{"id":55203,"date":"2017-12-06T11:16:19","date_gmt":"2017-12-06T10:16:19","guid":{"rendered":"https:\/\/www.iemj.org\/le-chant-des-prieres-dans-le-rite-algerois\/"},"modified":"2025-06-19T16:31:40","modified_gmt":"2025-06-19T14:31:40","slug":"le-chant-des-prieres-dans-le-rite-algerois","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/le-chant-des-prieres-dans-le-rite-algerois\/","title":{"rendered":"Singing the prayers in the Algiers\u2019 ritual"},"content":{"rendered":"

Listen to a selection of prayers performed by Zabulon Sebban (1911-1983), cantor from 1927 to 1961 in Algiers’ Great Temple<\/strong><\/p>\n

As a teenager,\u00a0Zabulon Sebban<\/a>\u00a0followed the Rabbinic Seminary \u00ab Ets Ha\u00efm \u00bb of Algiers, and had as classmates the future great Rabbis Meyer Ja\u00efs (Paris), and Simon Morali (Nancy then Nice). From his teachers, (the great Rabbi Dayan Isaac Hanoune, the great Rabbis Loufrani and Isaac Morali), he acquired a deep knowledge of the sacred texts, as well as a fondness for study.<\/span><\/p>\n

Volunteer cantor from 1927 to 1961 at the Grand Temple in Algiers, then at the small synagogue in rue Sainte, he excelled in the traditional liturgy. Singing and teaching at the same time was what he did especially when he expressed, by silence or rhythm, a particular word (or even a syllable) in a sentence, which was particularly important for the best understanding of the prayer. His soft voice, warm and modulated, let us see the origins of the melodies: Spain, Portugal, Morocco, Algiers…<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
26 K\u00e9ter du Moussaf \u2013 Tonalit\u00e9 solennelle<\/a><\/div>\n\n\n\n
25 K\u00e9ter du Moussaf \u2013 Tonalit\u00e9 joyeuse<\/a><\/div>\n\n\n\n
24 K\u00e9ter du Moussaf \u2013 Tonalit\u00e9 orientale<\/a><\/div>\n\n\n\n
23 K\u00e9ter du Moussaf – Chabbat et f\u00eates \u2013 Tonalit\u00e9 nostalgique<\/a><\/div>\n\n\n\n
22 B\u00e9n\u00e9dictions apr\u00e8s la lecture de la Haftara<\/a><\/div>\n\n\n\n
21 B\u00e9n\u00e9dictions avant la lecture de la Haftara<\/a><\/div>\n\n\n\n
20 Les Ta amim<\/a><\/div>\n\n\n\n
19 Paracha NASSO<\/a><\/div>\n\n\n\n
18 Paracha des 3 F\u00eates EMOR<\/a><\/div>\n\n\n\n
17 Paracha MICHPATIM_Derniers versets<\/a><\/div>\n\n\n\n
16 Paracha YITRO<\/a><\/div>\n\n\n\n
15 Maphtir Paracha BECHALAH suivi du d\u00e9but de la Paracha YITRO<\/a><\/div>\n\n\n\n
14 Paracha BECHALAH<\/a><\/div>\n\n\n\n
13 Paracha VAYEH I<\/a><\/div>\n\n\n\n
12 Paracha BERECHIT<\/a><\/div>\n\n\n\n
11 TORAH TSIVA-LANOU<\/a><\/div>\n\n\n\n
10 KADDICHE<\/a><\/div>\n\n\n\n
9 BIRKAT COHANIM<\/a><\/div>\n\n\n\n
8 KEDDOUSHA et AMIDA<\/a><\/div>\n\n\n\n
7 BAREKHOU du YOTSER OR<\/a><\/div>\n\n\n\n
6 KADDICHE<\/a><\/div>\n\n\n\n
5 RIBON KOL-HAMA ASSIM<\/a><\/div>\n\n\n\n
4 NICHMAT KOL H A\u00cf<\/a><\/div>\n\n\n\n
3 VAYEVAREKH DAVID<\/a><\/div>\n\n\n\n
2 HACHEM MELEKH<\/a><\/div>\n\n\n\n
1 HACHEM MELEKH<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Listen to a selection of prayers performed by Zabulon Sebban (1911-1983), cantor from 1927 to 1961 in Algiers’ Great Temple<\/p>\n","protected":false},"author":1052,"featured_media":16998,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[2096,1812],"formation":[],"genre":[1116],"fonds":[],"tradition":[1145],"type-de-contenu":[],"interprete-compositeur":[3313],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-55203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","sujet-biblical-accents-teamim-en","sujet-parachot-en","genre-liturgy","tradition-sephardic-rite-en","interprete-compositeur-zabulon-sebban-en"],"acf":[],"yoast_head":"\nSinging the prayers in the Algiers\u2019 ritual - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta 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