{"id":55970,"date":"2016-06-30T11:34:24","date_gmt":"2016-06-30T09:34:24","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-hassidiques-2eme-partie\/"},"modified":"2025-05-27T12:51:13","modified_gmt":"2025-05-27T10:51:13","slug":"musiques-hassidiques-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/musiques-hassidiques-2eme-partie\/","title":{"rendered":"Chasidic music 2nd part"},"content":{"rendered":"

The emergence of the chasidic movement in Podolia, during the 2nd half of the 18th century, came along with the creation of a new way of singing, half way between religious and popular music. You can listen here to a selection of some of these songs.<\/strong><\/p>\n

In Chasidic songs, it\u2019s the melody, the main theme, which is most important, often accompanied with small onomatopoeias like \u201cdoy doy doy\u201d or \u201cya-ba-bam\u201d generally repeated many times. Body movements can also accompany the nigunim (lit. \u201cmelodies\u201d).<\/p>\n

According to the Baal Chem Tov, it is not exclusively the study of the sacred texts that leads to get closer to G., we can also taste the divine essence by singing and dancing.<\/p>\n

The nigunim are performed in an expressive vocal style. It\u2019s the kavanah (the intention) that is the most important, as testified in this Chasidic saying: \u201csilence is better than speech, but singing is better than silence\u201d.<\/p>\n

Listen to the playlist Chasidic music 1st part<\/a><\/p>\n

Listen to the playlist Chasidic music 3rd part<\/a><\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
S’iz nito keyn nekhtn – Jacques GROBER<\/a><\/div>\n\n\n\n
Hashto Baagolo – Leibele WALDMAN<\/a><\/div>\n\n\n\n
Buhsher Khosid – Yiddishe Fantazye <\/a><\/div>\n\n\n\n
V’hi Sheomdoh – Ben Zion Shenker<\/a><\/div>\n\n\n\n
Bimbam – Shalom BERLINSKI<\/a><\/div>\n\n\n\n
Ha’el Hamoshia – Tzvika PICK<\/a><\/div>\n\n\n\n
Lechu Neranena – Esthi KATZ<\/a><\/div>\n\n\n\n
Yedid Nefesh – Ben Zion Shenker<\/a><\/div>\n\n\n\n
Khsidishe Hopke – Yiddishe Fantazye<\/a><\/div>\n\n\n\n
Tzam\u2019a Nafshi – Effi Netzer Singers<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

The emergence of the chasidic movement in Podolia, during the 2nd half of the 18th century, came along with the creation of a new way of singing, half way between<\/p>\n","protected":false},"author":1052,"featured_media":11320,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-55970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en"],"acf":[],"yoast_head":"\nChasidic music 2nd part - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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