{"id":54508,"date":"2019-01-31T10:07:29","date_gmt":"2019-01-31T09:07:29","guid":{"rendered":"https:\/\/www.iemj.org\/samuel-naumbourg-1817-1880\/"},"modified":"2025-07-09T13:21:17","modified_gmt":"2025-07-09T11:21:17","slug":"samuel-naumbourg-1817-1880","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/samuel-naumbourg-1817-1880\/","title":{"rendered":"Samuel Naumbourg (1817-1880)"},"content":{"rendered":"

A selection of liturgical compositions by Samuel Naumbourg, one of the main reformers of the French Consistorial cult in the second half of the 19th century<\/strong><\/p>\n

Born on March 15, 1817 in Bavaria, Samuel Naumbourg learned cantorial art at a very young age. He studied singing and composition in Munich and took part in the town\u2019s new community\u2019s choir. A pioneer in ethnomusicology, he started to gather and write an important part of the Ashkenazi oral tradition of South Germany.<\/p>\n

Between 1838 and 1845, he led the synagogal choirs of Strasbourg and Besan\u00e7on\u2019s communities.<\/p>\n

In 1845, he was appointed to the cantorship of the consistorial temple in Paris, with the recommendation of Fromental Hal\u00e9vy, at a trial period of one year. Samuel Naumbourg wanted to give back to the divine service the pomp it deserved. For this, he continued the changes that started, a few years earlier,\u00a0Isra\u00ebl Lovy (1773-1852)<\/a>\u00a0by recreating a choir that he led with success for several decades, and for whom he composed new tunes.<\/p>\n

He passed away the 1st of May 1880, leaving for posterity four important synagogal music collections written between 1847 et 1874, mainly for soloists, choir, with accompaniment of the harp, the piano or the organ.<\/p>\n

For this, Naumbourg can be considered as one of the precursors of the reform of the French Consistorial cult.<\/p>\n

Read Samuel Naumbourg\u2019s biography<\/a>
Browse the archives on Samuel Naumbourg<\/a><\/p>\n\n

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01 – Naumbourg – Avinou malkenou – Adolphe Attia – Concert La Victoire 1986 – EXTRAIT<\/a><\/div>\n\n\n\n
02 – Naumbourg – Seou shearim – Andor Izsak – 200 Jahre Synagogeorgel – EXTRAIT<\/a><\/div>\n\n\n\n
03 – Naumbourg – Mimaamakim – Ensemble vocal hebraica – dir Hector Sabo – Chants et emotions – EXTRAIT<\/a><\/div>\n\n\n\n
04 – Naumbourg – Beroch Hachono – Michel Heymann – Liturgie juive traditionnelle<\/a><\/div>\n\n\n\n
05 – Naumbourg – Veshomerou – Andre Stora – Chants liturgiques hebraiques<\/a><\/div>\n\n\n\n
06 – Naumbourg – Lekho Dodi – Marcel Lorand – Liturgie Synagogale – EXTRAIT<\/a><\/div>\n\n\n\n
07 – Naumbourg – Adoshem – Shalom Berlinski La voix de la ferveur – EXTRAIT<\/a><\/div>\n\n\n\n
08 – Naumbourg – Veteerav atiratenou – Emile Kacmann – EXTRAIT<\/a><\/div>\n\n\n\n
09 – Naumbourg – Mismor Lesodo – Alberto Mizhahi – dir Andor Izsak – Die Stimme der Synagoge vol 1 – EXTRAIT<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

A selection of liturgical compositions by Samuel Naumbourg, one of the main reformers of the French Consistorial cult in the second half of the 19th century Born on March 15,<\/p>\n","protected":false},"author":1045,"featured_media":22562,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1116],"fonds":[],"tradition":[1141],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-54508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","genre-liturgy","tradition-ashkenazi-rite-en"],"acf":[],"yoast_head":"\nSamuel Naumbourg (1817-1880) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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