{"id":53737,"date":"2017-01-17T11:02:30","date_gmt":"2017-01-17T10:02:30","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque-2eme-partie\/"},"modified":"2025-06-19T12:26:24","modified_gmt":"2025-06-19T10:26:24","slug":"la-musique-juive-baroque-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque-2eme-partie\/","title":{"rendered":"Baroque Jewish Music, 2nd part"},"content":{"rendered":"<p><strong>Listen to a new selection of Jewish Baroque music with works by Rossi, Grossi, Saladin, Caceres and Lidarti<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Since the dawn of time, Jewish music was passed on oral. Except for three manuscript fragments of Ovadia the Proselyte in the 12th century <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_53737_1('footnote_plugin_reference_53737_1_1');\" onkeypress=\"footnote_moveToReference_53737_1('footnote_plugin_reference_53737_1_1');\" ><sup id=\"footnote_plugin_tooltip_53737_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_53737_1_1\" class=\"footnote_tooltip\">Cf. Israel Adler, &#8220;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) by Abdias le pros\u00e9lyte normand&#8221;, Revue de Musicologie, 51, 1965, pp. 19-51.&#8221;<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_53737_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_53737_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> and some biblical cantillations of the 15th and 16th centuries <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_53737_1('footnote_plugin_reference_53737_1_2');\" onkeypress=\"footnote_moveToReference_53737_1('footnote_plugin_reference_53737_1_2');\" ><sup id=\"footnote_plugin_tooltip_53737_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_53737_1_2\" class=\"footnote_tooltip\">These include biblical cantillations noted by Christian humanists eager to study the biblical texts in their original version. Cf. J. B\u00f6schenstein (Codex hebraicus, Munich, around 1500), Johannes&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_53737_1('footnote_plugin_reference_53737_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_53737_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_53737_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p>It was not until the 17th century that the first written music played in a Jewish context appeared in Italy, Amsterdam and Comtat Venaissin. And these works are really modern since they borrow the musical language of the time: the baroque!<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque\/\" target=\"_blank\" rel=\"noopener\">Read the feature article about Jewish Baroque Music<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Listen to the radio show, Jewish Baroque music, hosted by Herv\u00e9 Roten<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Listen to the radio show; Hidden sides of Jewish music: Jewish Baroque music, hosted by H\u00e9l\u00e8ne Engel<\/a><a href=\"https:\/\/www.iemj.org\/en\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\"><br \/><\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\">Listen to playlist: Jewish Baroque music, 1rst part<\/a><\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12713\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg\" alt=\"doc_4_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/1_kaddish_rossi_extrait_-_ensemble_apollo.mp3\">Kaddish (Rossi) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/2_al_naharot_bavel_psaume_37_rossi_-_ensemble_texto.mp3\">Al naharot Bavel psaume 37 (Rossi) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/3chant_en_echo_pour_un_mariage_rossi_extrait_-_avner_itai.mp3\">Chant en echo pour un mariage (Rossi) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/4_cantata_ebraica_in_dialogo_grossi_extrait_-_joel_cohen.mp3\">Cantata Ebraica in Dialogo (Grossi) &#8211; Jo\u00ebl Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/5_aria_allegra_casale_monferato_hoshaana_raba_extrait_.mp3\">H\u00f4sha&#8217;na Raba in Casale Monferrato (EXTRAIT)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/6_canticum_hebraicum_saladin_extrait_-_avner_itai_couper_vers_2_55.mp3\">Canticum hebraicum (Saladin) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/7_leel_elim_caceres_-_ensemble_texto.mp3\">Leel elim (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/8_hishki_hizki_caceres_-_ensemble_texto.mp3\">Hishki Hizki (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/9_befi_yesharim_lidarti_-_ensemble_apollo.mp3\">Befi yesharim (Lidarti) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/10_oratorio_ester_zed_yahir_lidarti_-_ensemble_texto.mp3\">Oratorio Ester_Zed Yahir (Lidarti) &#8211; Ensemble Texto<\/a><\/div>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_53737_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_53737_1();\">[<a id=\"footnote_reference_container_collapse_button_53737_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_53737_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_53737_1('footnote_plugin_tooltip_53737_1_1');\"><a id=\"footnote_plugin_reference_53737_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Cf. Israel Adler, &#8220;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) by Abdias le pros\u00e9lyte normand&#8221;, Revue de Musicologie, 51, 1965, pp. 19-51.&#8221;<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_53737_1('footnote_plugin_tooltip_53737_1_2');\"><a id=\"footnote_plugin_reference_53737_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">These include biblical cantillations noted by Christian humanists eager to study the biblical texts in their original version. Cf. J. B\u00f6schenstein (Codex hebraicus, Munich, around 1500), Johannes Reuchlin (De accentibus et orthographia linguae hebraicae, Haguenau, 1518), or Sebastian M\u00fcnster (Institutiones grammaticae in hebream linguam, B\u00e2le, 1524).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_53737_1() { jQuery('#footnote_references_container_53737_1').show(); jQuery('#footnote_reference_container_collapse_button_53737_1').text('\u2212'); } function footnote_collapse_reference_container_53737_1() { jQuery('#footnote_references_container_53737_1').hide(); jQuery('#footnote_reference_container_collapse_button_53737_1').text('+'); } function footnote_expand_collapse_reference_container_53737_1() { if (jQuery('#footnote_references_container_53737_1').is(':hidden')) { footnote_expand_reference_container_53737_1(); } else { footnote_collapse_reference_container_53737_1(); } } function footnote_moveToReference_53737_1(p_str_TargetID) { footnote_expand_reference_container_53737_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_53737_1(p_str_TargetID) { footnote_expand_reference_container_53737_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Listen to a new selection of Jewish Baroque music with works by Rossi, Grossi, Saladin, Caceres and Lidarti<\/p>\n","protected":false},"author":1052,"featured_media":12709,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[2089],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1111,1116],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-53737","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","tag-italy-en","genre-baroque-music","genre-liturgy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baroque Jewish Music, 2nd part - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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