{"id":54357,"date":"2019-04-11T10:44:20","date_gmt":"2019-04-11T08:44:20","guid":{"rendered":"https:\/\/www.iemj.org\/uskudara-fel-shara-terk-in-america-et-cetera\/"},"modified":"2025-07-10T18:19:54","modified_gmt":"2025-07-10T16:19:54","slug":"uskudara-fel-shara-terk-in-america-et-cetera","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/uskudara-fel-shara-terk-in-america-et-cetera\/","title":{"rendered":"\u00dcsk\u00fcdara &#8211; Fel shara &#8211; Terk in America &#8211; Et cetera"},"content":{"rendered":"<p><strong><em>\u00dcsk\u00fcdara giderik\u2019en<\/em> is a song taken from a Turkish operetta of the end of the 19th century, which was translated or adapted in dozens of languages (Judeo-Spanish, Serbian, Croationa, Greek, Arabic, Italian, Hebrew\u2026)<\/strong><\/p>\n<p><!--more-->According to the musicologist Judith Cohen<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_54357_1('footnote_plugin_reference_54357_1_1');\" onkeypress=\"footnote_moveToReference_54357_1('footnote_plugin_reference_54357_1_1');\" ><sup id=\"footnote_plugin_tooltip_54357_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_54357_1_1\" class=\"footnote_tooltip\"><i>A section of this text is taken from the booklet of Judith Cohen\u2019s CD, Dans mon chemin j\u2019ai rencontr\u00e9, published in 1997 by the music label Transit.<\/i><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_54357_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_54357_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, <em>\u00dcsk\u00fcdara giderik\u2019en<\/em>\u00a0is a song taken from a Turkish operetta of the end of the 19th century. A young girl takes a walk in \u00dcsk\u00fcdar (Asian neighborhood of Istanbul) and finds a handkerchief that belongs, she thinks, to her lover. She fills it with traditional candy. Still very popular in Turkey, the song was translated or adapted in dozens of languages (Judeo-Spanish, Serbian, Croationa, Greek, Arabic, Italian, Hebrew\u2026), and is sung as much by Jews and non-Jews in varied events (watch the documentary <a href=\"https:\/\/www.iemj.org\/en\/whose-is-this-song\/\" target=\"_blank\" rel=\"noopener\">Whose is this Song?<\/a>).<\/p>\n<p><img decoding=\"async\" class=\"alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/uskudar_partition.jpg\" alt=\"uskudar_partition.jpg\" align=\"right\" data-description=\"&lt;strong&gt;Partition, en turc&lt;\/strong&gt;\" \/><\/p>\n<p>In North Africa, this song that blends Arabic, French, English, Italian, is known by the name\u00a0<em>Fel shara<\/em>. In that version, the lover is mistreated by his mistress, who hits him with her umbrella. People liked that tune so much that it was used to sing several Sabbath or pilgrimage prayers.<\/p>\n<p>This melody also inspired American klezmer music, with a recorded version by Naftule Branwein in 1924 with the name\u00a0<em>Der terk in America<\/em>. Terkish is a 4 step piece with oriental style, played on a rhythm close to the Greek syrtos, the Turkish tsiftetelli or even the Spanish habaneira<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_54357_1('footnote_plugin_reference_54357_1_2');\" onkeypress=\"footnote_moveToReference_54357_1('footnote_plugin_reference_54357_1_2');\" ><sup id=\"footnote_plugin_tooltip_54357_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_54357_1_2\" class=\"footnote_tooltip\"><i>See Michel Borzykowski, La musique klezmer en bref,\u00a0<a class=\"spip_url spip_out auto\" href=\"http:\/\/borzykowski.users.ch\/MCKlezmer.htm#terkish\" target=\"_blank\" rel=\"external nofollow noopener\"><span class=\"footnote_url_wrap\">http:\/\/borzykowski.users.ch\/MCKlezmer.htm#terkish<\/span><\/a><\/i><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_54357_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_54357_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p>Finally, electro music also used the theme, with in particular a revisited version by Anakronic Electro Orkestra.<\/p>\n<p><!--more--><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tuto klezmer clarinette #5 Terk in America\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/f8sLuvDRWc8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Terk in America : YouTube<\/strong> tutorial<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/1abc_uskudara_gider_iken_selanik_entero_apo_kseno_topo_judith_cohen.mp3\">Uskudara Gider\u2019iken_Selanik Entero_Apo Kseno Topo_Judith Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/2_poletyela_dva_goluba_-_judith_cohen.mp3\">Poletyela Dva Goluba &#8211; Judith Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/3_fel_shara_-_judith_cohen.mp3\">Fel Shara &#8211; Judith Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/4_uskudara_et_tcherni_otchi_extrait_-_balkanes_sefarades.mp3\">Uskudara et Tcherni otchi (EXTRAIT) &#8211; Balkanes sefarades<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/5_der_terk_in_america_-_naftule_brandwein.mp3\">Der Terk in America &#8211; Naftule Brandwein<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/6_yodou_ha_raayonaye_extrait_-_samy_elmaghribi.mp3\">Yodou&#8217;ha Raayonaye (EXTRAIT) &#8211; Samy Elmaghribi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/7_ephtah_pi_be_rina_extrait_-_moshe_dweck.mp3\">Ephtah&#8217; Pi B\u00e9 Rina (EXTRAIT) &#8211; Mosh\u00e9 Dweck<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/8_terk_in_america_extrait_-_anakronic_electro_orkestra.mp3\">Terk in America (EXTRAIT) &#8211; Anakronic Electro Orkestra<\/a><\/div>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_54357_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_54357_1();\">[<a id=\"footnote_reference_container_collapse_button_54357_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_54357_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_54357_1('footnote_plugin_tooltip_54357_1_1');\"><a id=\"footnote_plugin_reference_54357_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\"><i>A section of this text is taken from the booklet of Judith Cohen\u2019s CD, Dans mon chemin j\u2019ai rencontr\u00e9, published in 1997 by the music label Transit.<\/i><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_54357_1('footnote_plugin_tooltip_54357_1_2');\"><a id=\"footnote_plugin_reference_54357_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\"><i>See Michel Borzykowski, La musique klezmer en bref,\u00a0<a class=\"spip_url spip_out auto\" href=\"http:\/\/borzykowski.users.ch\/MCKlezmer.htm#terkish\" target=\"_blank\" rel=\"external nofollow noopener\"><span class=\"footnote_url_wrap\">http:\/\/borzykowski.users.ch\/MCKlezmer.htm#terkish<\/span><\/a><\/i><\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_54357_1() { jQuery('#footnote_references_container_54357_1').show(); 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jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>\u00dcsk\u00fcdara giderik\u2019en is a song taken from a Turkish operetta of the end of the 19th century, which was translated or adapted in dozens of languages (Judeo-Spanish, Serbian, Croationa, Greek,<\/p>\n","protected":false},"author":5,"featured_media":23498,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-54357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","genre-yiddish-en-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00dcsk\u00fcdara - Fel shara - Terk in America - Et cetera - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/uskudara-fel-shara-terk-in-america-et-cetera\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00dcsk\u00fcdara - Fel shara - Terk in America - Et cetera - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"\u00dcsk\u00fcdara giderik\u2019en is a song taken from a Turkish operetta of the end of the 19th century, which was translated or adapted in dozens of languages (Judeo-Spanish, Serbian, Croationa, Greek,\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/uskudara-fel-shara-terk-in-america-et-cetera\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-11T08:44:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-10T16:19:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/04\/arton4083-e1632323573670.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"421\" \/>\n\t<meta property=\"og:image:height\" content=\"336\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/uskudara-fel-shara-terk-in-america-et-cetera\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/uskudara-fel-shara-terk-in-america-et-cetera\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"\u00dcsk\u00fcdara &#8211; 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