{"id":55474,"date":"2017-02-22T11:15:20","date_gmt":"2017-02-22T10:15:20","guid":{"rendered":"https:\/\/www.iemj.org\/sur-un-air-de-valse\/"},"modified":"2025-06-19T12:46:54","modified_gmt":"2025-06-19T10:46:54","slug":"sur-un-air-de-valse","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/sur-un-air-de-valse\/","title":{"rendered":"Waltzes"},"content":{"rendered":"

The waltz comes from the German word \u201cWalzer\u201d which means \u201cto turn in circle\u201d. This dance became famous in Vienna in 1780 and spread throughout Western Europe.<\/span>Its music is generally written in \u00be with a strong first beat followed by two weak beats, on which the embracing couple moves on the dance floor turning on itself.<\/span><\/p>\n

In France, with the 1789\u2019s Revolution, court dances became less popular, and people danced more waltzes. The first use of the parquet floor and leather shoes allowed going from jumped footsteps to slipped footsteps.
From 1840 on, the salon dances are clearly separated from ballet dances, and start to be taught by masters of salon dances.<\/p>\n

The waltz: a musical genre appreciated by Jewish composers<\/h3>\n

During the Second Empire, Emile Waldteufel<\/a> became famous by writing several music pieces for dancing (waltz, mazurka\u2026). In 1865, notably appreciated by Eug\u00e9nie, he became director of dance music at the imperial court of Napoleon III and the chosen pianist of the empress. He is asked to enliven the famous dancing evenings of Biarritz and Compiegne. From 1867 on, Waldteufel\u2019s orchestra accompanied the balls in the Tuileries garden, following what Isaac Strauss<\/a> had done, whom Berlioz called \u201cthe Strauss of Paris\u201d in his memoirs.<\/p>\n

During the second half of the 19th century, many composers \u2013 such as Johann Strauss son,\u00a0Jacques Offenbach<\/a>\u00a0and Reynaldo Hahn<\/a> \u2013 wrote many waltzes just for its music, while at the same time as thousands are written for the dancing.<\/p>\n

The 20th century perpetuates the tradition of the waltz in a much freer style: slow waltz, movement of an instrumental piece, easy-listening song, etc.<\/p>\n

This playlist presents several waltzes written by Isaac Strauss<\/a>, Emile Waldteufel<\/a>,\u00a0Jacques Offenbach<\/a>, Johann Strauss son,\u00a0Albert Cahan d\u2019Anvers<\/a>,\u00a0Fernand Halphen<\/a>, Norbert Glanzberg<\/a> and Denis Cuniot<\/a>.<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n
Chasseneh Valse – Chaim Towber<\/a><\/div>\n\n\n\n
Grande Valse (EXTRAIT) – Jacques Offenbach<\/a><\/div>\n\n\n\n
Invitation \u00e0 la Valse (EXTRAIT) – Norbert Glanzberg<\/a><\/div>\n\n\n\n
Le beau Danube bleu – Johan Strauss (fils)<\/a><\/div>\n\n\n\n
Valse des Edelweiss pour piano (EXTRAIT) – Albert Cahen d’Anvers<\/a><\/div>\n\n\n\n
Valse Lente – Fernand Halphen<\/a><\/div>\n\n\n\n
Valse pour un ami (EXTRAIT) – Denis Cuniot<\/a><\/div>\n\n\n\n
Les patineurs (EXTRAIT) – Emile Waldteufel<\/a><\/div>\n\n\n\n
Tr\u00e9sors de la Pologne (EXTRAIT) – Isaac Strauss<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

The waltz comes from the German word \u201cWalzer\u201d which means \u201cto turn in circle\u201d. 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