Philippe Darmon, Amir Eliahou, Georges E. Haik, Haim Harboun and Andr\u00e9 Ta\u00efeb<\/p>\n","protected":false},"author":1048,"featured_media":29615,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1116],"fonds":[],"tradition":[1148],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-29617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","genre-liturgy","tradition-algerian-rite-en"],"acf":[],"yoast_head":"\nThe selichot in the Algerian rite - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The selichot in the Algerian rite - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"A selection of selichot performed by Israel Dadoun, Abraham Dahan, Philippe Darmon, Amir Eliahou, Georges E. Haik, Haim Harboun and Andr\u00e9 Ta\u00efeb\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-24T13:32:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T16:02:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4848.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"336\" \/>\n\t<meta property=\"og:image:height\" content=\"336\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"The selichot in the Algerian rite\",\"datePublished\":\"2020-09-24T13:32:35+00:00\",\"dateModified\":\"2024-02-16T16:02:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/\"},\"wordCount\":375,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4848.jpg\",\"articleSection\":[\"Playlists\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/\",\"name\":\"The selichot in the Algerian rite - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4848.jpg\",\"datePublished\":\"2020-09-24T13:32:35+00:00\",\"dateModified\":\"2024-02-16T16:02:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4848.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4848.jpg\",\"width\":336,\"height\":336},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-selichot-in-the-algerian-rite\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The selichot in the Algerian rite\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The selichot in the Algerian rite - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/","og_locale":"en_US","og_type":"article","og_title":"The selichot in the Algerian rite - Institut Europ\u00e9en des Musiques Juives","og_description":"A selection of selichot performed by Israel Dadoun, Abraham Dahan, Philippe Darmon, Amir Eliahou, Georges E. Haik, Haim Harboun and Andr\u00e9 Ta\u00efeb","og_url":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-09-24T13:32:35+00:00","article_modified_time":"2024-02-16T16:02:36+00:00","og_image":[{"width":336,"height":336,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4848.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"The selichot in the Algerian rite","datePublished":"2020-09-24T13:32:35+00:00","dateModified":"2024-02-16T16:02:36+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/"},"wordCount":375,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4848.jpg","articleSection":["Playlists"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/","url":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/","name":"The selichot in the Algerian rite - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4848.jpg","datePublished":"2020-09-24T13:32:35+00:00","dateModified":"2024-02-16T16:02:36+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4848.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4848.jpg","width":336,"height":336},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/the-selichot-in-the-algerian-rite\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"The selichot in the Algerian rite"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/29617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=29617"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/29617\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/29615"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=29617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=29617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=29617"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=29617"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=29617"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=29617"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=29617"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=29617"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=29617"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=29617"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=29617"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=29617"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=29617"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=29617"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=29617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}