{"id":43200,"date":"2017-01-11T11:51:09","date_gmt":"2017-01-11T10:51:09","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque\/"},"modified":"2023-10-12T11:06:28","modified_gmt":"2023-10-12T09:06:28","slug":"la-musique-juive-baroque","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque\/","title":{"rendered":"Baroque Jewish Music"},"content":{"rendered":"<p>Unlike various popular beliefs, Jews from Italy, Provence or even Amsterdam had a perfect knowledge concerning Art Music in the Christian world. Young Italian Jews in the 15th century went to music and dance schools.\u00a0<\/p>\n<p>In the 16th century and in the beginning of the 17th century, the ducal palace of the Gonzaga family of Mantua received Jewish musicians, among them <a href=\"https:\/\/www.iemj.org\/en\/rossi-salomone-vers-1570-vers-1630\/\" target=\"_blank\" rel=\"noopener\">Salomone Rossi<\/a> (ca 1570 \u2013 ca 1630), who published in 1622-23 a first collection of 33 choruses in Hebrew for the synagogue of Mantua.<\/p>\n<p>Around 1680, Carlo Grossi composed a cantata for a Jewish brotherhood of Mod\u00e8ne or Venice. In 1732, 1773 and 1735, three cantatas were performed in the small synagogue of Casale Monferrato.<\/p>\n<p>At the end of the 17th century, a Jewish dignitary from the Comtat Venaissin, strongly hoping for a male heir, ordered from the Christian composer Louis Saladin an \u201cEntertainment for a circumcision\u201d for solo, four voice chorus and orchestra! In Bordeaux and Amsterdam, the Portuguese Jews enjoyed and played the music of their time.<\/p>\n<p>In the 18th century in Amsterdam, the sumptuous salons of wealthy Portuguese Jewish families were the home for opera and cantata concerts, musical styles that entered in the synagogues with the works of Abraham Caceres and <a href=\"https:\/\/www.iemj.org\/en\/lidarti-cristiano-giuseppe-1730-apres-1793\/\" target=\"_blank\" rel=\"noopener\">Cristiano Giuseppe Lidarti<\/a>, who wrote in 1774 <a href=\"https:\/\/www.iemj.org\/en\/ester-un-oratorio-de-pourim-du-compositeur-lidarti-1730-ap-1793\/\" target=\"_blank\" rel=\"noopener\">Esther\u2019s oratorio<\/a>, the longest piece of music (two hours!) in the entire history of Baroque Jewish music.\u00a0<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12682\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px.jpg\" alt=\"doc_3_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/musiques-juives-baroques\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-6882 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/04\/emission_de_radio_55_.jpg\" alt=\"emission_de_radio_55_.jpg\" width=\"50\" height=\"44\" align=\"left\" \/>Listen to the radio show: Baroque Jewish Music, hosted by Herv\u00e9 Roten<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/les-faces-cachees-de-la-musique-juive-musiques-juives-baroques\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-6882 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/04\/emission_de_radio_55_.jpg\" alt=\"emission_de_radio_55_.jpg\" width=\"50\" height=\"44\" align=\"left\" \/>Listen to the radio show: the Hidden Sides of Jewish Music: Baroque Jewish Music, hosted by H\u00e9l\u00e8ne Engel<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-2940 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/11\/playlist_30_.jpg\" alt=\"playlist_30_.jpg\" width=\"24\" height=\"52\" align=\"left\" \/>Listen to the playlist: Baroque Jewish Music (part 1)<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/baroque-jewish-music-part-2\/\"><img decoding=\"async\" class=\"wp-image-2940 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/11\/playlist_30_.jpg\" alt=\"playlist_30_.jpg\" width=\"24\" height=\"52\" align=\"left\" \/><\/a><a href=\"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Listen to the playlist: Baroque Jewish Music (part 2)<\/a><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unlike various popular beliefs, Jews from Italy, Provence or even Amsterdam had a perfect knowledge concerning Art Music in the Christian world. Young Italian Jews in the 15th century went<\/p>\n","protected":false},"author":1052,"featured_media":12678,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[950,938,902],"tags":[2089],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1111,1116],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-43200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-articles-en","category-religious-music-en","category-secular-music-2-en","tag-italy-en","genre-baroque-music","genre-liturgy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baroque Jewish Music - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baroque Jewish Music - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Unlike various popular beliefs, Jews from Italy, Provence or even Amsterdam had a perfect knowledge concerning Art Music in the Christian world. Young Italian Jews in the 15th century went\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-01-11T10:51:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-12T09:06:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/arton2035-e1618335197881.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"375\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lea Couderc\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lea Couderc\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-musique-juive-baroque\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-musique-juive-baroque\\\/\"},\"author\":{\"name\":\"Lea Couderc\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\"},\"headline\":\"Baroque Jewish Music\",\"datePublished\":\"2017-01-11T10:51:09+00:00\",\"dateModified\":\"2023-10-12T09:06:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-musique-juive-baroque\\\/\"},\"wordCount\":274,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-musique-juive-baroque\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/01\\\/arton2035-e1618335197881.jpg\",\"keywords\":[\"Italy\"],\"articleSection\":[\"Feature articles\",\"Religious music\",\"Secular music\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-musique-juive-baroque\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-musique-juive-baroque\\\/\",\"name\":\"Baroque Jewish Music - 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