{"id":55606,"date":"2016-10-25T16:45:47","date_gmt":"2016-10-25T14:45:47","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/"},"modified":"2025-06-19T12:04:56","modified_gmt":"2025-06-19T10:04:56","slug":"musiques-des-theatres-et-cabarets-yiddish-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/","title":{"rendered":"Music of Yiddish theaters and cabarets, 2nd part"},"content":{"rendered":"<p><strong>A second overview of the many Yiddish cultural and musical activities in Paris, since the beginning of the 19th century<\/strong><\/p>\n<p><!--more-->There were Yiddish theaters, like the Th\u00e9\u00e2tre de la R\u00e9publique, also called Th\u00e9\u00e2tre Lancry, Th\u00e9\u00e2tre de l\u2019Entrep\u00f4t, but also cabarets like La Riviera with Bernard Potock and Dave Cash, the Dancing Cabaret with Sigmunt Berland or the Yiddish Cabaret with Dave Cash&#8230;&#8230;<\/p>\n<p>During a period of many years, caf\u00e9s, theaters and cabarets, that often had a short existence, counted on actors, singers and musicians to attract an audience that spoke Yiddish.<\/p>\n<p>The singers performed folkloric songs and parodies. They often wandered between the tables and encouraged the audience to laugh, sing and dance, propagating the spirit of Yiddish song.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/musiques-des-theatres-et-cabarets-yiddish-1\/\" target=\"_blank\" rel=\"noopener\">Listen to the playlist: Music of Yiddish theaters and cabarets, 1st part<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/yiddish-cabarets-in-paris-from-1948-to-1970\/\">Listen to the radio broadcast: Yiddish cabarets in Paris, from 1948 to 1970<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/product\/casket-of-the-jewish-musics-in-paris-in-the-aftermath-of-ww-ii\/\">Purchase the 6 disc box-set Jewish music in the aftermath of WW 2 Elesdisc 1948 &#8211; 1953<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12105\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_musique_cabaret_2_500px.jpg\" alt=\"doc_1_musique_cabaret_2_500px.jpg\" width=\"500\" height=\"293\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_musique_cabaret_2_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_musique_cabaret_2_500px-300x176.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/al_capone_-_jacques_grober.mp3\">Al Capone &#8211; Jacques GROBER<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/bublitchke_-_mary_soriano.mp3\">Bublitchke &#8211; Mary SORIANO<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/der_kinderisher_sechel_-_mary_soriano.mp3\">Der kinderisher sechel &#8211; Mary SORIANO<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/hei_hei_caramba_-_dave_cash.mp3\">Hei! Hei! Caramba &#8211; Dave CASH<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/kleyn_melamedl_-_theodore_bikel.mp3\">Kleyn Melamedl &#8211; Th\u00e9odore BIKEL<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/lomir_zingen_un_tanzen_-_talila.mp3\">Lomir zingen un tanzen &#8211; TALILA<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/yosel_ber_-_bernard_potock.mp3\">Yosel Ber &#8211; Bernard POTOCK<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/der_yiddischer_boogie-woogie_-_dave_cash.mp3\">Der Yiddischer Boogie-Woogie &#8211; Dave CASH<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/sha_shtil_-_dany_delmin.mp3\">Sha, Shtil &#8211; Dany DELMIN<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A second overview of the many Yiddish cultural and musical activities in Paris, since the beginning of the 19th century<\/p>\n","protected":false},"author":1052,"featured_media":12103,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-55606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Music of Yiddish theaters and cabarets, 2nd part - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Music of Yiddish theaters and cabarets, 2nd part - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"A second overview of the many Yiddish cultural and musical activities in Paris, since the beginning of the 19th century\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta 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