{"id":42902,"date":"2020-06-24T14:32:59","date_gmt":"2020-06-24T12:32:59","guid":{"rendered":"https:\/\/www.iemj.org\/les-78-tours-du-label-odeon\/"},"modified":"2025-10-07T17:19:59","modified_gmt":"2025-10-07T15:19:59","slug":"les-78-tours-du-label-odeon","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/les-78-tours-du-label-odeon\/","title":{"rendered":"THE 78 RPM DISCS FROM THE ODEON MUSIC LABEL"},"content":{"rendered":"<p>As early as 1909, the Odeon label recorded several discs of Jewish music: Yiddish songs, liturgy or scholarly music with composers such as Lazare Saminsky (1882-1959) and Joseph Achron (1886-1943), both of whom belonged to the Society of Jewish Popular Music created by Joel Engel in 1908 in Saint Petersburg.<\/p>\n<p>After a brief evocation of the history of the Odeon label, we propose you to listen in the playlist below to a selection of 9 pieces of Jewish music, that are present in our archives, recorded between 1909 and 1934.<\/p>\n<p><!--more--><\/p>\n<p>The Odeon phonographic company was founded in 1903 in Berlin (Germany) by Max Straus and Heinrich Zuntz, with the financial support of Frederick M. Prescott. Its name comes from the Parisian theatre l\u2019Od\u00e9on, of which the dome appears on the logo of the company.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-29068\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_1_odeon_500px.jpg\" alt=\"doc_1_odeon_500px.jpg\" width=\"700\" height=\"230\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_1_odeon_500px.jpg 700w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_1_odeon_500px-300x99.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_1_odeon_500px-600x197.jpg 600w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>The music label became a subsidiary of the Carl Lindstrom company, which possessed also Beka, Parlophone and Fonotipia. In 1926, Lindstrom was bought by the English division of Columbia Graphophone.\u00a0<br \/><img decoding=\"async\" class=\" alignright size-full wp-image-29070\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_2_odeon.jpg\" alt=\"doc_2_odeon.jpg\" width=\"225\" height=\"210\" align=\"right\" \/><\/p>\n<p>In<span style=\"font-family: 'Arial','sans-serif'; color: #171717;\">\u00a01931, Columbia merged with Electrola, HMV and other music labels to form EMI. In 1936, the Nazis took control of Odeon music label by establishing a director and an administrator affiliated to the party. The Odeon factory was for a great part destroyed by the Soviet army in 1945 during the final battles which took place in Berlin.\u00a0<\/span><\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-29072\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_3_odeon.jpg\" alt=\"doc_3_odeon.jpg\" width=\"225\" height=\"225\" align=\"left\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_3_odeon.jpg 225w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_3_odeon-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/doc_3_odeon-100x100.jpg 100w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>A<span style=\"font-family: 'Arial','sans-serif'; color: #171717;\">fter World War II, the Odeon music label survived as a subsidiary of EMI in many non English speaking countries, such as West Germany, Japan, Spain, Scandinavia, Latin America and France.\u00a0<\/span><\/p>\n<p style=\"background: white; margin: 0cm 0cm 11.25pt 0cm;\"><span style=\"font-family: 'Arial','sans-serif'; color: #171717;\">Its catalogue, built before the 1960\u2019s, features now in the public domain.\u00a0<\/span><\/p>\n<p><em><strong>Sources :\u00a0<\/strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Odeon_Records\" target=\"_blank\" rel=\"noopener\">Wikipedia<\/a>, <a href=\"http:\/\/www.cvinyl.com\/labelguides\/odeon.php\">CVYNIL.COM<\/a><\/em><\/p>\n<figure id=\"attachment_84124\" aria-describedby=\"caption-attachment-84124\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-84124\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/I_200-300x198.jpg\" alt=\"\" width=\"630\" height=\"416\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/I_200-300x198.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/I_200-600x396.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/I_200.jpg 757w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-84124\" class=\"wp-caption-text\"><strong>Photo of the Armand Orchestra, better known as the Schmilovitz Orchestra<\/strong><\/figcaption><\/figure>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-efdc7471-0f9f-4a9c-b06e-2da3f5ca87ee\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/1_hajom_teamzenu_1909_-_yossele_rosenblatt.mp3\">Hajom Teamzenu &#8211; Yossele Rosenblatt [Rec.1909]<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e076e33c-dc22-41d6-b5ca-0c1f6bc62db5\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/2_der_mesader_kedischen_1928_-_max_bruen.mp3\">Der mesader kedischen &#8211; Max Bruen (Rec.1928) <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-ce26d7d4-047b-4543-aa58-391ef4ffbf5c\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/3_dus_butcherl_1928_-_max_bruen.mp3\">Dus butcherl &#8211; Max Bruen (Rec.1928)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-6fe0d1e0-84a1-4cc6-a12c-fce30d24d8d7\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/6_adon_olom_1928_-_louis_lewandowski.mp3\">Louis Lewandowski &#8211; Adon Olom &#8211; Verstarkter Synagogen Chor (Rec. 1929)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-32cecb1a-962b-44c5-8fc5-c58ec40828ea\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/7_mah_towu_1928_-_louis_lewandowski.mp3\">Louis Lewandowski &#8211; Mah Towu &#8211; Verstarkter Synagogen Chor (Rec.1928)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1a54e54b-296c-4bec-a576-cb6150df956a\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/8_kol_nidrei_1930_-_andre_levy.mp3\">Max Bruch &#8211; Kol nidrei &#8211; Andre\u0301 Levy (Rec.1930)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-850a78cc-70a7-43b3-87ac-1ccf3d249ab0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/9_be_ne_diction_1930_-_andre_levy.mp3\">L\u00e9on Algazi &#8211; Be\u0301ne\u0301diction &#8211; Andre\u0301 Levy (Rec.1930)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-b8d39bbc-5670-4d3b-ab5e-1e361b84036f\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/10_danse_he_brai_que_1930_-_andre_levy.mp3\">Joseph Achron &#8211; Danse He\u0301brai\u0308que &#8211; Andre\u0301 Levy (Rec.1930) <\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-61b32a46-4116-4fbd-8dc2-69f5aca0dbd0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/06\/11_leiwi-izchok_s_dudele_1934_-_joseph_blumberg.mp3\">Lazare Saminsky &#8211; Leiwi-Izchok\u2019s Dudele &#8211; Joseph Blumberg (Rec.1934)<\/a><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As early as 1909, the Odeon label recorded several discs of Jewish music: Yiddish songs, liturgy or scholarly music with composers such as Lazare Saminsky (1882-1959) and Joseph Achron (1886-1943),<\/p>\n","protected":false},"author":1052,"featured_media":29066,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[963],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-42902","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlights-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE 78 RPM DISCS FROM THE ODEON MUSIC LABEL - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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