{"id":52246,"date":"2019-11-26T17:26:03","date_gmt":"2019-11-26T16:26:03","guid":{"rendered":"https:\/\/www.iemj.org\/les-danses-klezmer\/"},"modified":"2025-07-10T18:40:26","modified_gmt":"2025-07-10T16:40:26","slug":"les-danses-klezmer","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/les-danses-klezmer\/","title":{"rendered":"Klezmer dances"},"content":{"rendered":"<p><strong>A selection of klezmer music for dancing<\/strong><\/p>\n<p><!--more--><em>Klezmer<\/em>\u00a0is an instrumental music for celebrations which was once performed in the Jewish communities of Eastern Europe at weddings or joyous religious celebrations. The word \u201cklezmer\u201d comes from Hebrew\u00a0<em>kli zemer<\/em>\u00a0which means \u201cinstrument of the singing\u201d.<br \/>Since the 16th century, dancing took largely part in the Esatern Europe jewish celebrations. But no Jewish Askenazi dance was specific to a community : the major part of the repertoire &#8211; dances in line, in circle, in couples, etc. &#8211; was cosmopolitan or comprised elements borrowed to the non-Jewish environment.<\/p>\n<p>However, the Jews used a body language which differenciated them from the non-Jews who practiced the same dances, in particular in the movements of hands and arms, as well as in the play of legs by the young men.<\/p>\n<p>During weddings, a large part of the ritual consisted in dances that aimed to honor the bride (<em>mitzve tants<\/em>), the special guests, the step-fathers, the ancestors, the present rabbis&#8230; or to mime feelings like anger :\u00a0<em>broyges tants<\/em>\u00a0and reconciliation :\u00a0<em>sholem tants<\/em>.<\/p>\n<p>Klezmer music accompanied several different dance styles. Here are a few examples:<\/p>\n<ul>\n<li>The\u00a0<em><strong>sher<\/strong> <\/em>was considered as &#8220;the&#8221; ultimate Ashkenazi dance. Dancers are divided in four mixed couples (or of women in orthodox circles). It starts with a &#8220;promenade&#8221; in circle, then in couples. After that, each dancer invites one after the other the four feminine partners to dance with him in the middle of the circle.<\/li>\n<li>The\u00a0<em><strong>khosidl<\/strong> <\/em>recalls the\u00a0<em>hassidim<\/em>\u00a0even if its origin is probably profane. It is a solo dance on a\u00a0<em>zemerl<\/em>\u00a0(a religious inspired melody). It generally starts at a moderate tempo and gets slowly quicker and quicker, until it reaches an extatic enthusiasm&#8230;<\/li>\n<li>The\u00a0<strong><em>hora<\/em><\/strong>, &#8220;slow&#8221; or &#8220;Romanian&#8221; is a circle dance (or in line) on a 3 step music, common by Jews and non-Jews in Romania (Moldova, Bessarabia, Bukovina) and in certain regions of Ukraine.<\/li>\n<li>The\u00a0<strong><em>freylekhs <\/em><\/strong>(&#8220;joyful&#8221;) is a Jewsish dance in line or circle on a 2 step music. Because of its simplicity, it was widespread in Eastern Europe Jewish communities. Lively, joyful, it is nevertheless filled with spirituality. It is characterized by long walks, that can change from one\u00a0<em>shtetl<\/em>\u00a0to the other, offering a large place for improvisation.<\/li>\n<li>The\u00a0<em><strong>bulgar<\/strong> <\/em>is also a lively dance in circle, in line or in couples, on a rhythm close to the\u00a0<em>freylekhs<\/em>, that appeared in Romania and in the south of Ukraine at the end of the 19th century. Holding hands, the dancers do steps forwards or backwards, but always emphasized on the right in order for the circle to turn.<\/li>\n<li>The\u00a0<strong><em>terkisher <\/em><\/strong>is a hassidic dance on &#8220;turkish&#8221; rhythm (similar to tango or syrtos)<\/li>\n<li>The\u00a0<strong><em>patsh tants <\/em><\/strong>is a counter-dance en circle of Polish Jews. The music requires, at certain moments, to clap hands of stamp with the feet.<\/li>\n<\/ul>\n<p><strong>Source:<\/strong> &#8220;Danses yiddish, klezmer, ashkenazes ou du shtetl&#8221; on the\u00a0<a href=\"http:\/\/borzy.info\/EnglishIndex.html\" target=\"_blank\" rel=\"noopener\">website dedicated to klezmer music by<\/a><\/p>\n<p>Read the article\u00a0<a href=\"https:\/\/www.iemj.org\/en\/klezmer-music-from-the-past-to-the-present\/\">Klezmer music: from the past to the present<\/a><\/p>\n<p>Learn more on the book\u00a0<a href=\"https:\/\/www.iemj.org\/en\/la-danse-traditionnelle-juive-ashkenaze-2\/\">La danse traditionnelle juive ashk\u00e9naze by Danielle Bailly &amp; Michel Borzykowski<\/a><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Zev Feldman. Khosidl (instructional video) || \u0417\u0435\u0432 \u0424\u0435\u043b\u0434\u043c\u0430\u043d. \u0425\u043e\u0441\u0438\u0434\u043b\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OH9kCqrLPXI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Zev Feldman leads a &#8220;Bulgar&#8221; dance during a klezmer dance workshop, Yiddish Summer Weimar, 2009<\/strong><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_11_03.mp3\">Doina and Hora &#8211; Jacob Hoffman with Kandel&#8217;s Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_1059_07.mp3\">Der Shtiler Bulgar &#8212; Shpil Es Nokh a Mol &#8211; Kapelye<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_1065_01.mp3\">Bulgar &#8211; Marty Levitt<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_9_02.mp3\">Frailachs &#8211; Sam Musiker<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_636_06.mp3\">The Bride\u2019s Waltz &#8211; Zev Feldman, Andy Statman<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_327_03.mp3\">Der Skyliner Khosid &#8211; The Andy Statman Klezmer Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_11_06.mp3\">Terkisher Yale-ve-yove Tants &#8211; Naftule Brandwein<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/k7_565_01_bis.mp3\">Lebedik un freylech &#8211; The Klezmer Conservatory Band<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_1059_09-2.mp3\">Moldavian Hora &#8211; Kapelye<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_677_03.mp3\">Traditional Dances &#8211; Sam Musiker<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_327_06-2.mp3\">Scotchna &#8211; The Andy Statman Klezmer Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_29_05.mp3\">Litvak Square Dance &#8211; Mickey Katz<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/cd_12_11.mp3\">Honga Ciganesta &#8211; Naftule Brandwein&#8217;s Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/cd_935_07.mp3\">Kolomeykes &#8211; Di Galitzyaner Klezmorim<\/a><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A selection of klezmer music for dancing<\/p>\n","protected":false},"author":1048,"featured_media":26133,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1113],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-52246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","genre-klezmer-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Klezmer 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